Anything for which people enter a stage.
Where is the Metropole Orchestra? A unique orchestra, the only one in the world that can pull off the complete repertoire from classical to pop and jazz? The orchestra that used to accompany the Dutch acts at the Song Festival when everything was still live? The orchestra, which as recently as December was on tour with our new Song Contest candidate,...
[update: they get even less, see post below] We received confusing news last weekend. The occasion was the festive announcement by the organisers of the Eurovision Song Contest that a special symphonic happening would take place at the final in Rotterdam. Invited were third-year and master students from Rotterdam Conservatoire, part of Codarts, as well as young professional musicians. For the performances...
In the first version of this post, we assumed 100 euros for 8 days. We turned out to be misinformed. The application of the remplaçants' collective agreement, mentioned in the explanation by the Song Festival, gives a bit more leeway, although its hourly and daily rates are still controversial. But 1,000 euros for eight days is now apparently the going rate....
'When I unexpectedly had to conduct the "Dies Irae" from Verdi's Requiem Verdi, I felt how raw and impactful music could be. I knew immediately: I can no longer run away from music.' Elim Chan is moving like a rocket and will make her debut with the Netherlands Philharmonic Orchestra on 17 January. In 2014, Elim Chan (Hong Kong, 1986) was the first female...
Guts cannot be denied the Russian-American Lera Auerbach (1973). After all, you have to be 'a bit crazy and a bit of a genius to write a full-length choral work on a text limited to a list of 72 angel names', as one reviewer noted in 2016 after the world premiere of 72 Angels for the Netherlands Chamber Choir and the Raschèr Saxophone Quartet....
So this: 'It is not easy to compete with YouTube, Netflix and other entertainment giants lying at our fingertips...' Wise words from Jiří Kylián in the foreword to the programme booklet of A Christmas Carol. The renowned choreographer sees The Dutch Don't Dance Division at the Zuiderstrandtheater creating something magical with their latest production: with limited resources in this multimedia...
In the days when Europe was still a loose collection of city-states and duchies, where groups of men, for want of football, went on raids a few times a year to burn houses and rape women, a language emerged in the marshlands of the Rhine delta. We know this because plays were written in that language, which is among the earliest preserved...
'An inspired conductor, with an intelligent approach to the score, a clear stroke and the ability to draw a choir into his vision. So says the jury of the Kersjes Prize about Lodewijk van der Ree (1986), who received this year's conducting prize. I have worked with him many times before and can wholeheartedly endorse this statement. Carte...
A man walks down the theatre corridor with his daughter in a wheelchair. Stops at an usher. Hesitates, then says: 'I don't want to nag, but she can't go on the disabled toilet. I'm looking for a place to change her.' So this usher, he helps search. Moments later, they are behind a rack in the pantry. Sugar sachets, coffee, speculoos, tins....
They have learned something at Boekman. The foundation, which since this year has had the honour of managing the culture index, understands that trend graphs say precious little. We have observed this several times on this site, and the researchers now confirm this wholeheartedly. So this year the club is doing things differently. For the past few months, sixty wise men and women have been...
'I didn't know you could also be digitised away in this sector, but so you can.' Susanne Visser and Annemiek Lely sounded the alarm on Saturday 7 December. Their jobs as ushers at theatre performances are in jeopardy. Companies would rather keep people engaged through podcasts, and such an usher only costs money. On Monday, December 9, we obtained...
Over the past year, we, Annemiek Lely and Susanne Visser, heard various noises about boring introductions and useless fringe programmes that would add nothing. Such comments pass the revue in the artist foyer, at the bar or find their way onto social media. 'I want after-shows led by a local presentation talent instead of a drawling dramaturge,' wrote an already established director
I spoke to Peter Pluymaekers, artistic director of Theatre Group Zep, about what it is like to make theatre for vmbo students. The occasion was the not-so-jubilant performance of Cleopatra. Listen to the podcast on anchor: 'I'm always a bit reluctant to do Shakespeare. I find him difficult, and young people often find him corny. I felt the same about the...
With red cheeks, I hang up the phone a little bewildered. Just now I had a telephone appointment that took a completely different turn. I had a brief conversation with a theatre programmer who is still unknown to me. She unfortunately told me not to programme anything with our impresario, because there was really no need for artistic performances in her city. This lady stated that her...
For De Stadsbron, Amersfoort's journalistic background site, I chart the cultural sector of the Keistad. On that site now, an interview with Friederike Weisner, director of Theatre De Lieve Vrouw. 'According to Weisner, the lack of a university or college ensures that the need for knowledge is visible: 'You will always have to be innovative as a city. There ...
As an intro, the percussionist of orchestra the prize of honour played a cadenza of air beats. When he unexpectedly gave a cutting blow on his snare drum, everyone was startled. Thus, with Bewegung ohne Bewegung for cello and ensemble by Jan van de Putte, opened the anniversary concert of the ensemble founded in 1979 by Wim Boerman. Last year,...
I went to Rotterdam Zuid to see Shakespeare. The play was called Cleopatra and someone had tried to turn it into a feminist manifesto. That is something like making a rhinoceros jump through a hoop: the British bard relates to feminism as Thierry Baudet relates to Greta Thunberg. So it had not succeeded, and the reviewer of...
Modest cheers in the performing arts world. A motion tabled on 18 November by Corinne Ellemeet (GroenLinks), together with PvdA, CDA and D66, forces minister Van Engelshoven to investigate the consequences of the cuts to the Performing Arts Fund before the subsidy is distributed. The House approved this on 26 November. Wonderful, you might say, because if clear...
'A new piece is usually only heard once, then it disappears into a drawer forever.' Such a sigh I often hear, in all tones. Not only from composers, but also from ensembles, concert organisers, musicians and even subsidy providers. Good news, then, that Meriç Artaç's opera Madam Koo will be repeated twice this month, Wednesday 11 December in CC...
The culture sector will have to be patient for a while yet. Minister Ingrid van Engelshoven had no intention of changing any of her policies on Monday 18 November, during the discussion of the culture budget in the Standing Parliamentary Committee on Culture. Despite a fairly widely supported desire, especially from the opposition, to do something about the 8.6 million cut in the...
The myth just had to end. Nan van Houte, former director of Amsterdam's small theatre Frascati, has buried Action Tomato. During Requiem for Tomato, on 4 November 2019, she made it crystal clear that this legendary event has been measured too big by our theatre historians. In 1969, when a few tomatoes were sent to the al...
'There is an information war going on right now, which shows how important data is. The Assange case is the most poignant example of this.' Dutch-German composer Iris Ter Schiphorst wrote a piece about Julian Assange, the now controversially declared founder of Wikileaks. She is on a mission with this: 'Although Wikileaks has never been caught at a single fault, Assange has been accused of...
Things are once again going insane for Dutch theatres and concert halls. Every year, the directors, gathered in the VSCD, manage to come out with truly fantastic figures in the autumn. This year too, the cheers are unrelenting. Everything is growing. The number of jobs, and the number of volunteers, for example. (both up by 3% in...
'Everything I make stems from feeling, from being touched', Joost Kleppe (1963) once said about his music. That sensibility is often triggered by poetry and his oeuvre therefore includes many vocal works. His lyrical, rhythmically varied pieces regularly appear on the desks of both professional and amateur choirs. With his appealing style, Kleppe follows in the footsteps of illustrious composers,...
On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in...
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