We are a bit done with sex, drugs & rock'n'roll in culture. At least, not in what is presented through our galleries, film screens and venues, but in how that comes about. Minister Ingrid van Engelshoven has asked the Council for Culture for advice, and the Council is going to set up a commission to do so. This was just announced via...
This year, November Music not only has a house composer, but also a house ensemble, the New European Ensemble. Naturally, the Hague club will play in the opening concert with Seung-Won Oh's Bosch Requiem. And, of course, they present a portrait concert with greatest hits by composer-in-residence Kaija Saariaho.
In 1987, British cello legend Jacqueline Du Pré succumbed to multiple sclerosis, aged 42. Although she had not played concerts for 15 years, a wave of grief washed over the world. In her short career, she had achieved more than many a musician in his or her entire life.
Pièce de résistance will be the brand new Reconnaissance (Rusty Mirror Madrigal) for choir, percussion and double bass. Saariaho composed it commissioned by November Music and the Donaueschinger Musiktage. The first performance was scheduled at the German festival, which, however, was also cancelled. - A stroke of luck for November Music.
My story about cultural big earners turned out to be the talk of the town in the cultural sector. Not publicly, i.e. mainly behind the scenes, I was approached. One of the few people who did speak out publicly was Henk Scholten. On Facebook, he responded to a column by journalist Aukje van Roessel about the questions raised by The Hague city council
2.6 billion euros. It is a sum so large that it means nothing to anyone. It is less than the tax support KLM gets, though. Today Kunsten 92, the arts-wide lobbying organisation, in an unprecedented collaboration with all interest groups and industry associations, brought out that that 2.6 billion is the damage to the arts sector caused by the restrictive measures....
Update Wednesday 15-4, 16:00: this afternoon, the government has decided to come over as yet with additional schemes for the cultural sector, which are now no longer taken out of the culture budget. Apparently, the massive pressure helped. We will let you know when more is known about it. Update Wednesday 15-4, 20:00: Drop in the ocean arrived, leaving the below message only....
Maybe I am not looking closely but I miss in the various media, as I did years ago during the demolition policy, the role of amateur music practice on which many a musician depends. At the moment, the focus is partly on venues and theatres asking their visitors to accept vouchers or donate their tickets. Fine...
Where is the Metropole Orchestra? A unique orchestra, the only one in the world that can pull off the complete repertoire from classical to pop and jazz? The orchestra that used to accompany the Dutch acts at the Song Festival when everything was still live? The orchestra, which as recently as December was on tour with our new Song Contest candidate,...
[update: they get even less, see post below] We received confusing news last weekend. The occasion was the festive announcement by the organisers of the Eurovision Song Contest that a special symphonic happening would take place at the final in Rotterdam. Invited were third-year and master students from Rotterdam Conservatoire, part of Codarts, as well as young professional musicians. For the performances...
'When I unexpectedly had to conduct the "Dies Irae" from Verdi's Requiem Verdi, I felt how raw and impactful music could be. I knew immediately: I can no longer run away from music.' Elim Chan is moving like a rocket and will make her debut with the Netherlands Philharmonic Orchestra on 17 January. In 2014, Elim Chan (Hong Kong, 1986) was the first female...
'An inspired conductor, with an intelligent approach to the score, a clear stroke and the ability to draw a choir into his vision. So says the jury of the Kersjes Prize about Lodewijk van der Ree (1986), who received this year's conducting prize. I have worked with him many times before and can wholeheartedly endorse this statement. Carte...
Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be...
This weekend, there was some fuss on Twitter. Something about a Nazi comparison that didn't quite work out. Now there is quite often a fuss on Twitter because of a Nazi comparison that doesn't quite work out, but this time it concerned one of our cultural figureheads. Kees Vlaardingerbroek, artistic director of the NTR Saturday matinee and former head of programming at the Rotterdam...
After the Dutch thriller Prooi, The Conductor has also been acquired for release in Chinese cinema.
'Indecent and rude,' is how Miep van Diggelen, former chairman of the board of the Performing Arts Social Fund (SFPK), calls the actions of the board of that same fund. That board, or at least about five members of the seven-member board, decided - outside the official meeting - to withdraw a subsidy application they had initiated earlier, without having read it. The promising...
Sounding Alchemy, is the name of the chunky volume recently published by music publicist Maarten Brandt (1953). It has 715 pages, including illustrations and an extensive index. In 98 articles, Brandt unfolds his views on music and music programming. He dedicated the beautifully designed book to his admired Marius Flothuis, programmer of the Concertgebouw Orchestra for many years. His heirs received a first copy during...
That George Benjamin is this year's Holland Festival court composer makes perfect sense. And I say that as a non-expert. After all: the way contemporary classical music is often written and talked about scares laymen like me. Would I ever have enough knowledge to appreciate those gourmet sounds? On Saturday night, I made my first live acquaintance...
Although the press picks it up only sparsely, not only the NTRZaterdagMatinee pays much attention to Dutch composers. Indeed, they are also well represented in the AVROTROS Vrijdagconcert (formerly De Vrijdag van Vredenburg). In 2014, for instance, Joey Roukens wrote The building of the temple to mark the reopening of TivoliVredenburg. Two years later, the season opened with Atlantis by Robin...
Performing arts policy greatly determines what can be seen and heard on Dutch stages. It underpins government funding of theatre and music. This policy pays a lot of attention to the quality of performances, but it hardly discusses the choice of pieces played, let alone what kind of repertoire landscape...
Joel Fried, artistic director of the Royal Concertgebouw Orchestra visibly startled for a moment. I asked him if there is really only one female composer scheduled in the 2018-19 season. Indeed, during the presentation on Monday 26 February at the Concertgebouw, I only heard the name of Lotta Wennäkoski. Indeed the Finn appears to be the only one to defend the honour of composing women....
Next Thursday, at Utrecht's TivoliVredenburg music palace, it will not be about music for once, but about work. During the event The Future of Work, internationally renowned professor Paul Boselie will throw a big punch. According to the author of the international handbook 'Strategic Human Resource Management', employees and employers lack the much-needed sense of urgency about...
Musicians are no longer allowed to perform for a pittance. At least, not if the club they work for, or perform in, receives a subsidy. In a sector opinion released today, the Culture Council argues that the structural underpayment of workers in the creative sector is no longer sustainable. 'If that means fewer programmes can be made (or that there...
The AVROTROS Friday Concert cherishes mainstream masterpieces as well as less heard and new repertoire. In the 2017-18 season, no fewer than five (world) premieres are on the programme, three of them composed by a woman. - Come and see that among the national orchestras. Friday 17 November will hear the brand new double concert Together Remember to Dance by British/Bulgarian Dobrinka Tabakova. She composed it on...
The Orphanage of Dutch Music presents monthly 'forgotten Dutch masterpieces' at Amsterdam's Splendor stage. 'To discover the finer points', these are performed twice, interrupted by 'a short commentary or interview with special table guests'. On paper, a golden formula. Rightly so, the Holland Festival adopted three episodes. With the music, during the opening concert on Thursday, it was all in...
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