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Timeline of the Dutch period in New York

Exhibition on New Amsterdam from an Indigenous perspective 

Amsterdam Museum collaborates with the Museum of the City of New York and original inhabitants of New York Four hundred years ago, the first Dutch settlers arrived in the area that is now New York. Their mission from the Dutch West India Company (WIC) was to establish the colony of New Netherland, with its capital New Amsterdam, at the southern tip of... 

Daan Roosegaarde falls through. But what about Zara?

There is a bit of a buzz about Daan Roosegaarde. Again, we might say, because Daan Roosegaarde, it turns out, cannot be described as a creator of original work, but as someone with a rather remarkably sensitive antenna for other people's ideas. Which he then presents as his own work. From the article in the Volkskrant on this, one and... 

Writer Henk Pröpper's slow heartbeat

Writer and publicist Henk Pröpper had only just moved to his beloved Paris when the city came to a standstill, and so did his heart almost. Once fitted with a pacemaker, he took to the city in the one hour a day Parisians were allowed. A new world opened up to him. Writer Henk Pröpper walked during the... 

A new layer of management is not going to solve Theatre Rotterdam's problems

Rotterdam and theatre, quite tricky. I should know, I was born there and it was a subject of several working groups during my Theatre Science studies in the 1980s. Since the last theatre reform, a merger in which independent performers would work together to provide all the special theatre in Rotterdam, but... 

Choreographer Ernst Meisner: 'What works for me is an empty studio where I turn on the music at night and walk around for a hundred hours'

Choreographer Ernst Meisner (1982) is artistic coordinator of the Dutch National Ballet's Junior Company and artistic director of the National Ballet Academy. As a former dancer, he knows that you have to get out of the rehearsal studio, onto the stage. That's why he makes sure his dancers and dancers-in-training keep dancing in front of an audience as much as possible, even if the performances are online because of corona. 'I... 

'I tried to turn something terrible into something beautiful.' Douglas Stuart wrote a gripping novel about his alcohol-addicted mother

Last year, he became the second Scot ever to win the prestigious Booker Prize, and that too with a debut novel. The unexpected success of Shuggie Bain has a bittersweet edge for Douglas Stuart (44). For the story of maverick Shuggie, who loses his hapless, single mother Agnes to drink, is based on his own childhood. Shuggie grows up... 

Theatre of Concordia, at home on the tube 

With the lockdown in full swing and the curfew shackling us to our homes, the theatre performances at Concordia Film | Theatre | Visual Arts in Enschede continue as usual. With no less than three diverse, musical performances in the coming week that can be followed via a livestream, so you can still get your much-needed dose of culture.

Alaa al Aswani: 'Literature doesn't change politics, it changes people'

Four years ago at the Winternachten Festival in The Hague, we spoke about it with Egyptian writer Alaa al Aswani, who was disarmingly upbeat despite the fact that he can barely publish in his own country. On lack of freedom of expression and fiction in times of fake, this year's theme, Al Aswani could have a word. 'Freedom of expression is even worse now than under dictator Mubarak.'

Renzo Martens on White Cube: 'From now on, the Stedelijk should devote its entire acquisitions budget to art by plantation workers.'

A sleek, snow-white art temple in the middle of the Congolese interior. What does that mean? Renzo Martens talks about his new documentary White Cube, and the art project that allows plantation workers to buy back their land. Premiering at IDFA and in Lusanga, Congo.

Dance film The Garden shows the very bearable lightness of existence

Dance film The Garden shows the very bearable lightness of existence

The Garden is a new dance film by Sem, now also a dancer with the Dutch National Ballet, which premiered last week. The choreography is by British dancer Pascal Johnson, with five dancers dancing on the roof of artist Jean Dubuffet's famous artwork Jardin d'émail in the sculpture garden of the Kröller-Möller Museum. That in itself is special enough, however, it is the optimism of the dance film that impresses.

Down with the veil! Three gutsy girls found Iranian Women Composers Union: 'We want to form a global home front'

Things can change. In 1979, Iran changed from a Western-oriented secular state to a spiritual dictatorship, where Islamic leaders call the shots. Women must henceforth go through life veiled and music is banned as extremely sinful. Four decades later, three women founded the Iranian Female Composers Association. In America, though. 'Music is like a drug, those who feel... 

The city as we knew it is doomed. Long live rural art?

Disturbing reports, over the past few days, in various media. First, there was Patrick van IJzendoorn in De Volkskrant, who observed that life had moved away from London's business heartland. I saw a few confusedly delighted reactions come along from friends on my cultural timeline. After all, the article made a clear connection between the closure of museums and theatres and the... 

HOLLAND FESTIVAL ONLINE PROGRAMME 2.0-2.0

From 11 to 21 June, the Holland Festival will present an online programme as close as possible to the core and essence of the original programme, which was cancelled due to the corona crisis. Together with artists from around the world who were due to perform in the 2020 festival, an alternative online programme has been put together. The festival theme, suggested by... 

On uncertainty, drift and desire for freedom, and yes, sports too: 7 life questions to Wilfried de Jong

Freedom and openness are essential in Wilfried de Jong's life. Don't pin him down on one trait, because then he will get pissy. 'I am not "that guy from sports".' That's right, De Jong is a theatre and television producer and writer, among other things. About sports, for instance. His new book The man and his cycling stories will be in stores from this week,... 

Mattijs van der Woerd hopes to sing again one day, but is especially happy that Splendor is making music again

Musicians' society Splendor has survived the corona crisis so far, despite the fact that the two halls could not be used, rehearsal rooms fell and the bar could not open. Mattijs van der Woerd, baritone, talks about it in our podcast/video. How can that be, such a small concert hall standing so strong? The secret, which also keeps Culture Press afloat, and which this month also... 

Dancing in times of Corona: all you need is yourself and a chair and a closet.

We are now a good month after the start of the intelligent lockdown. Slowly, a new normal is beginning to emerge, where we are no longer exclusively fanatically following all the tweets about corona. The concerns are still there and certainly where the cultural sector is concerned. The entire sector, nationally and internationally, is engaged in the titanic task of keeping the public... 

70th Berlinale, under new management, opens with My Salinger Year and commemorates Hanau victims

"We are hopeful," is the reply when I speak to a colleague just before the start of the Berlin film festival. For curious as to how the choice of Carlo Chatrian as the new artistic director has fallen among German critics. Chatrian, previously director of the leading arthouse festival in Locarno, lies well, I understand. Whether this 70th Berlinale will see all that new momentum... 

Writing with your voice - Thea Beckman Prize winner Bianca Mastenbroek is not deterred by her disability

Becoming a writer without being able to use your fingers to type - Bianca Mastenbroek (44) no longer turns her hand to it. Last year, she won the Thea Beckman Prize for her historical novel Hendrick, the Dutch Indian. Looking back on a jubilee year: 'This prize is the crowning glory of my work'. For anyone who has yet to read your book Hendrick, de Hollandsche Indiaan,... 

A Christmas Carol by Carl Davis and The Dutch Don't Dance Division

A deep bow for Gesamtkunstwerk A Christmas Carol by Carl Davis and The Dutch Don't Dance Division

So this: 'It is not easy to compete with YouTube, Netflix and other entertainment giants lying at our fingertips...' Wise words from Jiří Kylián in the foreword to the programme booklet of A Christmas Carol. The renowned choreographer sees The Dutch Don't Dance Division at the Zuiderstrandtheater creating something magical with their latest production: with limited resources in this multimedia... 

Open your eyes, watch and reflect, engage in conversation. Opening IDFA 2019 showcases the sublime extremes of documentary.

The 32nd edition of the International Documentary Film Festival Amsterdam has opened with Sunless Shadows. Confessions of young women jailed for complicity in the murder of their father or other man in the family grow into a haunting statement about oppressed women in a male-dominated society. The only Dutch film in the international competition is Rotjochies by Maasja Ooms.

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