One of the rules of thumb of contemporary theatre art reads as follows: There is no middle ground in a production with an insanely long title. Such a production is fantastic, or dies of its own pretensions. With Judson church is ringing in Harlem (made to measure) / twenty looks of paris is burning at the judson church (m2m), the latter is the case.
In 2012, I saw an earlier performance by dancer/choreographer Trajal Harrell, titled (M)imosa. A fascinating, disruptive and be...
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