Anno 2020, Music Week is buzzing like never before. Even corona has barely caught on. How many 'Mozarts' have emerged by now I will leave open, but the rich and varied off- and online offerings create some choice stress. At 75, the organisation is younger than ever: Gaudeamus is the place to be.
Herod has not yet uttered his cry "Kill this woman!" or his soldiers roughly lift Salome onto their shoulders and hurl her into hell. - The fancy drawing room, which had been turned into a ruin, was visible through a see-through hatch for almost the entire opera. Salome's blood-soaked dress seems to flare up for a moment, but then - pats! - the...
It will happen to you. At 70, they honour you with a CD box set, five years later you are offered a compilation twice the size. It happened to Dutch oboist Han de Vries (The Hague, 1941), who celebrated his 75th birthday last August. In 2011, his former student Peter Bree collected the radio recordings on nine CDs, this time he filled a...
Last year, arts festival Musica Sacra was all about 'the road', inspired by the many pilgrim routes that lead to holy places. This year, Maastricht is all about the 'sacrifice of love'. At first sight, an anachronistic theme, which seems at odds with sentiments in our current society. The aggression against asylum seekers, the ruthless pursuit of profit by...
When you go to a concert, you think about the music, the ensemble, the soloist and/or the conductor. Maybe you look up something about the composer but you never think about the programmer who made the concert possible. Astrid in 't Veld is someone who thinks about the range of concerts on offer years in advance in order to help you with...
Since its inception, the NJO Music Summer has spread its wings. It started in 2001 as a summer course for music students who were allowed to work with internationally renowned musicians, composers and conductors. Since then, the NJO Music Summer has grown into an unmissable, audience-friendly festival, covering the entire province of Gelderland. On Friday 19 August, it takes a step across the border to Overijssel,...
'I feel cheated,' said the man next to me as we left the auditorium at ten to nine-thirty. He had come all the way from Tilburg to the Stopera for the concert that concluded the National Opera's 50th anniversary on Wednesday 29 June. 'It will take me even longer than the concert lasted, including intermission,' he grumbled. He also had little to say about the offering itself. And that while all around us the audience stood on their seats to cheer on the internationally renowned soprano Eva-Maria Westbroek.
The past and future of the Netherlands Reisopera are dominated by money worries. Nicolas Mansfield, director, during the season presentation on 20 April last in the foyer of Theatre Carré, stressed not only the necessity of a national opera company's existence but, above all, the necessary quality requirements to keep attracting audiences. And quality cannot exist without decent...
The National Opera, Hänsel und Gretel (opera) It is the best-known fairy tale opera of all time. Not surprisingly, as Humperdinck's adaptation of Hansel and Gretel is overtly rooted in folk music as in almost Wagnerian orchestration. It was bound to be a success. Richard Strauss conducted the world premiere; Amsterdam features International Opera Award Winner Lotte de Beer's version. She moves...
Bathed in sweat and applauded by audience and musicians alike, conductor Antony Hermus leaves the stage on Sunday 17 August after the final concert of the NJO Muziekzomer. He has every reason to be pleased, as the performance of Richard Strauss' Ein Heldenleben at Theatre Orpheus in Apeldoorn sparked that it had a nature. The tricky piece jumps into six...
Days after the grand scenic world premiere of Schoenberg's Gurre-Lieder, De Nationale Opera once again comes up with a more than remarkable production of international stature. Everything and everyone dances and sings. (1) So you think you can dance? Sure. The modern opera singer(s) is used to something. Simply stepping forward and singing your aria was outdated decades ago. And.
Is a performance opera if not a note is sung? If the audience sits on a stand in a car park with headphones on their heads? Or if a man cries out like a dog with a tongue out of his mouth throughout the performance? The definitions of opera are stretched quite a bit at five Oerol performances. Interestingly, hardly anyone calls the performance opera. By necessity, musical theatre is often used, but that term does not really fall into a warm bath.
After seven concert seasons, the broadcasting series takes 'The Friday of Vredenburg' farewell to emergency venue Vredenburg Leidsche Rijn, better known as 'The Red Box'. From September, the concerts will again take place in the restored Great Hall of the otherwise brand-new TivoliVredenburg. The concert on 6 June will feature the Radio Philharmonic Orchestra and the Groot Omroepkoor, conducted by Antony Hermus. They will play music by Beethoven, Richard Strauss and a brand new piece by Wim Laman, Requiem Songs.
To perhaps the most beautiful music written by Strauss, Arabella descends the stairs and hands Mandryka a glass of water. Their engagement is thus sealed. Behind the loving couple, however, an inky black space opens up into which both disappear.
Tonight at Vredenburg Leidsche Rijn, the Radio Philharmonic Orchestra plays the Flute Concerto Dances with the Winds by Einojuhani Rautavaara. Originally Peter Schat's Spring Concert was scheduled, but soloist Jacques Zoon chose to swap it for the Finnish composer's piece.
When Muziekcentrum Vredenburg closed its doors in 2007 for an ambitious renovation, symphonic concerts were moved from the centre of Utrecht to the emergency location Vredenburg Leidsche Rijn on the A2 motorway. The broadcasting series 'Vredenburg Friday'
Three hundred years ago, the Treaty of Utrecht was signed, bringing an end to both the War of Spanish Succession, and the War of Queen Anne. Remarkably, this peace treaty was not negotiated on the battlefield, but at the negotiating table. It took a year and a half for the many parties to come to an agreement, and the treaty counts as the beginning of...
The Netherlands Opera opens the season with a rarely performed opera by Franz Schreker, which mixes pagan and Christian themes. The brilliant music is countered by the chilly direction, preventing identification with the characters.
The young conductor of Venezuelan descent brought his Simón Bolívar Symphony Orchestra to the Concertgebouw for the final concert of the Holland Festival last night for the first time. While Hollanders braved the tropical weather in the corridors, Venezuelan beauties walked to the stage vivaciously on their stilettos. After Máxima and Willem-Alexander had also taken their seats on the balcony, Gustavo Dudamel came dancing down the stairs.
A classic mistake: Andries Knevel describes Richard Wagner as Hitler's court composer. And is not contradicted by anyone.
The Netherlands Opera's fourth revival of Elektra is over halfway through. In the final performances, two fresh dramatic sopranos take over. Why does an opera get revived, even as many as four times? With the sleep-inducing Don Giovanni in the previous season of De Nederlandse Opera - also a revival - this might have been a logical question. The decision turned out to be...
An opera based on texts by Nietzsche, and then start with loud laughter and main character N trying to catch two water nymphs. Wait a minute, that's Wagner! Well, at Wagner's Rheingold involves three Rhine daughters, but the similarity is too great to be coincidental. And neither is this one, but in the first minutes of Wolfgang Rihm's Dionysos is much more going on. Here is a composer at work who not only plays with text and music, but also with centuries of cultural history and knows how to add jokes to it. It is to get intoxicated.
Rotterdam - That every disadvantage 'hep' its advantage is often apparent with symphony orchestras. A principal conductor, for instance, is usually in charge of his own orchestra for no more than about 12 weeks a year. He divides the rest of his time among the other orchestras he is also already chief of. Yannick Nézet-Séguin, for instance, is now not only principal conductor of the Rotterdam Philharmonic...
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