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Glass pendant in the shape of a face (4th-3rd century BC)

By the way, that city did not need to be destroyed at all: 7 myths about Carthage debunked in Leiden

The bad news is: most myths about Carthage are nonsense. The good news is, the reality is at least as fascinating. Until 10 May 2015, the Rijksmuseum van Oudheden (RMO) in Leiden is showing the multifaceted history of a port city in present-day Tunisia, and once formidable rival of the Roman Empire. It simultaneously offers a glimpse... 

Belgium beware: artists defending subsidies. You can do better.

With a new government in Belgium, the debate on art subsidies has also erupted there. The issue there is only 0.7 per cent of the national budget. The cut of a mere 10% is less substantial than in the Netherlands under the PVV's noose, but the arguments are the same. Though they are often better articulated. Josse de Pauw, international... 

Audio is the new video. 10 palpable reasons why you should experience 'Oh that sea'

The living proof can be seen just before it knocks you off your socks, or lands under a bus before your eyes: people with headphones on in traffic are not on the same bike path as where you are riding. Not even in the same universe. Even if their eyes are open. We don't realise ourselves how effective sound is 

What's next for Rotterdam? 5 reasons why Simons will struggle

The great theatre maker Johan Simons has made it known that he wants to come to Rotterdam, to set up a major European theatre. He sees his chance now that a spot will become available in two years' time in the artistic direction of the Maasstad's city theatre company, the ro theatre. When they appoint Simons, they can think big, Simons says. And. 

'Collective copyright abuse is global problem'

A while back, there was fuss in the Netherlands about the BUMA, the club that collects copyrights for musicians and publishers. Money had been lost in speculation and a director was engaging in nepotism. These cases do not appear to be isolated. At least, they are also mentioned in an overview of all known cases of abuse of power and corruption at collecting societies worldwide.

From Ghana and Nigeria to Brazil, China and, indeed, the Netherlands and France: it ...

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Even hushed Ivo Dimchev makes raging impression with "I-on" during opening night Springdance Festival

As a performer, Ivo Dimchev is so fast and ferocious in his shifts between blunt bravado, childish fun, erotic impertinence and cutting loneliness that as a spectator, you normally can't get between them. Once Dimchev has his audience in his clutches, they can only follow him in bewilderment. "I-on" is again a seemingly loose collection of actions. Everything takes place around a... 

'It felt a bit like the first time sex: way too direct, rushed, overactive and largely based on insecurity': Ivo Dimchev in battle with Franz West's wearable art

"What the fuck should I do with this?" was choreographer and performance artist Ivo Dimchev's (1976) first thought when confronted with the artworks of Austrian artist Franz West. After Dimchev's solo performance Some Faves (2010) in Vienna, West, a multi-awarded creator of bizarre sculptures and objects, sought contact with the choreographer. He asked him to make an improvised video based on his... 

Porn, movement and politics seek each other at festival Something Raw

For over a decade, Something Raw has been one of the few places in the Netherlands where the question of artistic and social urgency of the body is explored on stage, with all the fun and risk involved. Many performances struggled with the 'impasse of display': have people then become mere things to look at? Porn is the... 

WWIK transitional regime until 1 July 2012: The grinding of De Kroms teeth echoes to the smallest municipality

The art sector's victory over government policy will last until 1 July 2012. Until then, a transitional scheme applies to artists who were eligible for WWIK benefits until 1 January 2012. This is because this highly successful scheme, which gives artists a chance to build a profitable professional practice at an amount of 70% of the welfare level, had been abolished by... 

Anne Sofie von Otter in De Doelen: 'classical' Bach comes off worst, triumph for 'populist' Handel

Among lovers of the music of contemporaries Johann Sebastian Bach (1685-1750) and George Frederic Handel (1685-1759), the bickering is well comparable to that between supporters of Beatles and Rolling Stones. Bach is classical, Handel populist, Bach wrote lofty music, Handel flat-out , Bach was (barring his St Matthew Passion) succinct in his musical statements, Handel rambled on endlessly. And so... 

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