In early March, The Great War Machine, director Joachim Robbrecht's new play, premiered at Theater Frascati. A week earlier, the Rotterdam Schouwburg showed Swamp Club, by French director Philippe Quesne. Both performances address the current political climate. Whereas Swamp Club is explicitly silent about the world it calls into question, The Great War Machine is instead a rhetorical spectacle, constructed from quotes from TEDtalks. Both performances show mech...
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