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Pierre Audi

#HF11 Audi makes Ayres' funny-grim animal opera 'The cricket recovers' layered and edgy

At last: the opera The Cricket Recovers after the animal story The cure of the cricket by Toon Tellegen is in the Netherlands! More than six years after its world premiere in Aldeburgh, the Holland Festival presents Richard Ayres' work, performed by Asko|Schönberg and VocaalLAB conducted by Etienne Siebens. Pierre Audi signed on to direct: he made the performance layered and daring.... 

#HF11 Playing with Nietzsche's moustache in opera fantasy by Wolfgang Rihm

An opera based on texts by Nietzsche, and then start with loud laughter and main character N trying to catch two water nymphs. Wait a minute, that's Wagner! Well, at Wagner's Rheingold involves three Rhine daughters, but the similarity is too great to be coincidental. And neither is this one, but in the first minutes of Wolfgang Rihm's Dionysos is much more going on. Here is a composer at work who not only plays with text and music, but also with centuries of cultural history and knows how to add jokes to it. It is to get intoxicated.

From Broadway musical to Lebanese Nightingale: Pierre Audi proudly shows the programme of the 2011 edition

Zijn Nederlands is nooit zijn sterkste punt geweest, en hij houdt ook al niet van speechen. Toch is een persconferentie van het Holland Festival iets om bij te zijn, dus nemen we Pierre Audi’s mindere performerskwaliteiten voor lief. in februari presenteerde hij het programma van de editie 2011, die een hele mooie belooft te worden, en die hopelijk niet de… 

A Don Giovanni without Don before it, without scruples and without illusions, but with a few naked women. #hf10

 Door Wijbrand Schaap Eens in de zoveel tijd staat er een theaterregisseur op die de leegte om zich heen aan de kaak wil stellen. Dat het om de leegte in hem (of haar) zelf gaat, daar komt deze jonge regisseur meestal een jaar of twintig later achter, als die eenmaal wat minder leeg geworden is. Zo gaan die dingen. We… 

Amal Maher breaks hearts at opening Holland Festival #hf10

Valhalla. Someone called it, and indeed: Valhalla. I don't mean the Teutonic version of the Eternal Hunting Fields then, but Miss Asterix and Obelix. Egyptian style. You may colour in the picture yourself with dark curls, unimaginably flawless skin made of very creamy milk chocolate, and that then set on a pair of hidden heels and strapped into a corset that accentuates everything of value. So Amal Maher is one of those women for whom a man will gladly put his chimes at the disposal of science, if it gives him the privilege of being around her for a few moments.

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