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Making dance together as an example of living together: SOUL #3 Co-Creation

Making dance together as an example of living together. SOUL #3 Co-Creation is intimate, without eroticism.

You have those performances where, as an unsuspecting spectator, you are invited on stage and, once there, get completely blocked. SOUL #3 Co-Creation is not one of those. Well almost. Indeed, in this work, dancer Claire Hermans explains that fear is a blockade to creativity. The four performers therefore do not urge you to take to the floor to... 

'I'm not the discrimination police.' Romana Vrede on her role in Gloria Wekker's team on SPOT-LIve.

'How do I make the world a little more beautiful? That's what I ask myself in everything I do.' Romana Vrede, award-winning actress with Het Nationale Theater, 'table lady' on De Wereld Draait Door and Summer Guest, likes to look positively into the world. So will her contribution to SPOT-Live, the performing arts symposium taking place in Rotterdam on 28 May, be optimistic... 

Why the most artistic film genre struggles to get off the ground. The growing pains of the dance film, part 1.

There is a lot of grumbling about Dutch cinema: it is too good, not creative enough, there is not enough experimentation. However, there is one small island where other laws apply. Where, sometimes with hefty budgets and sometimes for next to nothing, films are made that speak a different language: the dance film. No psychologising, no endless dialogue, but... 

Naked men and black bronzing under philosophical veneer. Is Angelica Liddell overshooting the mark with The Scarlet Letter? (Why the Holland Festival can expect a riot)

That you cannot shamelessly treat a black man as a rutting primal beast and a faceless object for your unlimited lust fantasy as a white woman? Seems logical to me, but for Angélica Liddell, world-renowned performance artist, it is typical of the new puritanism that threatens free art. She now brings The Scarlet Letter to the Netherlands, a theatrical performance that is rather... 

How bad is the suicide of a blow-up doll? Chilean girls play themselves free in Paisajes para no colorear at the Holland Festival

'I was harassed twice on my way to school last year.' The young actress, barely 15, says it with considerable anger in her voice. It is the morning after the Berlin premiere of the Chilean play Paisajes para no colorear, in which she plays along, with eight peers. That anger was there the previous evening, during the performance that 14... 

New audiences for subsidised theatre? The Netherlands is working against that.

Together with two 12-year-old kids, I go to a theatre performance. To a theatre performance labelled 'adult performance'. Tickets cost 25. Discount for students. Discount for CJP. No discount for children, excuse me, youngsters, because yes, those two bridge students are already 12. Is this performance made for children? No. It is made for the curious, open viewer, for... 

Eric de Vroedt (Het Nationale Theater)curates at SPOT-Live: 'Let's talk about love.'

'What we so often forget is to just talk about our love for theatre.' Eric de Vroedt, artistic director of The National Theatre, wants to talk about substance for once. And then with the entire performing arts sector. Soon there will be SPOT-Live, the renewed Congress of Performing Arts, and there he wants to talk about love. 'Quite by chance, it happened a month ago.... 

'I now understand how complex "guilt" actually is': Takis Würger wrote novel about Jewish betrayer (and put his email address in it).

'That I have perpetrators in my family gives me the responsibility to keep remembering. Many of my contemporaries say we should never forget and that it should never happen again, but do nothing else. Being a writer gives me the opportunity to do something. To write about it, make readers feel... 

Culture funds want slow renewal. But it is far too late for that.

On 11 April 2019, the Council for Culture put a shovel in the dykes of the polder that is the Dutch cultural system. After all, the basic infrastructure, established in 2009 to finally bake renewal and flow into the system, is dead. The structure carefully conceived over years has been turned into a ruin by 10 years of cultural policy in which the... 

Morgan Knibbe does not shy away from heavy subjects: 'film is an empathy machine.'

In 2014, Morgan Knibbe (1989) made the short film Shipwreck, about the aftermath of a horrific shipwreck on the coast of Lampedusa in which 350 refugees drowned. Shortly afterwards, he made his first feature-length documentary, also about refugee issues: 'Those Who Feel the Burning'. This very impressive, original and visually strong film was one of the best Dutch films of the last... 

CLASH is an ode to art

Art at a music festival often degenerates into decoration, but that certainly does not apply to Groningen's CLASH. 'We don't want art to be left out of the programming, but rather to be given full attention. We think it deserves that,' says organiser Milou de Boer. Fifty per cent of CLASH's programming budget goes to the arts, and that was too... 

Peppie & UBO: privacy concerns for business leaders and directors. (Why anti-money laundering policies can wreak havoc on culture)

Our government leaders, united in Europe, have come up with something to combat the masking of corruption. It is called UBO register. The Netherlands is also going to introduce it in the near future. This has consequences, also for cultural foundations and associations. Because every organisation has to determine who is a UBO (Ultimate Beneficial Owner). This causes some complications. In the cultural sector, it is... 

Innovation in dance: give young creators space and you'll get it!

Water and dance have agility in common. Yet there is much more to be gained from this interface. Two choreographies in the New Adventures series give audiences a water experience that is both playful and reflective. Under the title New Adventures, Dansmakers Amsterdam presents work by selected dancers and choreographers that they created during a four-week study residency at the production house,... 

What is it with the dance sector in Amsterdam? Another dance production house is being deprived of subsidies.

Is production house Dansmakers Amsterdam losing its housing? Together with other institutions in the dance sector, it has made every effort to align and further develop the whole spectrum of dance facilities in Amsterdam. In 2018, for example, the joint plan Danswerf was developed and submitted as an application for a two-year development grant to the Amsterdam Fund for the Arts (AFK)... 

M carbunaru [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)], from Wikimedia Commons

All balls to Cuijk. Why it really is a good idea for the Netherlands to have a Capital of Culture every year.

How nice it would be if Zutphen were to be Cultural Capital of the Netherlands next year, proudly representing itself and thanks to a strong impulse from its surrounding area: the province of Gelderland. They could immediately tackle the hopeless situation of the local theatre, the kids from the suburbs could also go to hip-hop in a real hall and everyone in the Netherlands would know... 

Brabant feud between orchestra and province comes at the expense of children, schools and small companies.

Cultural summit will take place Friday, February 1, 2019, at the North Brabant Provincial House. Reason: The 'Orkexit', or, the decision by the Philharmonie Zuid Nederland to cease all education activities in North Brabant with immediate effect. This not only deprives thousands of children of culture, but also puts a number of small youth theatre companies in dire financial straits. The Philharmonic, a merger orchestra, formed... 

Sex sells, originality does not. Once again, two museums go out of their way to celebrate nudity.

When we don't have fresh, current posts on the site for a while, our 'most-read posts' list on the right always changes dramatically. Within two days, all stories are trending that include the words 'nude', 'nude' or 'sex'. After all, sex sells. If you like clicks from rutting men, at least. Unfortunately, this particular target group does not read much cultural news. But attention is... 

Fred Wondergem: 'There is always more that you don't see than what you do see.'

'When I look in the auditorium at a classical concert now, I do think: it's full now, but in 20 years eighty per cent will be dead. So the bottom has to be fed, and TivoliVredenburg does that well. They do it, for example, with Out of the Blue, which is a programme where you get great food and by a special host 

The Netherlands has a cruel history. This is how Theatre Group Alum makes it palpable in '1619, make it short'.

Never knew I would feel a tear welling up for the fate of a 17th century Council Pensionary. Yet that happened on Friday 21 December, at the premiere of '1619, make it short...'. With this final volume, author Erik Snel puts a crown on his trilogy on the Eighty Years' War. Was volume 1 (1600, battle of Nieuwpoort) mainly a cheerful accumulation of... 

Kind of a recovery in the performing arts, but pay particular attention to what's happening in the southern Netherlands

As part of "Hi, Figures!", Statistics Netherlands today released updated figures on the performing arts in the Netherlands. These show a cautious recovery, although the consequences of the 2011 interventions by the VVD and PVV are still painfully visible. The figures show that theatre in particular is struggling. There, the... 

DocLab 2018: improve the world, put on VR glasses.

Slowly but surely, the very latest in virtual reality (VR) is finished and we can start thinking about what you want to show, rather than how. Whereas at the first VR festival I still got whooping headaches from bad glasses, now I can be mesmerised by the beauty of the Amazon or beautiful animations. Movie theatres like Eye... 

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