With these five tips, we are sure to come up with a wonderful programme, in this bizarre summer we are facing, in which we will hopefully be allowed to hit the streets again at all. My fingers are crossed for both.
Let's just start with the good news: De Staat is a regular fixture in the Netherlands from now on. And so we are talking about the band De Staat. Who make fantastic music videos these days. They have been promoted from a four-year grant with the Performing Arts Fund to a four-year grant according to the Cultural Basic Infrastructure (BIS). With 55 other newcomers. All weighed...
Alí Calderón has written quite a body of work, but I didn't hear much of it during my stay at Poetry International. However, the poem 'Democracia Mexicana' did come along three times. A formidable poem, as it ends with a rotting baby corpse, so not for the soft-hearted among us. Democracia Mexicana is Calderon's hit poem. Like pop singers can make a hit...
Welcome to the culture press podcast. Episode I don't know how many. Today, once again, I am keeping my mouth shut, because the floor belongs to the new poets of the Netherlands. I saw and heard them on Thursday, 31 May 2018, during poetry international. The evening was dominated by the presentation of the Cees Buddingh Prize. The prize for the best Dutch poetry debut of 2018....
Danez Smith is quite something. Or rather two, because the American poet likes to be addressed in the gender-neutral, or rather gender-plural plural form. A form of address not yet very common in Dutch, and thus avoided by everyone. Thursday night, 31 May at the former ro theatre, now Theater Rotterdam - Witte de With, fell around the...
The lectern. The lectern. The paper holder, if possible with its own light, which, shining upwards, draws stern shadows of the reading glasses on the poet's face. It is the kind of necessary evil that every poetry or literature festival has to deal with. Only the powerpoint is missing to make it a boring seed onion conference. Poetry International Festival Rotterdam has in...
When you first see Lenny Oosterwijk, you don't think: ha, a gallery owner. Somehow, you expect a more posh look with that. But the man who founded Galerie Untitled in 2011 in Rotterdam Noord comes from a different background. He is a photographer and art director and worked for a time at the most stolen magazine....
What lies on the ground, spread over a white sheet? Hard to determine. Shrapnel? Aircraft parts? Battered remains? Upon entering A Tale of a Tub, the impression is unsettling, and slightly overwhelming. A crime scene, but unclear who, what or where it is about. They appear to be plants, but magnified and cast in bronze. But that see...
Jan Baeke has been associated with Poetry International as a programmer for many years. In this podcast, I talk to him about the programme and the theme of this 49th edition: The Nation of Poetry. It's about nationalism, of course, but also about identity. And about what role poetry plays in that. And then, of course, it's not primarily about folk songs. We...
Poets Danez Smith and Patricia Lockwood once broke the internet with their virtuoso wordplay. Smith with a frothy tirade about ineradicable racism and police brutality in America (Dear White America) and Lockwood with a heartbreaking/funny poem about her rape (Rape Joke). Both have outgrown their hypes. They have secretly been doing a fantastic job for years, using Twitter, YouTube, paper and stage...
'There would be a difference between paper poems and poems that only fit into a recitation. I don't think it's a good poem in either case then. A good poem you can read well, and also reread, but it also fits very well in a performance.' Poet Anne van Winkelhof has clear views on what makes poetry good poetry....
Subscribe to our free newsletter. Because you can! Here's why. Holland Festival, Poetry International, a summer full of art. And meanwhile, a whole new arts system is being put together. The Netherlands is eager to get outside, experience music, experience art and eat food trucks empty. And flipping the subsidy system. It is a...
This week it was announced that the VSB Fund is discontinuing the VSB Poetry Prize. That announcement came rather hard throughout the art world. After all, the fund stated that it was going to focus much less on culture and more on social causes. It appears to fit a trend. More funds are shifting their focus from culture to society. At least, that ...
On 20 December, the general membership meeting of Coöperatief Cultureel Persbureau unanimously decided to accept a cooperation offer from The Co-operative/House of Journalism and Reporters Online. This is an important step in the development of independent cultural journalism. Culture Press, as the Cooperative Cultural Press Agency is known on the internet and social media, is growing significantly as a result. The...
On Thursday 9 June 2016, Marieke Rijneveld received the Netherlands' highest poetry prize: the C. Buddingh Prize.
Aase Berg from Sweden, Luis Chaves from Costa Rica and Sinéad Morrissey from Northern Ireland read their full selection of festival poems. Translations into Dutch and/or English will be projected directly along. The readings will be preceded by an introduction to the poets' work. Presentation: Feline Streekstra. Ever since her first collection Hos Rådjur (1997), Aase Berg has been writing direct, hard and compressed poetry full of...
Report on a hidden battlefield. Poetry International in Rotterdam has moved into a new, informal venue. The home of the Ro theatre in William Boothlaan, just over basic than the Theatre on that strange square. And the terrace between roaring motorbikes is lively, full of old and young lovers of poetry. Or of spoken word, or from slam. Anyone who might think Poetry International is an elitist poetry festival will be deceived on this sunny Thursday afternoon. A stenographic report.
The poetry readings are at the heart of Poetry International festival. Anneke Brassinga, Laura Accerboni and Jeet Thayil read all the poems they have brought for the Poetry International Festival. The translations into Dutch and/or English will be projected simultaneously with the reading, so you won't miss a word. Prior to their readings, the poets will be briefly...
Perhaps the first words man ever uttered were poems. In any case, man will have sung first, before using words. If we can at least describe the primal sound expressed at the time to indicate that that dove is really yours after all as singing. The fact remains, Poetry International the festival that had a wonderful opening night yesterday, is dedicated to one of the oldest art forms in the world: poetry. But just how sprightly is that art?
Who will go home tonight with the C. Buddingh' Prize, the award for the best Dutch-language poetry debut of the past year? That will be announced tonight at Poetry International. A Quattro Mani makes a prediction.
All four nights of Poetry will be streamed live via YouTube. Tonight: the opening. Live from the Rotterdam Schouwburg.
It promises to be a beautiful portrait, the film director John Albert Jansen is making about poet Remco Campert. Poetry International (from 7 to 11 June in Rotterdam) is already screening a preview. 'I find it moving to see that there is still a certain shyness in Remco, as if the little boy is still hidden under the surface. That comes across very nicely.'
Is the language of poetry still free from ideology and manipulation? Or is it nonsense to think that poetic language escapes framing, the ideological loading of words? That is the main theme of this year's Poetry International poetry festival, which kicks off on Tuesday 7 June.
When I went on holiday four weeks ago, the European Union was anxiously awaiting the Greek government's response to its latest ultimatum on the terms of a new money loan. After being offline for over a month, I read that it is still muddling through, with yet another 'ultimatum' expiring on 20 August. Ah well.
Snow has fallen, a thick layer of fresh snow. Fake snow admittedly, but real enough to imagine yourself in the middle of Russia. There, in the city of Sverdlovsk, or Yekaterinburg, once lived the man about whom the show 'Poets and bandits' is about. Boris Ryzhy (1974-2001) turned the raw realities of his hometown into poems. He left more than a thousand poems to the world. His breakthrough came at the Poetry International festival in Rotterdam, in the year 2000. A year later, he was dead. Boris Ryzhy, 26, had hanged himself.
Theatre group De Warme Winkel makes that link with Rotterdam if only because 'Poëten en bandieten' is played there. An old factory hall serves as a backdrop for the run-down working-class neighbourhood in which Ryzhy grew up. From behind a work table, actress Mara van Vlijmen calls Rotterdam residents. None of them are at home. But on their answering machine is now one of Ryzhy's poems, which must be a wondrous experience for the listeners. The Warm Shop does not show how the professor's son Boris ended up in that poor neighbourhood. Whereas he himself talks about an environment full of drab flats in his poems, the stage setting is more reminiscent of the outdoors, with all that vast snow. The atmosphere is cosy and warm. On a float decorated with candles, a folk ensemble comes on, singing Russian songs. Old-fashioned songs, and nothing pop or punk.
English (UK) 
Nederlands 
Français
You must be logged in to post a comment.