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Argentine lives inexorably turn to destruction at Mariano Pensotti's hands

Turntables and theatre have something in common. Especially in recent years, theatre-goers increasingly run the risk of facing a so-called rotating stage. After Johan Simons made use of this technical style figure in his direction of Hiob at the Munich Kammerspiele and Christoph Schlingensief made the stage turn spectacularly in his swan song Mea Culpa, it is now... 

Rotterdam Theatre's International Choice has always been a personal choice

Last year, it was still about 'a sense of belonging': about the ability to feel at home somewhere, to know you belong somewhere. This year, the motto of the quirky Rotterdam festival De Internationale Keuze is almost diametrically opposed to that: parallel reality. Instead of one place offering warmth, the festival now says that place is there... 

It's final: the format for arts subsidies until 2016 is with the chamber

We have another letter from the secretary of state for culture. Halbe Zijlstra has sent it to parliament, to make it official that from 2013 a very bleak wind is going to blow in arts land. That makes cuts of 200 million final, still excluding the probably 150 million in so-called friction costs that the ministry also has to get from somewhere (u... 

Cackling fresh location artists prepare for Festival DE BASIS

With a few creative friends and a nice budget, romp around in a playground of many tens of acres of pristine nature. Surrounded by the remains of military might. It automatically makes you talk riotously. But that's how it goes sometimes. With art. So, to get right to the point: cuts are not always bad. For instance, divesting the... 

Rutte cabinet answers chamber questions on 'unsupported' VAT measure

That's going to be fodder for chambers exegetes, though the question is whether it will make any difference. But Halbe Zijlstra says he did not say that the VAT measure "was not the most accomplished measure in the coalition agreement. Although that is what that interview with him in NRC Handelsblad of 8 July 2011. At the time, everyone thought that was a funny

This is how pop music 'matures': British group Bitter Ruin reaches Opera charts US.

Last week, they reached the US top lists. Nice for a British pop group looking to emerge from anonymity via a targeted Facebook campaign. Remarkably though, the pop group is not reaching the 'ordinary' top. In fact, with the song 'Trust', Bitter Ruin is on the opera list. But it is less surprising than it seems. At Amazon, the band falls... 

Grassroots Arts Center in Lucas

Small arts initiatives in the US are going to have a very hard time

Opponents of government support for arts and culture quite often cite the United States of America as an example of how things can be done differently. There, according to these people, no tax money goes to art and culture, and art is there despite this. Others point out that America does have government support for art, and that much of the top art in the US is partly... 

Loyal festival-goer doesn't let his festival go down the drain

Rain, rain, rain. That looks bad for the festivals. Right? "Weather has less of an impact on a festival than people think," says Noorderzon's Mark Hospers. And they should know. Last year they had a lot of rain, and at the same time sold a record number of tickets. How is it that bad weather seems to bother the festivals little?.... 

Ingmar Bergman becomes opera at Grachtenfestival

Amsterdam, 1999. Studying Theatre Science, first-year theatre analysis class. I sit with notepad and pen clutched in fingers, making indecipherable notes. Halfway through the lecture, Sjaron Minailo (Tel Aviv, 1979) saunters in, dressed in a huge fur coat, with big Gucci sunglasses and dreadlocks. With a sigh, he plops into the back lecture bench, hears three sentences of the disrupted lecturer's speech 

If the children laugh and the parents cry, the performance is successful

"It's interesting here," says a lady with a two-year-old daughter, "and good for her development. And they have delicious apples with cinnamon here." The Children's Parade is ice creams, the carousel and baking your own poffertjes. But also taking your parents to performances. Getting them into the tent and making them forget the turmoil of the grounds for a while is the job 

Eszter Salamon and Daniel Linehan gems of highly diverse Julidans

Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For... 

Do we want top entertainment or still tragedy on the Parade?

"The Parade is like a snack bar. I come here to soak up atmosphere, drink wine and, in addition, be made to think a bit by the performances. But then that shouldn't last too long." Looking for the essence of the Parade performance, Cultural Press Agency knocks on the door of visitors, The Sadists and John Buijsman. "It's already just cosy... 

Going into the market without denying yourself - that's the issue

Sponsorship repels audiences. That could be a conclusion of the research carried out at Oerol by Inholland's professorships Media, Culture and Citizenship and Media and Entertainment. With the central question "How can Oerol survive without government funding?", they are exploring the audience's reaction to commercial expressions. "The question is how to apply marketing strategies without... 

#HF11: We chat with Jeroen Stout, Daniël Bertina, Fransien vd Putt and Wijbrand Schaap.

  In conclusion. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we had a great time with our new... 

Foto: Jochem Jurgens

The Kiss and DUS in final stage award nominations

The Utrecht Games (DUS), with its successful production August Oklahoma, immediately wins three nominations for the theatre awards to be handed out in September: Ria Eimers for best female lead, and Peter Bolhuis and Tjitsjke Reidinga compete for the prizes for best supporting actress. Percentage-wise, however, much more successful than DUS is De Kus, a production by Hummelinck Stuurman, because there the... 

Stage pollster provides useful figures on the performing arts

Gerard Marlet is becoming a veritable numbers guru for the Dutch arts sector. His latest publication concerns the "Podiumpeiler". We have embedded it for you. Worth reading, not only for number and art freaks. After all, many discussions about whether or not money goes to art, whether or not full theatres, they can now all be equally well based on the facts. Useful,... 

Cultural policy Rutte cabinet advised against by patrons and entrepreneurs; PVV absent from hearing on future of Dutch culture

Actually, there was only one compliment for the cabinet, which is in the process of cutting an average 30% from a sector that employs tens of thousands of Dutch people. At the hearing convened by the second chamber on Monday 20 June, only cultural sociologist Arjo Klamer was positive about the decisiveness shown by State Secretary Zijlstra. That he did subsequently think that... 

A few solid misses, interspersed with plenty of indispensable beauty in week 3 of the Holland Festival #hf11

The Dodo was busy, this third week of the Holland Festival. Thankfully, again with an exciting mix of beautiful, weird and extraordinary. As it should be, really. What makes the Holland Festival all the more exciting is that such extremes can sometimes take place within one programme, as with the National Ballet, or even within one performance, as with The Russians... 

#HF11 Audi makes Ayres' funny-grim animal opera 'The cricket recovers' layered and edgy

At last: the opera The Cricket Recovers after the animal story The cure of the cricket by Toon Tellegen is in the Netherlands! More than six years after its world premiere in Aldeburgh, the Holland Festival presents Richard Ayres' work, performed by Asko|Schönberg and VocaalLAB conducted by Etienne Siebens. Pierre Audi signed on to direct: he made the performance layered and daring.... 

#HF11 'The select' is neat and well behaved and on stage lacks the raw emotion of Hemingway's novel

Could Prime Minister Rutte cum suis's anti-advertising by dismissing art as destined for leftist types and other idiots already be having an effect? You would almost think so when you see the rather poorly filled halls during the performances at the Holland Festival. There are more than ten people in the front row, yet it all doesn't hold... 

#HF11 Thomas Adès sails his own ship and steers across familiar waters with new compositions

The ark as the earth, as a spaceship carrying us through the chaos of the universe to a safe haven. The pole star as the apparent magnetic centre of the universe around which all the stars revolve. No, this is not woolly new age chatter, these are the starting points for Tevot and Polaris, two major orchestral works by Thomas Adès, which had their Dutch premiere under the composer's own direction.

#HF11 Dreamy cult pop and visual feast from The Irrepressibles

At the request of the Holland Festival, Jamie McDermott of The Irrepressibles created a new programme: Human Music Box. The ten-member British band will start its world tour in Amsterdam. The premiere on Friday 17 June at the Muziekgebouw aan 't IJ became a subdued, musical evening that was especially visually appealing. In the middle of the Grote Zaal was a large, rotating... 

#HF11 The National Ballet opts for aesthetic wandering and exotic pictures

'Labyrinth' is the name of Sidi Larbi Cherkaoui's choreography. Mazes intrigue because you can get lost in them and then insist on finding the exit. Along the way, a person then has all kinds of revealing experiences about himself. But Cherkaoui does not get to this passage. He immediately starts with symbolism. A dancer holds a wide band that goes from the stage house to... 

#HF11: They're going to make another big cut to the Russians at Toneelgroep Amsterdam

Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show 

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