Ruth Mackenzie has achieved an enormous amount in the short time she has been boss of Holland Festival. I have experienced the festival now since the late 1990s and have seen it evolve from something that was very personal and sometimes obscure (under Ivo van Hove), to an ethereal feast of shimmering aesthetics (with Pierre Audi), to what it is today: a hyperactual, necessary arts festival that stands at the centre of society and also brings together the most extraordinary of high and slightly lower art...
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