It was so nice, using the 1980s band Talking Heads' song 'Road to nowhere' to get your political message across. Now yes. Ex-Senator and Governor of Florida Charlie Crist thought he could get away with it, and he may have succeeded politically, financially he is going to lose out big time. The compensation amount has not been disclosed, but...
"I don't care about the body, I make music," Savion Glover said last night, leaning against the doorframe of his dressing room after the performance Bare Soundz. The dance audience at Utrecht's Stadsschouwburg theatre struggled to master the mores of a jazz audience. As the concert progressed, it increasingly produced encouraging yells when the three tap dancers loosened up
A shy, unassuming man, who transforms on stage into a brilliant clown and artist at the same time. You can't get more typically British than choreographer and dancer Jonathan Burrows. He has achieved cult status in the dance world, and it is actually strange that his performances do not reach a wider audience. Although he himself says he has no shortage of audience members,...
It is nothing new that simple movements, close to the everyday, are given a place in dance performances. But the particular way they are constructed and highlighted in 'Studium' by Belgian group Busy Rocks makes you look at them with fresh wonder.
Three of the four dancers, darkly dressed, lie down on the floor against each other in carefully crafted poses. On this construction of bodies, a dancer, dressed bright white, takes her place in a horizontal position. The lighting makes the body lying above seem to float. The underlying figures push up the limbs in such a way that the white figure moves as if she is walking. The manipulation is done with great precision. Looking at it with tilted head, one sees perfectly natural steps.
Cesc Gelabert is a distinct figure in the world of modern dance. The Catalan with German roots makes a habit of keeping repertoire from the hot period of dance innovation alive, touring theatres and festivals with it for decades. So no Cinderella and Swan Lake for this engaging perfectionist, but dance steps from a Berlin...
The opening of Springdance was a beautiful, continuous movement, from left to right across the stage of Utrecht's Stadsschouwburg theatre. Before the performance, Wijbrand Schaap spoke to choreographer Guilherme Botelho about this special dance piece.
She is a 'stand-up philosopher'. With that self-coined term, she created a new form of theatre, halfway between cabaret, a lecture and theatre. She plays with her own role, deploys actors as if they were puppets, but ultimately turns out to be their plaything, as good as that of fate. In short: Laura van Dolron is a case apart. She makes...
I am not a connoisseur of the performance practice of Bach's St John Passion and know that other piece, the St Matthew Passion, mainly from a few TV excerpts and far-flung arrangements like the one by Platel's Pitié. So don't expect me to pass judgment on how good the version, which was seen and heard at the Concertgebouw on 5 April 2011, was, comparatively...
Reports of the collapsing music industry have been rife. Apparently, as a musician, you no longer survive on the basis of record sales (alone). In niche genres, however, it is easy to survive. So proves the band Current 93, which performed in Stadtgarten, Cologne, last week. Playing live a lot and selling merchandise seems to be the golden rule for...
We were deep in Amsterdam's canal belt for a while. After all, prominent resident of this city Rudi Fuchs was presented with a new booklet, written by himself together in the pages of De Groene Amsterdammer. This weekly magazine, by all accounts the oldest in the country, hosts the art connoisseur and former museum director in its pages. On it, he stomach writing about artworks that...
Amsterdam-based company Dood Paard itself translated Shakespeare's 'Othello' and waves goodbye to the bard with 'Bye Bye'. The quirky collective performs a one-and-a-half-hour topical comedy of manners and soul mirror, in which pointing at 'The Other' is central. Shakespeare's plays are quite often performed quite reverently. . Moreover, the adored 'bard' from Stratford-upon-Avon has bestowed on the English language countless expressions that have come to...
His Dutch has never been his strongest point, and he doesn't like to speak either. Still, a Holland Festival press conference is something to be at, so we take Pierre Audi's lesser performing skills for granted. in February, he presented the programme of the 2011 edition, which promises to be a very nice one, and which hopefully will not be the...
Annet Lekkerkerker is business director of the Holland Festival. She puts on a six-million euro festival with a grant of over four million euros.
Trouble with your voice? You don't talk about that. Because competition is so high in the music industry, there is a taboo on showing weaknesses. While the consequences would be much smaller if attention was given to it sooner. Time for the Muziek Centrum Nederland to ask the question at its music café on 3 March where...
Bettina Masuch (1964) has been artistic director of Springdance since 2008 and presents its third festival programme this year. We asked the woman behind this leading festival for innovative dance about this season's highlights. One of the performances she describes already makes us very curious: the Japanese street fighters of Contact Gonzo. Could just happen that somewhere between 14 and...
This message has since been confirmed by the Halbe Zijlstra on 14 March. We thank our source for being accurate. We once again visited our trench-coat-clad coughing chain-smoker in his Hague car park. Because there had been no news from The Hague for another week, and with the elections so close to the door, that's always...
It looked like a party. Coffee and flan, a Maastricht song, brass band music and a speech by Prince Carnival. Optimism surrounded the launch of the website nadeschreeuwnudestem.nl on 21 February. Surely the cry for culture in November was mainly a voice of dissent. Now there is a chance to take forward-looking action. 'Mobilise everyone you know to join the March 2...
Sometimes this is not about hard news, subsidy stress or downplaying for a while, but about other matters of art. Director and writer Erik Snel sent us the following sigh, now made topical again by
The Rotterdam Philharmonic Orchestra is rated differently by conductors. Either you can get along with it and then it's a party, or it never becomes anything and then it stays at the occasional conducting session. Moreover, the musicians' enormous responsiveness is feared.
OK. A pilot. When Jeroen Stout lost his Wednesday film fork in Radio Kunststof on Radio 1 in December 2010, we made him an offer he could easily refuse: to do something like that with us. But that we would then look for a way that suits The Dodo. After all, audio online may be the...
The International Film Festival Rotterdam celebrates its fortieth edition with a fitting XL programme. That Roman numeral XL not only indicates respectable age. It also says something about size: this fortieth also bursts with the intiguing programme, with screenings at no less than forty locations throughout the inner city of Rotterdam. Inside the festival walls is...
If you work at a municipality or province and/or know the exact measures your government organisation will take in the coming years in the field of culture, we would like to have those figures. It may be anonymous, of course, if you don't want your exact cuts or investments to be out on the street, and it saves us a lot of wob...
Those who did not attend the first cinema screening of Tiger Eyes yesterday would do well to tune in to Nederland 2 on Tuesday night. That is the television premiere of this Frank Scheffer-directed anniversary film with which the Rotterdam Film Festival celebrates its fortieth edition. In Tiger Eyes, seven directors who together represent the kind of cinema that Rotterdam strongly...
Interesting things are happening these days. The digital revolution is beginning to have traces of a real revolution. No one has yet set themselves on fire, as in Tunisia, but more and more people are taking to the virtual streets to overthrow the old powers: after the record companies, which let themselves be overwhelmed by people downloading, and the newspapers, which let themselves be overwhelmed by people searching freely for information, it now seems to be the turn of book publishers.
Between 21 and 30 January 2011, Amsterdam, Utrecht and Rotterdam will host the Flamenco Biennial, a music and dance fest around that mythical Spanish primal music that leaves no one untouched. A style of music, moreover, that developed in parallel with the history of the Iberian peninsula, where the culture of the Indian Roma gypsies came together with that of the...
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