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Scènefoto Stichting Swarte Kunst, 'De perzik van onsterfelijkheid'

To remember is to descend into the deepest caverns of failure and sorrow

The only one really remembered in Jan Wolkers' novel 'The Peach of Immortality' is former resistance fighter Ben Ruwiel. On 5 May 1980, the entry of the Canadians from 35 years earlier was celebrated in Amsterdam. The crowds, not far from where Ben lives, fill him with disgust. It is unreal. People, wrapped up by welfare society, have no concept of... 

Stories with vertigo: the start of a revolution?

You have to do something with these new media. Although there are poets and writers who are disgusted by anything that seems to be more than scarce ink on white paper. For the group of innovators, the literary fund has set up a project together with the Amsterdam Stedelijk Museum and the stimuleringsfonds creatieve industrie. Writers and poets will receive a few thousand euros p.p. to work together... 

Maas Theatre and Dance's Greeks: compelling and bewildering for young and old alike

First story. A naked king crawls at the feet of a woman. She is much taller than him, a goddess. High above him, she holds a bunch of grapes in her hand. Hungry he is! He wants those grapes, all of them. His body is vulnerable. It seems to shiver in the open air. But when it comes to the coveted food, he fetches... 

How it feels to single-handedly make a decision that turns the world upside down

That Serbian Gavrilo Princip assassinated the Austrian crown prince in 1914, thus triggering World War I, was until recently in the Netherlands no more than a dry historical fact. But now that it has been a century since this attack, this young freedom fighter is still getting a face in our country. But what De Warme Winkel is doing in the performance 'Gavrilo Princip' is much more than 'giving a face'.

The future of art and travel is 3-dimensional and virtual. Powered by Google.

Just think ahead for a short while and you are where Google wants you to be. All the art, accessible anywhere in the world through your screen, your tablet. Even the obscure art. Or stronger: to be experienced in your google glass or your Oculus VR glasses. You can already viewing art in museums, but without a tour guide telling you what to see. And as much as we do not appreciate that in daily life, sometimes it is quite nice to walk through unknown territory with a guide. Without spending your holiday money on it.

Boukje Schweigman's wordless philosophy

Even before she graduated from mime school, Boukje Schweigman swore off language. She worked out a wordless philosophy in her performances. She seeks the mystery of life. However vast and elusive her starting points may be, her performances give the audience the most direct, immediate, skin-tight sensation imaginable in a theatre.

Zimmermann & De Perrot give circus genre creative tap at @hollandfestival

Holland Festival Holland Festival

Circus, tricks, clownery, spectacle: it has been a party for centuries. But roughly the same party every time.

Zimmermann & De Perrot, originally clown and DJ respectively, found each other in the brilliant insight that circus could be turned into beautifully absurd modern theatre.

5-hour marathon Roman Tragedies favourite with spectators Toneelgroep Amsterdam

We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release: From 2 to... 

Arts budget debated in second chamber: hardly any discussion on 200 million cut to performing arts

We were at a debate day in The Hague that was as inconspicuous as it was historic on 13 December 2010: it was about the budget of the Ministry of Education, Culture and Science of the (first?) Rutte government, and that was the budget in which, at the request of the supporting party PVV, the amount to be cut in the arts budget was set at 200 million, with heritage and museums having to... 

'Vous êtes servis' gives household slaves a face, but subject deserved a more powerful film

At first glance, domestic help is not the most exciting subject for a triptych of film, theatre and performance. That is, of course, because the maid in the old-fashioned sense is virtually extinct with us in the West. But elsewhere, there is plenty of demand for submissive girls who work their asses off seven days a week until they threaten to... 

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