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Chilean IK generation seeks revolutionary art at @hollandfestival

Holland Festival Holland Festival

Six actors, four years in a bunker. One is dead. Those are the details we have to make do with in Tratando de hacer una obra que cambie el mundo. According to this title, the actors are trying to create a play that will change the world. The characters have locked themselves away in an underground bunker and receive occasional provisions via a packet.

Escape from Guatemala's hidden war for a while

Treaty of Utrecht
'Hidden War', the theatrical exchange between actors from the Netherlands and Guatemala, is nearing performance. The Guatemalan actors of the company Caja Lúdica have been in the country for a few weeks now. Together with the Dutch actors, they are rehearsing at Fort Nieuwersluis (near Breukelen), where the performance can also be seen from 20 June. Alan Hack (18) is one of the Guatemalans playing in the show. He experiences his stay in the Netherlands as a paradise encounter with freedom[/heading].

John Adams' other Gospel of Mary @HollandFestival: masterpiece just too long

Holland Festival
Mary is arrested at a demonstration and thrown into a cell next to a heroin addict, while her sister Martha has just started a shelter for the homeless. And Lazarus, yes, Jesus brings him back to life here too, with downright breathtaking sounds. And we are not even halfway through.
Het eerste deel van John Adams’ The gospel according to the other Mary neemt ruim zeventig minuten in beslag en, hoewel nergens vervelend, had wel wat korter gemogen. Want hoe slim het...

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Crushingly good: Nine Rivers by composer James Dillon, with conductor and percussionist Steven Schick @HollandFestival

Holland Festival Holland Festival

From the mild, everyday cacophony around the Muziekgebouw in the afternoon, on the terrace by the IJ, you'll get into the silence of the concert hall in a few steps. For three and a half hours (with over two hours of breaks in between), Asko|Schönberg, Slagwerk Den Haag and Capella Amsterdam will play and sing your ears off. Steven Schick (a.o. once Bang on a Can), not only conducts, but also takes charge of the middle part of the concert, at the Bimhuis, as a percussionist. Under his inspired direction, 'Nine Rivers' navigates between spectacle and purism: a battle between complex form and the simplicity of raw sound matter.

Abou Lagraa: gender separation frustrates Arab man

'That men and women in the Islamic world live apart from each other, that is a big frustration,' says choreographer Abou Lagraa. 'That is what El Djoudour is about.'
 
Door zijn achtergrond heeft Abou Lagraa een bijzondere, verhelderende kijk op deze problematiek. Hij werd in Frankrijk geboren, als zoon van Algerijnse ouders. Zijn familie is islamitisch. Abou Lagraa zelf ook, al doet hij daar in de praktijk niets aan. Maar hoe islamitisch zijn ouders ook waren, ze brachten hem volledige o...

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'Shéda', insane chaos with a glimpse of genius @hollandfestival

Holland Festival
Als al na het eerste kwartier de helft van de middenrij de zaal uitvlucht, en je kijkt op je horloge, en je denkt, mijn god we moeten nog ruim vijf uur, dan is er iets grondig mis met de voorstelling. 'Shéda', van de Congolese theatermaker Dieudonné Niangouna, is een krankzinnige bak chaos van onsamenhangende tirades. Aan één stuk door schreeuwend gedeclameerd door twaalf hyperactieve Afikaanse en Europese acteurs, ieder met een vast personage, die als goden terugkeren naar aan...

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Meistersinger @HollandFestival convinces musically only

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Cowardly knight defeats untalented rule fetishist with help from wise cobbler and wins singing contest and the hand of coquettish goldsmith's daughter. Or: boy meets girl on the streets of Nuremberg and decides to enter the local version of Nuremberg's got talent. The judges send him away, but he gets the audience vote. Wagner wouldn't be Wagner, however, if he didn't take about five hours for this story.

Deep in the belly of the Icelandic cello @hollandfestival

Holland Festival Holland Festival

It's a tricky genre, which drone, or ambient. Or, what do you call the avant-garde cello experiments of the Icelandic Hildur Guðnadóttir (1982). Very slow, very repetitive, very minimalist. Abstract sound art that leans heavily on loops, resonations and buzzing, über syrupy tones that swell into a large, layered sound collage.

Two voices on Sunken Garden @HollandFestival part 2. Thea Derks: 'Guilt & penance before, after, with and in death'

Holland Festival
Amsterdam, 5-6-2013 - Het is moeilijk onbevangen naar een productie te gaan die al zoveel stof heeft doen opwaaien als Sunken Garden van Michel van der Aa. Deze ‘eerste 3D-opera’ werd na de première in het Londense Barbican Theatre afgelopen april neergesabeld als ‘slaapverwekkend’, maar ook bejubeld als ‘de toekomst van opera’.
Razend nieuwsgierig betrad ik gisteren de Rabozaal van de Amsterdamse Stadsschouwburg. Bij binnenkomst kreeg ik een 3D-bril in handen gedrukt en een br...

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Two voices on Sunken Garden @HollandFestival, part 1. Henri Drost: "much more than 3D film opera"

Holland Festival Holland Festival

Forget all the fuss about the first-ever 3D film opera, forget all the fuss in British newspapers. Michel van der Aa himself sighed in interview that, on reflection, he would have loved to have made the second 3D film opera. And perhaps he had

Orchestre El Gusto lets sounds of Kashba Blues blow through @hollandfestival like warm desert wind

Holland Festival Holland Festival

They are gentlemen of age and therefore with a history. Grey or bespectacled or bald - or with a combination of all three. Their music has taken them everywhere. And now they are in a packed Carre: the Orchestre El Gusto. To their own delight, as they thank the audience for coming. The musicians from the kasbah of Algiers play the music as it is

Jan Lauwers with musical folk theatre at @hollandfestival: 'It's forbidden to memorise lyrics'

Holland Festival
Een explosie op een vol marktplein kostte 24 levens, waaronder 7 kinderen. Wanneer het dorp een jaar later die tragedie herdenkt, valt een jongetje uit het raam en verdwijnt een meisje voor 76 dagen in een kerker. Dat leidt tot een serie gewelddaden die soms maar al te herkenbaar overkomen.  In het verhaal 'Marktplaats 76' van Jan Lauwers is geluk iets heel duns. De voorstelling die hij ervan maakte met zijn internationaal gerenommeerde gezelschap 'Needcompany' is vooral een aa...

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A chamber opera blown up to impressive proportions at @hollandfestival

Holland Festival Holland Festival

,,The special thing about Quartett is that an intimate story between two people is blown up to impressive proportions. The characters find themselves in a room, which seems to float. In this seclusion, an isolated game between a man and a woman plays out. Giant video projections

Social media and art connect people, but Egypt stays away for a while #vvu

Treaty of Utrecht
Experimenten kunnen weleens een andere uitkomst hebben dan je van tevoren hoopt. Het Community Arts Lab ontdekt nu via het project Face to Face dat de wereld van het internet nog steeds te maken heeft met echte grenzen. Een project waarin gewone mensen in Egypte via internet een kunstwerk zouden maken met gewone mensen uit Utrecht lijkt niet helemaal te slagen.
De lijnen met Egypte blijken slecht, de agenda's gaan niet altijd samen. Tijd voor de Nederlandse kunstenaars die bij...

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Minicourse Opening @HollandFestival, part 1: Total theatre on slippery communication

Holland Festival
Het Holland Festival opent dit jaar met een opvoering van de opera 'Quartett'. Het is een stuk met een verhaal, dat enige uitleg behoeft. Maarten Baanders geeft een korte cursus over deze voorstelling. Ook interessant voor wie toevallig geen kaartje heeft kunnen kopen.
De geschiedenis van ‘Quartett’ begon in 1782. In dat jaar schreef Pierre Choderlos de Laclos ‘Les liaisons dangereuses’. De manier waarop het thema van liefde en bedrog  in deze decadente intrigeroman wordt uitge...

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Simon Stone adapts Ibsen for Australians: 'And why would you even go to the theatre if you live in Sydney?'

Holland Festival Holland Festival

Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit

Moritz Eggert: 'I want to give Wagner back his innocence'

Met Tragedy of a Friendship herdenkt De Vlaamse Opera het tweehonderdste geboortejaar van Richard Wagner. Het betreft een productie van de controversiële kunstenaar Jan Fabre, de auteur Stefan Hertmans en de componist Moritz Eggert. Wanneer ik de Duitse toondichter benader voor een gesprek over deze opera, reageert hij geschrokken: er is ab-so-luut geen sprake van een opera! Wil ik dat misverstand alsjeblieft voor ééns en altijd de wereld uit helpen?

Waarom mag Tragedy of a Friendship geen oper...

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