Erik Voermans (1958) is one of those people who writes down what you think yourself, but would never air publicly. The music editor of Het Parool likes to pose as your unsuspecting neighbour's boy, watching the music world with amazement. Take the phenomenon of opera: 'That's when someone with a knife in his taas walks around for half an hour singing that he's going to die.' If he...
In 1961, Krzysztof Penderecki (Dębica, 1933) put his name on the map in one fell swoop with Lament for the Victims of Hiroshima. This avant-garde, expressionist piece for string orchestra flogs the ears with heavily dissonant harmonies full of microtones. With this uncompromising orgy of sound, the Pole struck the mental and physical inferno caused by the atomic bomb on the Japanese city in 1945 in the...
Thursday 21 January sees the start of the ninth edition of the Storioni Festival, dedicated to the five-hundredth anniversary of Hieronymus Bosch's death. Free after his famous triptych Garden of Earthly Delights, the musicians of the Storioni Trio and Frank Veenstra, artistic manager of Muziekgebouw Eindhoven, chose the theme 'Dreams and Demons'. Composer in residence is Poland's Krzysztof Penderecki, who became famous...
With the death of Pierre Boulez on 5 January, modernism seemingly came to an end, but the two-year-old Ursula Mamlok (1923) is still alive and kicking. Although the German-American Mamlok hopes to turn 93 on 1 February, she is steadily composing.# In 2009, she wrote Aphorisms II for two clarinets, in which, as in all her pieces, she manages to couple atonality with a warm-blooded...
'So, that one is hanging again', the alto Aafje Heynis is said to have exclaimed after a performance of Bach's St Matthew Passion. The statement is probably apocryphal and has also been attributed to soprano Jo Vincent, but fits perfectly with her typically Dutch down-to-earthness*, which was at odds with her heartfelt performances of very diverse music. In 1983, she quit until...
Saturday 13 December, the NTR Saturday matinee presents the world premiere of Unscrolled for piano and orchestra by Chinese-American composer Huang Ruo (Hainan, 1976), with pianist Emanuele Arciuli and the Residentie Orkest conducted by Emilio Pomàrico. This kicks off his three-month stay as composer in residence of the Amsterdam Concertgebouw. Ruo is the first to receive this honour,...
Whole generations of children have grown up with Charlie Brown, Snoopy, Linus, Lucy and their friends. The universe in which adults are conspicuous by their absence, but children's emotions are remarkably complex. And that is probably also the appeal of the television cartoon A Charlie Brown Christmas, which first aired exactly 50 years ago. Charlie Brown has no sense at all of...
By 1970, Karlheinz Stockhausen (1928-2007) had run out of 'intuitive' compositions in which the performer had to choose his or her own path from a series of written instructions. Like Intensity, for example, whose score consists of this text: Play the individual notes with such dedication until you feel the warmth radiating from you. Play on and keep them on as long as you can....
What titles come to mind when you hear the name Arvo Pärt? Sonatina opus 1; Symphony no. 1; Perpetuum mobile, or Fratres; Für Alina; Spiegel im Spiegel? My guess is the second set, because it was with pieces like these that Pärt conquered the world in the late 20th century. Audiences flocked in droves to immerse themselves in his sonorous sound world, but...
In the wings of Nederlands Dans Theater, the new generation of dance makers is ready. Medhi Walerski and Johan Inger are both former dancers of the company and have previously created pieces there. In NDT2's Shearing the Wolves programme, they each surprise with a world premiere full of intense, pure dance. In comparison, an older work by house choreographers Sol Léon and...
In the 1970s, Reinbert de Leeuw stormed the popular charts with recordings of Erik Satie's early piano music. He managed to strike exactly the right chord with his ultra-rare performances of pieces like Gnossiennes and Gymnopédies. The albums sold like hot cakes and were awarded gold and platinum records. Two decades later, he recorded them...
Once in a while it resurfaces, the next idea. An ideal of the future: if some public talker were to eavesdrop a little more on musicians. What would take place? In the clay The same thing that has been audible in the Dutch musical landscape for a while now would happen: shuffling cultures. Taking inspiration from the rest of the...
In 1985, Unsuk Chin (Seoul 1961) won the Gaudeamus Music Prize with Spektra for three cellos, six years later she made her breakthrough with her Akrostichon-Wortspiel for soprano and ensemble composed for the Nieuw Ensemble. In 2004, she won the Grawemeyer Award, the world's most prestigious music prize; in 2007, she made a deep impression with her opera Alice in Wonderland. Tomorrow, Thursday 22 October.
During the Seven Bridges Festival, from 29 September to 4 October, you could enjoy chamber music concerts in beautiful historic buildings in Amsterdam. One concert, on 1 October, we highlight. Compositions by Haydn and Beethoven resounded in Museum Geelvinck Hinlopen. This included a straining Haydn sonata on pianoforte grand piano and sparkling 'Volksliederen' by Van Beethoven by the expressive soprano Katharine...
In 1989, the Holland Festival placed composers from the Soviet Union at the centre. The music of Galina Ustvolskaya and Sofia Gubaidoelina hit like a bomb. The ladies proved to be here to stay, although they move at two extremes of our perception of sound. Ustvolskaya pounds her message into our eardrums with monomaniacal drive, Gubaidoelina intoxicates us with mysterious rustling and whispering sounds. For me,...
Next Tuesday, 29 September, the 7 Bridges Festival begins in the heart of Amsterdam. It is an initiative of pianist Edward Janning, driving force behind the Erard Ensemble playing on authentic instruments. In five concerts, he will take us past the Amstelkerk on the Amstelveld, Museum van Loon and Museum Geelvinck on Keizersgracht, the Stadsarchief on Vijzelstraat and the Goethe Instituut...
Listening to a short poem is sometimes hard work. This was evident during the Night of Poetry, held for the 33rd time on Saturday 19 September. At a poem that ends in brief toneless silence from the poet after four short sentences, the experts separate themselves from the amateurs in the audience. Clap quickly, before the next poem is over. Or.
'Rachmaninov's melodic gift is impressive and makes the composer very popular'. This is how Valery Gergiev pithily sums up the quality of Rachmaninov's music. The Gergiev Festival that centred around this composer this weekend emphatically sticks to the popular works: the piano concertos and symphonies . Yet it omits many compositions that could have given these works more framework....
Actually, Sergei Rachmaninov (1873-1943) was a bit of an oddity, an anachronism. He bit into the composition style of his great example Pyotr Ilyich Tchaikovsky, who died in 1893. When contrasting Rachmaninov with some of his contemporaries (Dmitri Shostakowich, Sergei Prokofiev, Igor Strawinsky and overseas Charles Ives, George Antheil and Edgard Varèse), it is only right to notice...
From Thursday 17 September onwards, Maastricht will be dominated by four days of arts festival Musica Sacra. Started in 1983 as the European Festival of Religious Music, other art disciplines are now also presented, in atmospheric churches and other historical venues. This year's theme is 'The Way', loosely inspired by the pilgrimage route to pilgrimage site Santiago de Compostela, with the central question of whether...
Just after the end of the Early Music Festival, the Gaudeamus Music Week, the Mecca of cutting-edge notes for seventy years, starts in Utrecht. Five nominated composers under thirty compete for the coveted Gaudeamus Award, previously won by now established composers such as Unsuk Chin, Yannis Kyriakides and Michel van der Aa. For the second year, the...
Got that. Do I get increasingly impressed during the National Ballet's evening Cool Britannia, turns out it's not that good at all. Because connoisseurs react lukewarmly afterwards. Am I that dumb, or are they that smart? There is actually very little British about Cool Britannia. Except that the choreographers are from there. An obvious...
The new operas by Arnoud Noordegraaf and Guo Wenjing, which the Holland Festival presented shortly after each other, both thematise the loss of traditional values due to the meteoric developments in modern China. Both also feature a Chinese soprano in the lead role and draw on classical Chinese opera and folk music. The inner landscape of Guo Wenjing, which will be performed Tuesday, 16 June,...
It was a moving moment when director Cherry Duyns drove a frail Misha Mengelberg onto the stage on Tuesday 9 June, after the premiere of his opera Koeien (Cows). Dressed in a bright orange windbreaker and wearing a cap with an oversized visor, the recently turned eighty improviser and rudderless disruptor looked around uncomfortably: is this applause for me? Yet he visibly enjoyed himself and...
When you think of Carel Kraayenhof, you don't immediately think of a young squatter orating about Karl Marx in circle discussions. Yet protest resides in the musician, just like in the tango. This becomes apparent when the interview gets off to a brisk start.
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