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News about events and festivals, backed by the industry but independent in content. Find out more: info@cultureelpersbureau.nl

Orchestre El Gusto lets sounds of Kashba Blues blow through @hollandfestival like warm desert wind

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They are gentlemen of age and therefore with a history. Grey or bespectacled or bald - or with a combination of all three. Their music has taken them everywhere. And now they are in a packed Carre: the Orchestre El Gusto. To their own delight, as they thank the audience for coming. The musicians from the kasbah of Algiers play the music as it is

Jan Lauwers with musical folk theatre at @hollandfestival: 'It's forbidden to memorise lyrics'

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An explosion in a crowded market square claimed 24 lives, including seven children. When the village commemorates that tragedy a year later, a little boy falls out of a window and a girl disappears before

A chamber opera blown up to impressive proportions at @hollandfestival

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,,The special thing about Quartett is that an intimate story between two people is blown up to impressive proportions. The characters find themselves in a room, which seems to float. In this seclusion, an isolated game between a man and a woman plays out. Giant video projections

Minicourse Opening @HollandFestival, part 1: Total theatre on slippery communication

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This year's Holland Festival opens with a performance of the opera 'Quartett'. It is a piece with a story, which needs some explanation. Maarten Baanders gives a short course on this performance. Also interesting for those who didn't happen to be able to buy a ticket.

Simon Stone adapts Ibsen for Australians: 'And why would you even go to the theatre if you live in Sydney?'

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Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit

Moritz Eggert: 'I want to give Wagner back his innocence'

With Tragedy of a Friendship commemorates Flanders Opera the bicentenary of Richard Wagner's birth. It is a production by controversial artist Jan Fabre, author Stefan Hertmans and composer Moritz Eggert. When I approach the German tone poet to talk about this opera, he reacts with shock: there is ab-so-lutely no question of an opera! Could I please clear up this misunderstanding once and for all?

'Everyone is happy to be part of something so beautiful.' Stut Choir and Irish performers sing together for the first time. #vvu

Radiant faces and swinging bodies filled the rehearsal room of the Utrecht-based Stut Choir in Overvecht. For the first time, the members collaborated with Irish singer Lorna McLaughlin of The Henry Girls and conductors Neil Burns and Anna Nolan of the Inishowen Gospel Choir. On 21 June, the two choirs will join the three Henry Girls sisters on stage at the Stadsschouwburg Utrecht.

Writers Unlimited 2013: about writers and people with a story #wu13

Whether Tahmina Akefi is a good writer, I dare not say. The Afghan beauty can at least glue sentences together, and knows how to add an erotic layer on top. But whether this means she surpasses the average penny novel, or whether she has nothing to offer but oriental soft porn anyway? Tricky.

Blogging vs demons #wu13

"We don't use social media because it's cool," says Tunisian internet activist Sami Ben Gharbia. "But in a dictatorship, it is the only way to inform people about what is really going on. To fight the demons in society. I am not a techny Became because it's fun. I just needed useful knowledge about internet codes, to improve my civic activism possible."

Hassnae Bouazza's Thousand Shades of Arabia on #wu13

John de Mol is doing good business in the Arab world. He acts rather dismissively about this, according to Hassnae Bouazza. According to her, the television producer talks publicly mainly about the many restrictions on his formats because of Islam and the sentimentalism of TV in the Middle East in general. That De Mol's success number The Voice of Arabia during the final in

'For me, only the text exists' - Alberto Manguel & Hans Goedkoop on black pages #wu13

With a jam-packed programme like Writers Unlimited 2013, it sometimes happens that, even as a professional journalist, despite everything, you end up dropping in somewhere too late, and then just catching a glimpse of something really great. In this case, after the tour de force of Amos Oz and Adriaan van Dis, was that Kenyan Ngwatilo Mawiyoo's spoken word performance. Mea culpa for that.

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