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Four reasons to go to Pelléas et Mélisande #HF19

The Holland Festival, with its ample offerings, is sometimes its own competitor. For instance, I missed Turan Dokht and the premiere of Pelléas et Mélisande because I was at aus LICHT. To attend a performance of Debussy's only opera, I had to pass up Abd Al Malik's concert. - Cultural choice stress, frustrating on the one hand but a wealth on the other. Was it worth it? What I missed I cannot judge. However, I can give you four reasons why, after my visit to the Stopera on 12 June,...

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Thea Derks

Thea Derks studied English and Musicology. In 1996, she completed her studies in musicology cum laude at the University of Amsterdam. She specialises in contemporary music and in 2014 published the critically acclaimed biography 'Reinbert de Leeuw: man or melody'. Four years on, she completed 'An ox on the roof: modern music in vogevlucht', aimed especially at the interested layperson. You buy it here: https://www.boekenbestellen.nl/boek/een-os-op-het-dak/9789012345675 In 2020, the 3rd edition of the Reinbertbio appeared,with 2 additional chapters describing the period 2014-2020. These also appeared separately as Final Chord.View Author posts

The Holland Festival, with its ample offerings, is sometimes its own competitor. For instance, I missed Turan Dokht and the premiere of Pelléas et Mélisande because I was at aus LICHT. To attend a performance of Debussy's only opera, I had to pass up Abd Al Malik's concert. - Cultural choice stress, frustrating on the one hand but a wealth on the other. Was it worth it? What I missed I cannot judge. However, I can give you four reasons why, after my visit to the Stopera on 12 June,...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

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