Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show
That the Off Broadway musical Fela! was a success, we could actually expect. For The Dodo, we therefore did not send anyone there either: there are already enough newspapers and other bloggers eager to have a front-row seat to the New York audience favourite. You can read that they had a good time elsewhere on this site, via the blogstream
Dying young turns out to be advantageous not only for skywalkers like Buddy Holly, Sam Cooke or Jesus. Even in a rather elitist world like that of German theatre, you can achieve star status through an early death. At least that happened to Christoph Schlingensief, the man who died of lung cancer in 2010. The man had already achieved stardom throughout the German-speaking world,...
In the Netherlands, the view of opera is mainly guided by concert practice. As such, the Dutch approach to this genre differs considerably from what is common in the rest of Euroa. This is evident from the fact that over the past century, investments have been made in concert halls that are among the best in the world: the Amsterdam...
This week the Holland Festival erupts and we are there. We are producing a Dodo Festival Day newspaper with a sizeable team of professional journalists, as we did before for Springdance and The International Choice of the Rotterdam Schouwburg, for example. We follow the festival closely to bring news as it happens. We go to see performances where others...
There is no such thing as the perfect human being. We are all crooks. Or is there a way to get it right? Ilay den Boer and the actors of De Utrechtse Spelen / De Warme Winkel each explore in their own way at the 26th edition of Festival aan de Werf. Wasn't my grandfather just an asshole? That...
Russian conductor Valeri Gergjev was back in Rotterdam for a while, for one concert. He conducted his own orchestra, the London Symphony Orchestra (LSO), in de Doelen. The famous orchestra played repertoire that we in our country know inside out: Gustav Mahler's 1st symphony and Dmitri Shostakovich's 1st piano concerto. A now historic combination: because the Netherlands has become fused...
Although the announcement of 'sonic tapestry: Shoes, part V' by Tomoko Mukaiyama can be read as a variant of Sex and the City on classical music, Sarah Jessica Parker would forever look at her Manolo Blahniks differently after seeing Mukaiyama's performance. This very special piano recital was Saturday 7 May at LP2 (Room 2 of the Rotterdam...
About a decade ago, on the main stage of Rotterdam's De Doelen concert hall, there stood a frail and still searching young woman, a singer-songwriter in a language other than English. Sometimes in Portuguese but mostly in the criollo of the Cape Verde islands, this Sara Tavares presented, with minimal accompaniment, her CD 'Mi ma bô' that would later give her international...
Nothing is more uplifting than singing a canon together. French choreographer Boris Charmatz's Frère Jacques, seen as the bouncer on the final night of Springdance, is a special case, though. 'Levée des conflits' has no recurring refrain, but it has no fewer than 25 stanzas, which are danced by each of the 24 dancers. The insane polyphony that rises from this monster canon of dancing bodies slowly rattles the viewer apart over 1 hour and 40 minutes, at least if they keep following the multitude of movements and manipulations. 'Levée des conflits' presents the audience with a dilemma: does it surrender to the inimitability of interlocking phases and versions of a composition that it cannot possibly oversee? Or does it frantically search for structure, something to hold on to, something to orientate itself in this hall of mirrors of repetition and multiplication?
Her full thighs clatter together. She shakes her bare arms, grinning at the trembling skin on her upper arms. She stomps furiously across the Theatre Kikker's playing floor, while her hefty body - dressed in a small, nondisguising black dress - emphatically bounces happily on all sides. You just have to dare. In her one-woman show 'Gina', Swiss theatre maker Eugénie Rebetez beyond all embarrassment. In the skin of Gina, Rebetez shows her own yearning for stardom, with plenty of self-mockery and absurdist humour. A quirky mishmash of mime, stand-up comedy, cabaret and contemporary dance.
When music sounds, almost everyone tends to move with it. Music leads to dance. That link is crystal clear. But in modern dance, that obviousness is broken. Watching 'Silent Ballet' by Emanuel Gat Dance, this becomes poignantly clear. Without a single sound being sent into the auditorium, the eight dancers swarm across the stage....
With their name, the five Japanese of contact Gonzo refer to the gonzo journalism by the late Hunter S. Thompson. Raw, harsh and subjective. Thomspon also showed how he worked in his pieces. Contact Gonzo warms up during the performance, taking snapshots of each other with disposable cameras and passing the water bottle. Gonzo-style: what you see is what you get.
Contact Gonzo adheres to simple rules. For example gravity: jumping and coming down. Or attracting and repelling: pushing, pulling, like a rugby scrum. In doing so, they touch on minimal art that adhered to a set of parameters; one thinks of Sol LeWitt.
She is on her knees. Shaking and trembling, she jerks backwards. With clawed fingers that seem to grasp at the void. Like a frightened cat. Shuffling, the dancer moves backwards in a semicircle on the white stage floor of Theatre Frog. One by one, the five others step onto the empty open stage, while the first dancer keeps looking anxiously at the audience. Thus begins 'Storm end come'. With this performance, Israeli choreographer Yasmeen Godder shows the overwhelming effects of fear on the bodies of her dancers. But it doesn't really get scary.
Margret Sara Gudjonsdottir explores the unequal power relationship between spectators and dancer. And goes very far in doing so. Uncomfortable' is still the mildest description for the work 'Soft Target'. Which is not at all the case for a conversation in private.
We gathered the cream of Dutch dance journalism for these ten days of dance innovation. Fransien van de Putt, well known in Belgium and the Netherlands, Maarten Baanders, well known in the wide surroundings of Leiden and Daniël Bertina, well known in the wide surroundings of Het Parool were ij the opening of Springdance and were actually happy with what they got to see. ...
From left to right, single people move across the stage, unceasingly and in droves sometimes, for an hour. It is addictive, this locomotion in Sideways Rain, the endless forward motion in one and the same direction of what appear to be ever-new people. Through subtle costume changes, a dark lighting scheme and Murcof's dramatic drones, it is very difficult at first to tell the 15 dancers apart. They become a fascinating stream of passers-by, on their way from somewhere to nowhere. Unlike the view along the public road, the dancers do not carry the usual bags, umbrellas and hats and, moreover, move mainly on four legs.
Jens van Daele concludes his series of choreographies on the seven deadly sins with the performance Brides for Peace. The piece is based on the art performance Brides on Tour by Italian artists Pippa Bacca and Silvia Moro. Hitchhiking and dressed in wedding dresses, with a text 'Peace' on their chests, they travelled from Milan to Jerusalem in 2008. The journey went...
I am not a connoisseur of the performance practice of Bach's St John Passion and know that other piece, the St Matthew Passion, mainly from a few TV excerpts and far-flung arrangements like the one by Platel's Pitié. So don't expect me to pass judgment on how good the version, which was seen and heard at the Concertgebouw on 5 April 2011, was, comparatively...
Reports of the collapsing music industry have been rife. Apparently, as a musician, you no longer survive on the basis of record sales (alone). In niche genres, however, it is easy to survive. So proves the band Current 93, which performed in Stadtgarten, Cologne, last week. Playing live a lot and selling merchandise seems to be the golden rule for...
Amsterdam-based company Dood Paard itself translated Shakespeare's 'Othello' and waves goodbye to the bard with 'Bye Bye'. The quirky collective performs a one-and-a-half-hour topical comedy of manners and soul mirror, in which pointing at 'The Other' is central. Shakespeare's plays are quite often performed quite reverently. . Moreover, the adored 'bard' from Stratford-upon-Avon has bestowed on the English language countless expressions that have come to...
The Rotterdam Philharmonic Orchestra currently has an unprecedented luxury: it is releasing CDs on two labels at the same time. How is that possible? The orchestra signed under its own name with BIS Records, the label with which the eccentric owner Von Bahr releases one extraordinary recording after another, while chief conductor Yannick Néze-Séguin is old-fashionedly under contract as maestro with EMI....
The Rotterdam Philharmonic Orchestra is rated differently by conductors. Either you can get along with it and then it's a party, or it never becomes anything and then it stays at the occasional conducting session. Moreover, the musicians' enormous responsiveness is feared.
Things become more fascinating when you look back on them 30 years or so later. Three decades make the life you were once in the middle of history, and that is happening to my generation (40-somethings) now with the second half of the last century. Hence the success of Jonathan Frantzen's masterpieces Freedom and The Corrections, and hence the success of a DVD series like Mad Men....
"That looks like a book series!" my wife spoke with some horror upon seeing the cover of 'The Revenge of Iphigenia'. And yes, it has to be said: in book format, the poster of Theatre Group Alum's latest theatre production is a bit too much of a stretch. From the A0 poster, you would never have thought so. Indeed: those posters of Alum, which...
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