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Fransien van der Putt

Fransien van der Putt is a dramaturge and critic. She works with Lana Coporda, Vera Sofia Mota, Roberto de Jonge, João Dinis Pinho & Julia Barrios de la Mora and Branka Zgonjanin, among others. She writes about dance and theatre for Cultural Press Agency, Theatererkrant and Dansmagazine. Between 1989 and 2001, she mixed text as sound at Radio 100. Between 2011 and 2015, she developed a minor for the BA Dance, Artez, Arnhem - on artistic processes and own research in dance. Within her work, she pays special attention to the significance of archives, notation, discourse and theatre history in relation to dance in the Netherlands. Together with Vera Sofia Mota, she researches the work of video, installation and peformance artist Nan Hoover on behalf of www.li-ma.nl.

Director of Dance Days Maastricht: "I really feel supported by Mayor Onno Hoes."

The Dutch Dance Days are not yet a mad hive of dance, but for Maastricht they are increasingly a fun tourist attraction. Day trippers and weekend tourists come from all over the country to combine the delights of the South with those of the art of dance. For that matter, all of Maastricht seems to float on VVV leaflets. In this sphere of promotion, is there still room for... 

Sarah Moeremans camps out at the theatre and shows young actors all over it during #dekeuze

Regisseur, actrice en theatervormgeefster Sarah Moeremans houdt een jaar lang kantoor in de hal van de Rotterdamse Schouwburg. Onder de  titel “My First Camp” heeft zij haar intrek genomen in het voorhuis, om meer in contact te staan met de verschillende gebruikers en bezoekers in het gebouw en de wereld daar omheen. Is de publieke ruimte een wildernis geworden, die… 

Eszter Salamon and Daniel Linehan gems of highly diverse Julidans

Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For... 

#HF11 Special performance Jagden und Formen by Waltz and Rihm does not produce an ideal exchange, but it does raise interesting questions about the merging of dance and music

Composer Wolfgang Rihm and choreographer Sasha Waltz, two familiar faces at the Holland Festival and big names in European performing arts, released a performance together in 2008 that could not be missing from a Holland festival programme this year. The festival not only has a focus on some great contemporary composers (Xenakis, Rihm), but is also making considerable headway on the... 

Fascinating canon with 24 dancers by Boris Charmatz as bouncer and finale of Springdance 2011

Boris Charmatz's dancers in ''Levée des conflits'' Photo Caroline Ablain.
Niets is zo opwekkend als samen een canon zingen. Het Frère Jacques van de Franse choreograaf Boris Charmatz, te zien als uitsmijter op de laatste avond van Springdance, is wel een bijzonder geval. ‘Levée des conflits’ heeft geen terugkerend refrein, maar wel maar liefst 25 coupletten, die door elk van de 24 dansers worden gedanst. De krankzinnige meerstemmigheid, die uit deze monstercanon van dansende...

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Je gelooft met je ogen niet, wat je met je oren hoort bij drummachine Savion Glover

Tapdanser Savion Glover. Foto: Savion Glover Productions “I don’t care about the body, I make music,” zei Savion Glover gisteravond, geleund tegen de deurpost van zijn kleedkamer na afloop van de voorstelling Bare Soundz. Het danspubliek in de Utrechtse Stadsschouwburg had moeite zich de mores van een jazzpubliek eigen te maken.  Naarmate het concert vorderde, produceerde het steeds vaker aanmoedigende… 

Springdance opens with Botelho's Sideways Rain: fascinating intensity of dance, but lack of consistency

Scene from Sideways Rain by Botelho. Photo by Jean-Yves Genoud
Van links naar rechts bewegen enkelingen over het toneel, zonder ophouden en in drommen soms, een uur lang. Het is verslavend, deze locomotion in Sideways Rain, het eindeloze voortbewegen in één en dezelfde richting van wat steeds nieuwe mensen lijken. Door subtiele kostuumwisselingen, een duister lichtplan en de dramatische drones van Murcof is het in het begin heel moeilijk om de vijftien dansers uit elkaar te houden. Zij worden een...

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