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Where is Norman Rockwell when you need him? Ode to The Grumpy Hallkeeper, the Peanut Butter Floor and Ms Koons

Classic joke about the attendant: "Proudly, the Rijksmuseum's new attendant reports to the museum management at the end of his first working day. 'Mr director, I think you will be pleased with me. I have already sold two Picassos and one Apple today!' " (Source: www.debestemoppen.nl) Thus illustrating the supposed relationship of the traditional attendant to the modern... 

Kate Moore wins Matthijs Vermeulen prize - as first woman ever

On Saturday 2 December, Australian-Dutch composer Kate Moore (b 1979) will receive the Matthijs Vermeulen Prize for her composition The Dam. The prize money is €20,000, made available by the Performing Arts Fund. The prize was established in 1972 and named after the Dutch composer and critic Matthijs Vermeulen (1888-1967). Until now, it invariably went to men, some even getting it two... 

Aribert Reimann: 'I cherish both musical tradition and modern developments'

Despite his advanced age, German composer Aribert Reimann (1936) is still very active. In October 2017, his opera L'invisible had its world premiere at the Deutsche Oper Berlin, based on a play by Maeterlinck. On 14 December, the first performance of his cycle Die schönen Augen der Frühlingsnacht will already be heard at Muziekgebouw aan 't IJ. He composed it for soprano Mojca Erdmann and... 

Mirjam Koen, Adorno, why on earth theatre about Adorno!

Beethoven and Bach brought the true music. Karl-Heinz Stockhausen the future. The rest, from Beatles to hoempa, was 'jazz', commercially capitalist and therefore pernicious. Very briefly, this is what we should know Theodor Adorno from. Paul R. Kooij now plays this art-philosophical sharper in a performance by Mirjam Koen. Just when the division based partly on Adorno's thinking between... 

IDFA 2017: digital pioneer Jonathan Harris switches to analogue

With a 500-million-year-old pebble, Jonathan Harris began his lecture. IDFA presents the first international retrospective of this artist. As IDFA's chief guest, Harris gave the 'Master Talk' on Friday, about his life and work. His remarkably analogue vision was also the common thread during Sunday's well-attended DocLab conference. Fundamentally analogue Harris, who once started out in computer science... 

The only one - review in letter form (Why Peter Perrett is a true survivor)

Hey H., Tonight I went with J.P. to see Peter Perrett & Band at Paradiso, Small Hall. Sold out! I've told you about J. before, he was the deejay who gave me a 'crash course' in sincere music at the Eindhoven Bakery when I was 15 (1988). Before I tell you about Peter Perrett and why his music is worth... 

Kill the West in Me - musical theatre about East-West clash

These days we are bombarded to death with opinions on the pros and cons of multiculti. Depending on their political preferences, people are either very enthusiastic or very negative about the increasing 'colourisation' of our society. The gamelan ensemble Gending, the Doelen Kwartet and Het Geluid Maastricht decided to take the bull by the horns. They based Kill the West in Me on feminist letters from... 

This is what makes The Dead Society such a successful podcast: noise.

I treated myself to one of those noise-cancelling headphones. The thing produces anti-noise to filter out highway, refrigerator and air conditioning from my daily life. So that I can listen to podcasts better. Podcasts like The Dead Society's. In which I am reminded again how important background noise from highways, air conditioners and rustling trees is. Radio journalist Carine van Santen... 

Goeyvaerts and Ustvolskaya: man and woman with hammer

In February 2017, The Collective combined the radical music of Galina Ustvolskaya with the heavenly chants of Hildegard von Bingen. Less strange than it seems, as both were deeply religious and composed from inner necessity. On Thursday 26 October, Spectra Ensemble places Ustvolskaya alongside Karel Goeyvaerts at Muziekgebouw aan 't IJ. Ustvolskaya is well enough known here in the country by now, but who was... 

Jan Fabre's Exciting Friends vs the Curators (part 2): At breakneck gallop through Ostend

Jan Fabre is a bit like the Jan Cremer of Flanders but younger, five times more talented, multidisciplinary and eight times more social. 'It is quite an honour to succeed Jan Hoet,' says Jan Fabre. Together with art historian Joanna De Vos, he is the curator of HET VLOT. Art is (not) lonely. The exhibition is intended to highlight the Mu.ZEE and Belgian... 

Artist team of Jan Fabre delivers devastating defeat to curators in Ostend (1)

On Saturday evening 21 October, Belgian artist Jan Fabre opened 'his' expo 'Het Vlot. Art is (not) lonely'. This was done in a playful way at the KV Oostende stadium with 'A beautiful match between artists and curators'. The artists, including characters such as Goya, Da Vinci and a bloodied Van Gogh, turned back the curators 3-2. Angry tongues in the audience claimed... 

Films at ADE: The rock doc as an IKEA package.

On the fringes of Amsterdam Dance Event, I saw two music documentaries that expose why this genre is often problematic for the cinephile. Both films have their fine moments, but ultimately fall short for those who desire more than mere information transfer in television format. A sympathetic Goth Are 'friends' electric? is title and big hit (1979) by British synth-pop pioneer Gary Numan,... 

9 (Un)heard records not to miss this autumn

9 Plates full of extraordinary sound that won't go unnoticed and unsung. Fatima Al Qadiri - Shaneera (Hyperdub) Durban taxi techno and Arab queer culture come together on this pumping EP. For, on this record, you hear how bare, cold drums chug outrageously under microtonal or game-like synth melody. Heavy in the bass and loose in the underbelly, Al Qadiri breaks gender pigeonholes.... 

Han Bennink (75) on LGW: "Working hard and hoping the highlight is still to come."

World-renowned Dutch drummer Han Bennink celebrates his 75th birthday and the 50th anniversary of his ICP Orchestra at Utrecht's Le Guess Who? Festival (LGW). Time for a conversation with a diligent worker. All over the world, Han Bennink is famous. And for him, that whole world is his playground, literally. Bennink started drumming at an early age. Pots... 

Sadettin Kırmızıyüz. Foto: Joost de Haast

Dutch version of The Wire moves from Rotterdam to The Hague

Nationale Toneel Theatre is working on its mission to bring society to the stage. The Nation, that insane marathon with Romana Vrede about a disappearance in the Schilderswijk neighbourhood, and Mark Rietman, will be ready this autumn. Anyone who thought it was time for another slice of tedious retro hag comedy after that is wrong. We do have a classic coming up in... 

The theatre world is divided, but not diverse. A call to authors.

This week, two things already became clear about the Dutch theatre world. One: the topic of diversity is finally really on the map and two: the theatre world, however small, is hopelessly divided. During Het Theaterfestival, there were two debates/ meetings/ symposiums on the lack of diversity in theatre. One on Monday, the other on Thursday. Bit much in one... 

Festival of Early Music goes topical with music theatre about refugees

You expect a lot from a festival dedicated to early music, but not contemporary music theatre. Yet that is exactly what artistic director Xavier Vandamme has in store for us. On Saturday 26 and Sunday 27 August, street theatre group Kamchátka presents Musica Fugit, a performance about refugees. Visitors become part of the story. This way, they experience for themselves what it means when fleeing is a... 

Humour, marinated in tears on a bed of melancholy. Perfect day on Boulevard

The prize for the longest and most artful kiss of 2017 has been given away and goes to Conny Janssen Danst. In a small tent on the square below Bossche Sint-Jan, this danced kiss forms the technical and dramatic highlight of Clarity. Two dancers, spinning pirouettes while keeping their lips connected, a video artist and the floating music performed live by iET were on Saturday ... 

Why in Watou everything takes on a different meaning (and it's not even because of the beer)

An Arts Festival has taken place in an insignificant corner of West Flanders every summer since 1980. It smells like hops and a growing number of visitors come from the Netherlands. What is Watou's secret? How on earth does a hole of 2,000 inhabitants, which barely appears on your car navigation, end up with an Kunstenfestival that rules the village for two whole summer months every year?.... 

Mantra (I): Pushing for Jussen brothers swaying Stockhausen #HF17

Lucas and Arthur Jussen are 'hot'. You could call the young piano brothers the headliner of this Holland Festival Proms. Well before the start of their concert, visitors are therefore already gathering in the corridors around the main hall of the Concertgebouw. Everyone is out for a good seat. To sit, because standing, as we know it from... 

Setan Jawa, Garin Nugroho.

This is why Setan Jawa was such a special highlight of the Holland Festival #HF17

Setan Jawa is the latest film by prominent Indonesian director Garin Nugroho (b. 1961). It is a 'silent' film, shot in black and white by Teoh Gay Hian. It was shown at the Muziekgebouw aan t IJ during the Holland Festival last weekend. The music to the film is played live by Rahayu Supanggah Gamelan Orchestra and the Netherlands Chamber Orchestra. Inspired... 

Franui: Consolation and cheers band from Tyrol surprises with true-life songs #HF17

Florian Boesch is at the front of the stage, around him are his bandmates. On big screen behind the band, a chair slowly melts away. Boesch has hands casually in his pockets. With a smile, the violinist initiates a horlepie-like tune. Wie leiblich und frölich, Zu schweben, zu singen, Von glänzender Höhe, Zur Erde zu blicken! By the clutches... 

Julia Wolfe: 'Anthracite Fields is a poetic reflection on the lives of miners'

American composer Julia Wolfe (1958) has a thing for the social history of her homeland. Steel Hammer reflects on the unequal struggle of man versus machine, as described in the folk ballad John Henry. Anthracite Fields zooms in on the hard life of miners in Pennsylvania. She won a Pulitzer Prize with it in 2015. The full-length oratorio is experiencing two July... 

New single: Queens of the Stone Age sticky with sexy sweat

In the Netherlands, this Thursday afternoon is sunny. Clothes stick to bodies. Hotpants everywhere. Boys take off their shirts in parks. This afternoon, Queens of the Stone Age's new single plops onto YouTube. The Way You Used to Do is sweaty and hot. Pleasure settled Queens of the Stone Age don't surprise. There's no need to. The band is grand... 

Dries Verhoeven's Phobiarama is a pointless machine #HF17

I went to Amsterdam to face my social anxieties on the once infamous Mercatorplein. I saw a sunny square with a trendy bar and bakfiets mothers around a play fountain for white children (brrrr! gentrification), old veiled and un veiled women chatting on a bench (help! multiculture) and a performance in a converted bumper car tent (Waaaah! Holland Festival). What I didn't... 

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