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Fred Wondergem: 'There is always more that you don't see than what you do see.'

'When I look in the auditorium at a classical concert now, I do think: it's full now, but in 20 years eighty per cent will be dead. So the bottom has to be fed, and TivoliVredenburg does that well. They do it, for example, with Out of the Blue, which is a programme where you get great food and by a special host 

Planet Tim Burton lands in Flanders: 'A pressure cooker full of bizarre and disruptive ideas'

The Flemish waffle baker at the Willy Wonka Wafl Factory in the Burton Cafe has seen all the Tim Burton films, he says from between a sleek hipster beard. 'Especially since you had to prepare the menu,' I say. The menu at the - temporary - Burton Cafe in exhibition space C-min includes: Charlie Chocolate Wafl, Scissorhands Wafl, Oompa Loopa Wafl, Beetlejuice... 

Concert Jarre was everything but unforgettable. And that's a compliment.

Jean-Michel Jarre was visiting the Netherlands. At the Heineken Music Hall, old and new fans could enjoy his hypnotic work. I went there to listen, but of course also to watch. Forty years ago, Jean-Michel Jarre, pioneer in synthesiser music, released Oxygène. Anno 2016, we are 12 million copies sold. On that huge scale, the Frenchman produces... 

Ivo Pogorelich shocks Eindhoven and streams on Idagio

'It took me 18 years to make a new recording,' Croatian pianist Ivo Pogorelich (1958) says with a modest smile. 'Just as much time as it takes a baby to come of age.' It is Wednesday, November 2. A special moment, because on that day Pogorelich's CD-less new recording of Beethoven's Piano Sonatas No 22 and No 24 will go on... 

Podium Witteman has lost the stage, er, way

Throughout the year, the public broadcaster spends a lot of time on sports. For World Cup, Tour or Games, cultural broadcasts are cancelled for weeks without pardon. If you can't beat them, join them, Paul Witteman must have thought, or perhaps the viewing figures were disappointing, because on 1 May he devoted an entire Podium Witteman broadcast to cycling. Don't. The reason for the cycling special is... 

Guaranteeing: the new way of subsidising.

The Orchestra of the East is allowed half a million in red. That is the outcome of the 'Urban Commission' in Enschede. In a fortnight, the city council will formally take the decision, but with the commitment of a large majority, any debate will be wasted time then and the proposal would be better added to the list of hammer pieces immediately. That would have been a month... 

Violinist Vadim Repin: 'The score is our bible!'

At five, he started playing the violin, and after only six months he gave his first performance. At 17, he was the youngest participant ever to win the prestigious Queen Elisabeth Competition. In 2002, Vadim Repin, born in Novosibirsk in 1971, played at Willem-Alexander and Máxima's wedding concert, together with the Royal Concertgebouw Orchestra. Three years ago, Repin started his own... 

The woman behind the maestro: Together and yet apart #Aaltje from Sweden

Aaltje van Buuren enjoys her busy life. She is the wife of successful star conductor Jaap van Zweden. She dedicates her charm and energy worldwide to non-profit organisations that improve the daily lives of autistic children. Music and art are forces that run like a thread through everything she touches. The family can be seen every week... 

Musicians pay to save their orchestra. TV programme Maestro helps a little.

The Orchestra of the East is cutting its coat of arms, focusing primarily on Overijssel and has applied for collective redundancy. This - and a whole lot more - can be read in the new business plan. It is enough for the province to release a one-off €1.1 million and make 3.5 tonnes of annual subsidy available again from now on. The... 

Gray Trovatore does not strike to the heart

On Thursday 8 October, I saw a live performance of Verdi's opera Il trovatore at Amsterdam's Muziektheater for the first time. It was not an unmixed pleasure. During the first two acts, The Netherlands Philharmonic Orchestra, the National Opera Chorus and the soloists were so out of sync that I considered leaving at the interval. A good friend... 

People are interested in people. 4 Essential lessons in master class by Pierre Audi.

In a full University Theatre on Tuesday 6 October, Pierre Audi gave a master class for young singers, dramaturgs and directors. Three scenes had been prepared by the students and were then expertly filleted by Audi. "Sorella, que dici?.... Prenderò quel brunettino", from Mozart's Così fan tutte began as a scene of two punk girls gripped by consumerism. The director and trainee dramatists... 

Italian grandfather of arthouse cinema

With Michelangelo Antonioni - Il maestro del cinema moderno, EYE has once again managed to put together a flawless and solid film exhibition. George Vermij visited the exhibition on the Italian master filmmaker and looks back on his influential oeuvre. In Dino Risi's road movie Il Sorpasso (1962), the passionate and extroverted Vittorio Gassman takes on a young and reserved Jean-Louis Trintignant... 

De Tiende van Tijl promo

De Tiende van Tijl is good, proves Podium Witteman

On this website in December 2014, I broke a lance for TV programmes like Maestro, which presented classical music as too easy in the eyes of some. Those same people probably won't have a good word to say about The Tenth of Ten, in which comedian Tijl Beckand introduces classical music through spectacular stories, dramatic histories, often on location in... 

Hero Brinkman: Facts are for the elite, it's all about the tone

Classical music is elitist, most conductors and orchestra members don't have a clue what they are doing and audiences have absolutely no clue. Subsidised art should be both accessible to a large audience and socially engaged. I also believe that The Joshua Tree is perhaps the best album ever. Signed, Hero Brinkman... 

Carlo Boszhard as a gnome: 3 reasons why 'Maestro' does suck

Tonight (Thursday 18 December), the second season of TV programme 'Maestro' will have its finale. Dutch celebrities such as schlager singer Frans Duijts and presenter Sylvana Simons try to conduct a symphony orchestra under supervision. They will be judged by conductor Otto Tausk, violinist Isabelle van Keulen and double bassist Dominic Seldis. Letter writers and columnists tumble over each other in condemning the programme. 'Maestro' would be a knee-jerk... 

Voices from the realm of shadows - retrospective Luigi Nono at Holland Festival

After impressive retrospectives dedicated to John Cage (2012) and Edgard Varèse (2009), the Holland Festival this year put Venetian composer Luigi Nono in the spotlight. Under the title 'Trilogy of the sublime', the imposing Gashouder was the epicentre of three full-length concerts, short 'Nono interventions' sounded in the Rijksmuseum's subway, a two-day symposium was organised around Nono, and his widow Nuria set up an exhibition entitled 'Maestro di suoni i silenzi'.

Gergiev comes to Rotterdam with a top orchestra and top repertoire, but audiences are used to that from him

Russian conductor Valeri Gergjev was back in Rotterdam for a while, for one concert. He conducted his own orchestra, the London Symphony Orchestra (LSO), in de Doelen. The famous orchestra played repertoire that we in our country know inside out: Gustav Mahler's 1st symphony and Dmitri Shostakovich's 1st piano concerto. A now historic combination: because the Netherlands has become fused... 

Superior played-in recordings are no guarantee of delivering a reference CD

The Rotterdam Philharmonic Orchestra currently has an unprecedented luxury: it is releasing CDs on two labels at the same time. How is that possible? The orchestra signed under its own name with BIS Records, the label with which the eccentric owner Von Bahr releases one extraordinary recording after another, while chief conductor Yannick Néze-Séguin is old-fashionedly under contract as maestro with EMI.... 

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