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Simon Stone adapts Ibsen for Australians: 'And why would you even go to the theatre if you live in Sydney?'

Holland Festival Holland Festival

Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit

Fiction in dance films, (how) does it work? Good question at festival Cinedans

Fransien van der Putt, together with choreographer and dance film-maker Angelika Oei, saw five new Dutch dance films during Cinedans. Some of the results were promising. The films all transcended the level of visual gimmick. In its place is a struggle with fiction and physical credibility.

'A lot of art is too much about pleasing'

It started with an email out of the blue. Artist Joncquil had Googled my website and was struck by the name. I myself had almost forgotten how I had ever come up with the name, Joy of Irony: a song by the legendary, highly underrated English noise/metal band Fudge Tunnel. Joncquil came to my site because of his expo at the time, Himmel und Joy. He had read some of my pieces and introduced himself. Maybe one day we could have coffee to talk a bit about art.

Thus it happened.

'Readers need to be approached in a different way'

Writers Unlimited Special - One of the important guests at Writers Unlimited is Roland Colastica. This Curaçao author made his debut in 2012 with the children's book 'Fireworks in my head'. The book was enthusiastically received, and has since grown into a modest bestseller. Great strength of the story is its colourful and rhythmic style, but just as important is

Eric de Vroedt: 'Eventually reached Obama too'

Winning two awards in one weekend, that doesn't often happen to a person, not even in the award-winning art world. Eric de Vroedt is a theatre-maker and writer to whom it has thus happened. Entering his final season 'MightySociety' he got the Amsterdam Prize (35,000 euros) and the Prize of Criticism (a statuette), determined by a jury of newspaper reviewers.

Tate London has 100,000 members. Fortunately not all of them are active

Martin Barden realises that an old model works, where everyone is always clamouring for new forms. As marketing boss of the Tate museums in London, he created a large network of friends. So that museum has more than 100,000 members. people who feel part of the club, and whom you need to pamper.

The Second Detail

Shock and awe ballet in Bill & Mr. B overflows with quality on all sides; there is no stalling

In the production Bill & Mr B, the Dutch National Ballet dives thematically into history with reprises of works by George Balanchine and William Forsythe. Balanchine's Symphony in Three Movements (1972) is considered the breeding ground for Forsythe, who then went 'the extra mile' with Steptext (1985) and The Second Detail (1991). From protocol to photocall: dance as a photo session. Movement - click,... 

In Accordion Wrestling, 10 Finnish wrestlers compete with 1 accordion player. The weirdest show on #hf12

One by one, Helsinki Nelson's wrestlers come running onto the stage of the City Theatre. On the mat is the biggest of the bunch, lying on his stomach, stretched out in a defensive position. Alternately, his opponent tries to tip him, pushing him flat on the mat with both his shoulders. In vain. Accordion punk rocker Kommi Pohjonen comes on, and... 

With her heavenly voice, Shara Worden seems to transcend time and space #hf12

Shara Worden bounces lithely across the Bimhuis stage, dressed in a weird, multicoloured fairy outfit with plush balls. And she sings the stars from heaven, with insane timing and agility. Her heavenly voice seems to dance with amazing dynamics. From frighteningly subtle and rarefied, from warm and deeply resonant to shuddering high notes at hurricane force. She... 

#hf12 Shara Worden speaks about All Things Will Unwind. And sings a new song

Multi-instrumentalist and singer-songwriter Shara Worden - also known as My Brightest Diamond - is waiting for me, armed with her ukulele. Just before the interview, she wrote a new song. Worden laughs: "There are way too many videos on the internet of me playing the same songs over and over. I thought I should try something new." The Dodo was there... 

As gentle and intelligent as the very young dancers are handled, reactions to Boris Charmatz's 'Enfant' #HF12 are often wild.

Youth these days mostly evokes the thought of danger. Society suffers from a distorted ideal image that leaves real children little room to play. Eventually, therefore, they rebel in Enfant. But until then, the very young performers still mainly have the role of adjunct or capstone, complement or extension of the nine adult dancers. The new... 

Opening Holland Festival on twitter and facebook: tenue de wtf, ns-#fail, sublime dance theatre and mozzarella sticks #hf12

[View the story "Opening Holland Festival 2012" on Storify] Opening Holland Festival 2012 On 1 June, the Holland Festival opened at Theater Carré. We were there, saw Platel's C(h)oeurs and tasted the atmosphere. Although it almost went wrong. This is what of it was witnessed on social media Storified by Cultureel Persbureau - Sat, Jun 02 2012 08:37:18... 

Tino Sehgal and Ari Benjamin Meyers seek the most intense live experience possible at Springdance

Springdance closes with a remarkable dance concert on 28 April. Visual artist and choreographer Tino Sehgal created a movement piece to music by composer Ari Benjamin Meyers, which will be performed among the listening audience. Tino Sehgal's work is a well-kept secret. In any case, hardly any recordings of it are known. During the interview, Meyers says the following about it 

Ibrahim Quraishi's "My private Himalya" sparkles by omitting drama

A little tent allowed to play for sea anemone on dry land, its four legs perky in the air. Actors having a cup of tea and a game of cards. It all looks very innocent. What begins as a wonderful picture novel gradually grows into a rebus of considerable length. "My private Himalaya" is akin to a walking exhibition, with a wind machine.... 

Inertia and extreme duration make "Wild Life Take Away Station" by Ibrahim Quraishi a mysterious still life

Upon entering, Wild Life Take Away Station has been going on for four hours. Two performers - Diego Agulló and Ria Higler, a young man and an old woman - stroll through the Central Museum's project studio like drowsy zombies. They are pale and muscle-naked, except for their weird slippers and wigs. The two lie sprawled across the sofa,... 

Ruben Brugman interviews Russel Maliphant on the Rodin Project

"I love it when movement moves people," says British choreographer Russel Maliphant in this interview after the performance of The Rodin Project. In the Hekman foyer of Utrecht's Stadsschouwburg, our colleague from Danspubliek.nl put the creator ven the Rodin Project through his paces. It is interesting what Maliphant has to say about the first part of... 

Tjitske Reidinga launched as star of new summer programming Amsterdam Delamartheater

The general public knows her as the rock-hard lawyer Claire from Gooise Vrouwen. Tone lovers have known her longer as that actress with the striking voice. A diplomat's daughter, born in Africa, later raised in Bussum. Tjitske Reidinga now dares to come forward:

Theodor Holman seeks new frontiers

 At the request of Amsterdam debate centre De Balie, Parool and Groene Amsterdammer columnist Theodor Holman wrote a play about a conversation between Anders Breivik and Geert Wilders. In an interview with Joost Niemöller of the opinion blog 'De Dagelijkse Standaard', the presenter and writer explained that he admires Breivik's analysis of the situation in Europe, which he also believes... 

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