Behalve als altvioliste in het Radio Filharmonisch Orkest is ze in verschillende redacties als journaliste werkzaam. Ze schrijft onder meer over alles wat direct en indirect te maken heeft met klassieke muziek en o.a. het Radio Filharmonisch Orkest. Sinds 2014 is ze ook actief als recensent voor culturele websites.
Naar een idee van Marieke Stordiau, fagottiste in het Hexagon Ensemble, schrijft Joost Galema, journalist en programmeur, teksten die over boomdromen, muziek en tijd gaan. Zo ontstaat het Dagboek van een cello, een stuk dat de luisteraar uitdaagt tot nadenken over de verbanden tussen natuur en muziek. De première van Dagboek van een cello vond plaats in het Amesfoortse theater De…
Last weekend, more than 500 monuments in the Netherlands could be visited for free during the annual Open Monumentendag. Every year, this special day has a theme, this year it was 'Icons and Symbols'. After a thorough restoration, Hilversum's Studio 2 in the Muziekcentrum van de Omroep also opened its doors after 85 years. During the same week, a pop-up exhibition...
When you go to a concert, you think about the music, the ensemble, the soloist and/or the conductor. Maybe you look up something about the composer but you never think about the programmer who made the concert possible. Astrid in 't Veld is someone who thinks about the range of concerts on offer years in advance in order to help you with...
Joost Galema, journalist and programme maker, was called one day by Bastiaan Everink. The baritone and ex-marine wanted to make a book about his personal struggles and how music changed his life. Not being a writer, he started looking for a ghostwriter. Joost was third on his list. A few days later, Bastiaan was standing in Joost's Hilversum living room telling his story. The singer talked about marines, survival, violence, Iraq, Wagner's music and a quest. Not a one-dimensional chronicle, Joost thought, and he decided to start working with Bastiaan. After three years
The past and future of the Netherlands Reisopera are dominated by money worries. Nicolas Mansfield, director, during the season presentation on 20 April last in the foyer of Theatre Carré, stressed not only the necessity of a national opera company's existence but, above all, the necessary quality requirements to keep attracting audiences. And quality cannot exist without decent...
Aaltje van Buuren enjoys her busy life. She is the wife of successful star conductor Jaap van Zweden. She dedicates her charm and energy worldwide to non-profit organisations that improve the daily lives of autistic children. Music and art are forces that run like a thread through everything she touches. The family can be seen every week...
Pierre Audi is the creator of the first edition of the Opera Forward Festival - OFF for short - which is being presented to the public for the first time as part of De Nationale Opera and its 50th anniversary. Opera as an art of inspiration is the supporting idea behind the ten-day festivities. The School During the Pre Launch OFF...
Mozart's Così fan tutte performed by the Nederlandse Reisopera on 12 February at the Theatre Carré, is far from playful. Xander Straat's direction has many pretensions that deliver little substance and a static picture. The momentum of this opera giocoso is in the music itself and in the formidable voices of the young soloists. Unreliable Women Così fan tutte, or The School...
Baroque specialist and conductor Andrea Marcon, together with his La Cetra Barockorchester, manages to weave a fine lace work in Vivaldi's opera seria Catone in Utica (1678 - 1741), on which, among others, German soprano Anett Fritsch, Swedish mezzo-soprano Ann Hallenberg and striking Italian mezzo-soprano Francesca Ascioti shine like precious jewels. The international cast of Catone in Utica...
On 4 February, music journalist and musicologist Erik Voermans' latest book was presented: From Andriessen to Zappa. After twenty-five years of writing for Het Parool, Voermans has collected his conversations with the greats of modern-classical music in a chic edition. Paul van der Steen's detailed drawings inspire listening to the music discussed. The presentation in the Great Hall of the Muziekgebouw...
Chinese musician Wu Wei plays sheng. For him, the four-thousand-year-old instrument encompasses more than just music. 'Sheng means hope and hope is life,' he says during the dress rehearsal on the eve of the Saturday Matinee on 31 January where he performed with the RFO conducted by Edo de Waart. Confucius ' "A human being has two...
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