On Sunday 24 November, the PAN officially opens its doors to the public. Here, over a hundred galleries and dealers will show what is for sale in art, antiques and design. A small museum, then, but one where everything is for sale. A painting worth a million euros is no exception. Yet there are also objects for sale for much less.
The dance industry is not doing very well at all, people say. I spoke to a dance marketer who told me that venues are often only a quarter full. And that includes dance makers who have a Oscar for dance have won. What does attract a lot of audiences are fairy tales. And Isabelle Beernaert.
What explains the success of this Belgian choreographer?
Erwin Olaf has a thing for wallpaper. The art photographer, known for his hushed and ominous compositions, thinks what is on a wall is at least as important as what is in front of it. The New Institute has now managed to combine that idea beautifully in an exhibition which shows both the sets of Erwin Olaf's most famous works, and a few wallpaper designs from the quivers of great artists.
It is the turnout of the evening: riding around on a scooter, barber Figaro gets involved in a crazy adventure in which Count Almaviva wants to snatch the beautiful Rosina from the hands of her guardian Doctor Bartolo. Three Bertas, meanwhile, literally tear Basilio's clothes off in an ingenious dance in front of three sets in which the action moves at lightning speed from inside to outside and...
'Give me a shopping list and I will set it to music,' the Italian composer Gioacchino Rossini is said to have said. Perhaps apocryphal, but fitting for the man who composed faster than musicians could rehearse his scores. Where Wagner needed a lifetime for 14 operas, Rossini wrote triple that. In barely fifteen years.
Forget the hours that preceded, don't think about the two hours to come. This is the moment. The Nibelungenhaat motif and the Hagen motif resound, but distorted. They clash. They cannot agree, We hear something vaguely triumphant, but at the same time threatening.
The fact that it is difficult to get a job after graduation is also well known in the dance world. Therefore, partly at the government's insistence, companies are putting in on talent development. They also hope to A better connection with schools. Jun dancers are now more likely to be on the front line of ballet: the theatre, and that is good news for audiences. Because the energy is fresh and the level has shot up considerably.
Culture debate 2013: Rutte and PVV shake hands. It was about Caro Emerald. About Zwarte Piet. And the classic: subsidy on opera tickets. And briefly about carnival. And it made all the news. Geenstijl. Radio 1,2,3 and 4. What else was the debate about? Um... no idea.
Even before she graduated from mime school, Boukje Schweigman swore off language. She worked out a wordless philosophy in her performances. She seeks the mystery of life. However vast and elusive her starting points may be, her performances give the audience the most direct, immediate, skin-tight sensation imaginable in a theatre.
The photo documentary made by photographer Rob Hornstra on the preparations for the Sotchi Olympics will be shown in Moscow after all. At least we hope so, now that after an earlier sudden cancellation a venue has been found at the Sakharov House in Moscow. Next Friday, Dutch fans can watch the opening from Amsterdam's Stadsschouwburg (bring your own beer) attend. Unless
The Money Museum will close in a month, but its collection (as far as important) will go to De Nederlandsche Bank. The Tropenmuseum has been disbanded, but the collection will be housed elsewhere. However, only half of the library will be saved: everything from after 1950 is not interesting enough to preserve, according to minister Bussemaker. This is evident from the answers given by Culture Minister Bussemaker to questions by the SP.
Good news from the VSCD: this year, more theatre and concert tickets have been sold on pre-sale than last year. The press release reporting this, however, advises industrious journalists not to check with the local theatre to see if this is true. After all, according to the propaganda of the theatre boards, this is a national average, and "things they hear from their members".
Are these the figures that will make it clear to Minister Kamp that incentives for the film industry really need to happen? That hope could be heard during the discussion of a report by Oxford Economics implemented research to the economic position of the Dutch film and av industry.
"That sounds different. A bit sad."
I just played F, B, D♯ and G♯. Better known as the Tristan chord. But on guitar. My audience consists of 15 toddlers.
The bodies of Fokine, Van Manen and EGPC in the Dutch National Ballet's new programme 'Corps' are vastly different, though they all dance a form of ballet. It is the differences in stakes (decorative or expressive, stylised control or individual surrender, full of symbolism or stripped of it) and the key role for the ensemble that make the programme extremely interesting. Besides the fact that EGPC seems to be on its way to an artistic breakthrough.
'Don't let anyone leave the room without having experienced or felt something.' That is surely and surely the mission with Flemish Ann Van den Broek's work. If the mood swings in The Red Piece don't do much to you, your retinas will burn out from the changes in lighting design. You might just think you are being manipulated as an audience. But you gladly allow it.
With all the critical coverage of Russia that Putin and his supporters are provoking, we would almost forget that we are in the middle of the Netherlands-Russia year sitting. A screening of Paul Verhoeven's war film will take place tonight at the Pioner Gorky Park in Moscow Black Book, as a kick-off to
More seats do not bring more spectators. The only way to get more spectators to venues and museums is: drop the price. This is according to figures from the Central Bureau of Statistics.
This month, Reinbert de Leeuw celebrates his seventy-fifth birthday. Not only do television, radio, internet media and written press devote extensive attention to the no small achievements of this champion of contemporary music, but he is also being honoured with his own festival, 'Reinbert 75'. This will be organised
Thibaud Delpeut, up-and-coming talent in theatre land, has been appointed artistic director of The Utrecht Games. Jacques van Veen has been appointed as managing director to exude sufficient confidence in the business field as well. He previously won his spurs at the Holland Festival and Groningen City Theatre.
"I don't have a theatre background, but I know what I like." These words from Cammy Mai Tran are typical of a trend among young theatre-makers. They find the walls between different art disciplines to be oppressive. Increasingly, we see them walking right through those walls. And when the blow is over, new inspiration swirls richly over them.
Pet van de Luijtgaarden has a thing for collections. So he collects them. But being an artist, he also wants to say something with those collections: 'I am mainly concerned with society. I think we are going down because of overproduction and to show that, I want to go right over the top.'
Paul Verhoeven, Dick Maas, Katja Schuurman, Monique van de Ven and Kim van Kooten are all special guests at the upcoming edition of the Dutch Film Festival. Nothing special, you might think, but if you see them on the festival posters you probably won't recognise them. After all, they are namesakes of well-known film personalities who this year
Three-quarters of pilot episodes for series in the US do not lead to a sequel. For House of Cards, the series with which the on-demand and streaming video channel Netflix final breakthrough in America, no pilot episode was made. Major broadcasters refused the series without pilot to make, but Netflix immediately saw that there would be a large enough audience for it. That was
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