We are politically neutral and even in the subsidy debate we try to maintain that. After all, every coin has a flip side and it is not the media's job to always and forever take sides. But now this. Mark Rutte was interviewed by Clairy Polak in Buitenhof on Sunday, 16 January 2011, and they talked for a minute about...
Of course, we sometimes miss one. And of course Caro Emerald is cool and Graffity 6 is new. But there is more culture in the Netherlands than many users of mainstream media realise. Deep into the 1980s, sports halls were already full for Rai musicians, and that was years before Cheb Khaled penetrated the charts with Aïsha. The Cape Verdean community in Rotterdam...
As recently as November, the Smithonian patronage-funded National Portait Gallery removed the work, following protests by US Catholics and Republicans. They found the video, titled 'A fire in my belly' by New York artist David Wojnarowicz, who died in 1992, offensive. Yesterday, the Metroplitan Museum of Modern Art (Moma) in New York announced the work they had given the...
Country houses will surround it, but in the middle there will be something completely different: a real "sculptural dwelling" by Atelier van Lieshout. With a price tag of a million euros, the house is not a cheap work of art either, but then you have something that the whole world comes to see. Less original than his recently erected one in Rotterdam...
We were at a debate day in The Hague that was as inconspicuous as it was historic on 13 December 2010: it was about the budget of the Ministry of Education, Culture and Science of the (first?) Rutte government, and that was the budget in which, at the request of the supporting party PVV, the amount to be cut in the arts budget was set at 200 million, with heritage and museums having to...
Among lovers of the music of contemporaries Johann Sebastian Bach (1685-1750) and George Frederic Handel (1685-1759), the bickering is well comparable to that between supporters of Beatles and Rolling Stones. Bach is classical, Handel populist, Bach wrote lofty music, Handel flat-out , Bach was (barring his St Matthew Passion) succinct in his musical statements, Handel rambled on endlessly. And so...
The young Antwerp company FC Bergman performs Harold Pinter's classic play 'The Homecoming' in a completely unique, energetic and raw way. The Homecoming can be seen during Autumn Collection 2010 at Theatre Kikker on Saturday 30 October.
To be seen Friday 29 and Saturday 30 October for the last time in the Netherlands, during the Autumn Collection at Theater Kikker in Utrecht. After that, only in Cape Town.
Emke Idema plays The ins and outs of the hole in your head in Theatre Kikker's Autumn Collection on Wednesday 27 October and Thursday 28 October.
Once upon a time, a very long time ago in a different country from today, there was a play about a boy from Bosnia who made crowds cry. Ad de Bont had not only written a sensitive story with Mirad, a boy from Bosnia, but he also found the perfect way to deliver that story. It from letters to and from a...
GDMW festival comes from the tube of the only literary magazine still doing a bit in the Netherlands: Passionate Magazine. A bit contrary, youthful but not juvenile and with an open eye to the many cultures in the city where it was founded: Rotterdam. The festival is a happy combo of literary content, happy poets, embarrassing displays and beer,...
It was a pleasantly out-of-control flashmob: according to the police, there were around 3,000 people on The Hague's Malieveld at around noon. Young people, mostly: students from The Hague Art Academy and the Consevatorium. But that is not enough to make the Malieveld feel crowded. From all corners of the country, young art students were...
Ok, a few people might have been a tad disappointed. Who had hoped that Rotterdam's theatre would reopen with real bang, after the extremely successful upgrade of the interior by scrap artist Jan Versweyveld (suspended ceiling, marble and carpet on the stairs). But that, of course, cannot happen. After all, the Rotterdam Schouwburg only does bangers when International Choice boss Annemie Vanackere is there...
What she does is vulnerable to the point of confrontation. Theatre-maker Lotte van den Berg has such a personal view of the world that, outside the safe context of theatre, it can come across as absurd. Or alienating. On Sunday 26 September, she returned with the members of her Dordrecht-based location theatre company OMSK back from a four-month stay in the Congo capital Kinshasa. A full house in Rotterdam's Gouvernestraat then got to be there when they unpacked their bags a few hours after landing.
The teachers recite it, a whistle sounds. The audience mimics it, like wax in the hands of the five Chinese on stage. Anyone who walks into the performance C'est du Chinois walks into a Mandarin language lesson. An effective language lesson besides, you understand the two small families-they have only been in the country for four months but plan to...
An intimate living room conference among living works of art. That is the best way to describe 'House without a maid, a "conversation, performance and installation project" by Jorge León and Simone Aughterlony at Huis Sonneveld. In the former garage of the 1932 modernist villa, a select group of women gathered for two days to discuss the phenomenon of the maid. In other rooms of the imposing...
'So, Dr Lacan, are women more susceptible to madness? ... Is the man susceptible to hysteria?' In 'Deserve', part of Jorge León and Simone Aughterlony's triptych about the maid, the makers dig deep, very deep. They follow the intriguing line of the great debunkers in our history of thought: from Hegel's master-slave analysis through Marx and Freud to French psychoanalyst Jacques Lacan. Core of...
Things happen in places like this that cannot bear the light of day. We are deep in Rotterdam's container port, among the neon-lit transhipment yards and dark warehouses. In one of those raw warehouses are two truck trailers. One is set up as an illegal sewing workshop, the other is filled with earth and rubber tyres. They form the backdrop for Hungarian theatre-maker Kornél Mundruczó's performance 'Hard to be a god'.
The show tells the fairly inimitable story of Karoly, who wants to make symbolic torture porn to blackmail his father with it. That father once raped his sister and is now an MEP. Three women are lured to this sewing studio under false pretences to participate in those videos. Things do not end well for them, partly because the foreign film director has rather sadistic tendencies, damaging the ladies to the point of rendering them useless.
She has 14 first names because her father liked to name his whole family and she was an only child. She is an in-demand actress, but Gonny Gaakeer has also been a girl with a grandmother. A beautiful grandmother, who in the last years of her 95-year-old life fell over more and more often and bore the ugly wounds of it. Gonny tells her story, and...
Anyone walking into the venue where choreographer/visual artist Piet Rogie's performance 'Stardust' is due to take place is immediately astonished. In the vacant exhibition hall of the Netherlands Architecture Institute in Rotterdam, ropes are stretched, it is teeming with seemingly carelessly scattered props and four cement mixers stand along the side like implacable sentinels. The whole space radiates that things are getting exciting. And the viewer is not disappointed with that.
Snow has fallen, a thick layer of fresh snow. Fake snow admittedly, but real enough to imagine yourself in the middle of Russia. There, in the city of Sverdlovsk, or Yekaterinburg, once lived the man about whom the show 'Poets and bandits' is about. Boris Ryzhy (1974-2001) turned the raw realities of his hometown into poems. He left more than a thousand poems to the world. His breakthrough came at the Poetry International festival in Rotterdam, in the year 2000. A year later, he was dead. Boris Ryzhy, 26, had hanged himself.
Theatre group De Warme Winkel makes that link with Rotterdam if only because 'Poëten en bandieten' is played there. An old factory hall serves as a backdrop for the run-down working-class neighbourhood in which Ryzhy grew up. From behind a work table, actress Mara van Vlijmen calls Rotterdam residents. None of them are at home. But on their answering machine is now one of Ryzhy's poems, which must be a wondrous experience for the listeners. The Warm Shop does not show how the professor's son Boris ended up in that poor neighbourhood. Whereas he himself talks about an environment full of drab flats in his poems, the stage setting is more reminiscent of the outdoors, with all that vast snow. The atmosphere is cosy and warm. On a float decorated with candles, a folk ensemble comes on, singing Russian songs. Old-fashioned songs, and nothing pop or punk.
The Dodo International Choice journal, episode 3: Hans van Dam saw 'Investment' and spoke with creator Davis Freeman, about what you can do with a tonne. It evokes associations with the famous TED talks and is reminiscent of the powerpoint documentary 'An Inconvenient Truth', with which Al Gore tried to wake up the world about climate change. What Davis Freeman does is smaller, but...
The Dodo International Choice journal, episode 2: Wijbrand Schaap came, saw and was overcome by Kris Verdonck's seven installations about plighted people. It should have ended with terrible bangs, a canned fireworks display a few metres from the spectators. But that's not allowed in the Netherlands since Enschede. And certainly not with Belgian fireworks. Theatre-maker, installation artist and video jockey Kris Verdonck ended up...
Tomorrow begins The International Choice of The Rotterdam Theatre. A festival that for years has presented remarkable theatre from all over the world at the Maasstad's theatre in September. Except this year, that is, because the 'chest of quist' is being rebuilt and that will take some time. Not something with Amsterdam metro builders, but whether the official reopening on 2 October 2010 will be...
By Willem Jan Keizer
Rotterdam - Thanks to conductor Valeri Gergyev, we get more insight into the huge reservoir of Russian composers. Rodion Shchedrin for example. Last year a piano concerto of his was performed, Sunday night in de Doelen it was his opera for the concert stage 'The Enchanted Wanderer', after the book 'The Enchanted Wanderer' by Nikolai Leskov. The opera is dedicated to conductor Lorin Maazel, who also conducted the premiere in New York in 2002.
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