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Museum Voorlinden: A cactus without spines

Joop van Caldenborgh, founder of Museum Voorlinden in Wassenaar, has commissioned a classical museum that builds on existing conventions about presenting art. The art should be central and the building does not matter, so to speak. Yet the design plays an important role. Architecture critic Tim de Boer dives deeper into the thoughts behind the building,... 

Jan Martens in Utrecht: bravado, unintended honesty and unabashed desire

While Jan Martens' latest work, The Common People (2016), was at Amsterdam's Stadschouwburg last weekend, Utrecht's Theater Kikker is showing two older hits this week: Sweat Baby Sweat (2011) and The dog days are over (2014). Sweat and Dogdays are blockbusters and have already toured the world. At Kikker, they can now be seen as part of a... 

When you lose a sibling. On the grief of 'forgotten grief'

My father died in 1997. He came from a family of 10 children, five of whom have since died. My aunt Minke wrote a book about it: Broederziel alleen? The book stirred up a lot of emotions and had eight reprints in a short time. Grief for a deceased sibling turned out to be forgotten grief. In English, mourners are forgotten... 

Artists, get out into nature, before it's too late (and other reasons for hope)

There are those, including in the arts, who still think the world has not changed for good. Who suspect that a vote for a culture-friendly party will at a stroke turn back the clock eight years. Those people will wake up after 15 March to a new world, even if the Netherlands has suddenly chosen whether or not... 

Moving Futures festival seeks new audience for modern dance

'Many people find contemporary dance difficult. Especially performances by young makers who experiment and seek new ways. At the Moving Futures festival, everyone can discover how dance can touch you. We do this not only by showing good performances by young makers. We also offer activities around it, context programmes. By doing so, we give the audience tools to make a connection with... 

A museum is for everyone, with or without gin-tonics

Museums should be places where everyone feels welcome, argues art editor and curator-in-training Roxy Jongewaard. An argument for public and free museums: "A museum for everyone who can pay 17.50 in entrance fees is not a museum for everyone." In the coming year, I get to live out a personal dream: I will work as a curator in a major Dutch museum.... 

Culture Council seeks: MEMBERS (media, journalism and science)

The Council for Culture is the statutory advisory body to the government and parliament in the field of culture and media. The council is independent and advises, solicited and unsolicited, on current policy issues and subsidy applications. The council aims to make opinions with vision and boldness; opinions that make a difference and contribute to a rich cultural life. In accordance with Article 11, third... 

Garry Feingold en Ger Jager, Dansmakers, 2012. Foto: Jean-Pierre Jans.

Extremely rare landslide possible in contemporary dance in the Netherlands.

In contemporary dance, artistic leaders are often in place for decades, at least in the Netherlands. This week, Leo Spreksel announced his departure from Korzo, as of September 2017. After 29 years, the director and programmer of dance at the theatre and production house in The Hague is calling it a day, because "in the Netherlands, commercialisation pushes away the voice of artists: procedures and formats are... 

Press release: Culture Press becomes part of The Cooperative / Reporters Online

On 20 December, the general membership meeting of Coöperatief Cultureel Persbureau unanimously decided to accept a cooperation offer from The Co-operative/House of Journalism and Reporters Online. This is an important step in the development of independent cultural journalism. Culture Press, as the Cooperative Cultural Press Agency is known on the internet and social media, is growing significantly as a result. The... 

Quirky Veem sets example for dance sector

Het Veem is a small but important theatre and unofficial production house overlooking the Houthavens in Amsterdam. The house has long been home to internationally operating contemporary performing arts. A place where the artist and his or her experimental work are still central. Since Anne Breure became director in 2014, it bears the addition House of Performance. With... 

Polyptych, Lada Hrsak, Misericordia, Oude Kerk, 2016.

Old Church in search of contemporary forms of charity and mercy

Amsterdam's oldest and perhaps most beautiful building combines quite a few functions. Although tourists are dominant these days, believers still celebrate the love of God there every week. And even though the former Nicolaaskerk no longer provides space for fishermen to mend their nets, organ concerts are still given there, since the fourteenth century. Handing out bread is not... 

They don't half know how bad it is. Sign up for Culture Panel

In art, you work because of your passion, not because of the money. That is so, that was always so. In art, it is even suspect if you care about money. And if you do worry about money once, it immediately comes out rotten. Are you going to shout about culture, march der your... 

Down with that leftist art elite

Yesterday, the chamber made €10 million available for the arts. This brings the tally of government cuts to at least €190,000,000 still. This hard-won extra is the last thing that could be asked for. Everyone agrees, the new system has been definitively embraced. The protest has made itself redundant now that the compromise has been made. And what have we got... 

Early music pioneer Marijke Ferguson: A lifetime of ears on stalks

This month, early music pioneer Marijke Ferguson turned 89. She led the adventurous ensemble Studio Laren for 30 years and has been making radio for over 50 years, the last 23 for the Concertzender. Time and again, she manages to intertwine old and new music with pop and world music in an appealing way. On Sunday 11 December, the Concertzender puts her centre stage during... 

Ballet dancer Andrew Greenwood: 'Healthcare needs dance'

'What is the relevance of dance?' Since the The Relevance of Dance conference in March 2016, this question has been haunting my mind. Above all, I want to know why more people should dance. Therefore, I decide to put the question to inspiring and progressive dance teachers. The second one I question is Andrew Greenwood, who six months ago... 

Science proves: art mostly brings happiness to the less educated

One of the strongest arguments of the opponents of art subsidies is that the common man has no use for art. That argument has now been refuted by scientific research. 'Happiness professor' Ruut Veenhoven presented a study this week showing that less educated people in particular become happier from art. They even become happier from it than from sports, both passive and active, or... 

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Petition! NAPK wants to go to the barricades for the performing arts

The NAPK (Dutch Association for the Performing Arts) is sounding the alarm bell for the performing arts. The association of employers in the performing arts is launching a petition today and submitting a second fire letter to the Lower House on 1 November. Earlier this year, NAPK already sent a letter to the Lower House. And that was then written about here. Now, in preparation for the Lower House debate on the culture budget, a second... 

PvdA: 2x hundred million added for culture and NPO. Or not?

It really is there, although it is unclear whether there will be an additional 100 million twice or whether public broadcasting and the entire cultural sector will have to make do with one additional 100 million. But at least it is clear: as in the rest of the draft election programme, the party mainly distances itself from the VVD and the four-year... 

Alum learned the trade in the pub, the best place for any theatre talent

Theatre group Aluin celebrates its 25th anniversary. The company, which originated at the Utrecht acting school, celebrated at the place where it all started: Utrecht's Theatercafé De Bastaard. On Sunday 23 October, they reprised their first ever performance, a play entitled 'It', based on the novella The Beast in the Jungle by Henry James. About a man who thinks he is destined... 

VVD: Cultural sector must do more for the same money. And hand in piggy bank.

OK, it is still more than former tolerant partner PVV, which managed to cram the entire draft election programme onto a single A4 sheet. But in the half-page that the VVD, the country's largest party, spends on culture, it is actually worse. Here the Wilders and Zijlstra-inspired rancorous line against anything that even smells of Dutch culture is still abundantly clear.... 

Ronald Wintjens. Foto: Tycho Merijn Roest

Ronald Wintjens: 'More face for youth dance and performance art at Dance Days'

'Not only work has disappeared, but also knowledge and craft - the whole perspective is disappearing. While the Netherlands as a dance country was renowned in the world precisely because it had the luxury to research, to build, to stimulate.' Ronald Wintjes, the brand-new director of De Nederlandse Dansdagen, worries. What about the future of dance?.... 

Our actors are burnt out, audiences have lost their way. Save the theatre!

This play is going to cost me a lot of friends, but it needs to get out. After all, the theatre industry is doing badly. And I can see more and more clearly where that is due to. And for once it's not Halbe Zijlstra. Or the VVD, or the population, or the Netherlands in general, or the zeitgeist. And it's not because of Netflix either... 

Art world says thanks for bike bell, but now wants pedal back too

That 10 million is officially in. The art world is doing its best to sound grateful. The employers in the performing arts, gathered in the NAPK, have sent Bussemaker a thank you. Because she is not cutting 300 million from culture, but only 290 million. The extra money raked together last year by various lobbyists and parties is now anchored in the... 

Festival Musica Sacra offers little and big treasures

Festival Musica Sacra concluded on Sunday 18 September with a riveting performance of Gottfried Heinrich Stölzel's Brockes-Passion. Conductor Peter van Heyghen led the Flemish ensemble Il Gardellino through the colourful work of this relatively unknown contemporary of Bach with great dedication and precision. With his lively rhythms, glowing arias and wonderfully beautiful chorales, Stölzel thrusts his contemporary into the... 

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