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For the opening night of The International Choice, the Rotterdam Schouwburg was briefly transformed into Berlin's Volksbühne. The same black plastic rags on the walls, the same ugly yellow front curtain and - most strikingly - the seats in the auditorium have been replaced by white beanbags. Those beanbags, by the way, are widely despised and mocked in Berlin. They should...
Strange how quickly history detaches itself from your memory. We here had gradually come to think that the camping riot in Cairo's Tahrir Square was some kind of summer of love. That everyone there was cramming roses into cannon shells singing together and that the whole world was just there to give each other love and hugs. Time for a lesson in rebellion....
Often, publicity texts conjure up an inappropriate image of the performance they refer to. "The air base as a no man's land: a military state wiped out and where nature has taken over the area," is one such. The text belongs to Welcome in the human zoo, an experiential theatre performance created by Suze Milius and Bram Jansen. Such a sentence evokes associations....
"You are my sunshine," sings a woman very softly. Meanwhile, the audience sits in pitch darkness. We are trapped. Banished to a shelter that, it seems, suddenly has no exit. It is a real shelter in which theatre-maker Davy Pieters holds her performance Helium. Shelter 313 at Soesterberg Air Base once served as a refuge for personnel. Via...
Soesterberg Air Base is full of large hangars, sheds and other massive buildings. All dream locations for theatre-makers, it seems. Director Ilmer Rozendaal made a different choice for her performance Thousand Yard Stare. She placed the solo in a small, airy oak forest containing an old and dilapidated bunker. The timelessness of this place turns out to be ideal for her small and human...
A clearing in the forest. It could be idyllic, but from the forest come suspicious noises. Men are singing and pulling tractors. The echoes of explosions echo. It's all just fake. It's just theatre - which nevertheless inspires fear. Daria Bukvic, a newly graduated director from the Maastricht Drama School, created a play about her mother. Who...
Art at Soesterberg airbase is almost by definition a paradox. So is the natural site that was a military base. And that is why visual art finds a perfect home here. For festival De Basis, artists from five countries were asked to enter into a dialogue with this absurd, until recently forbidden terrain. This results in beautiful contrasts. First of all in...
With temperatures above 25 degrees, it will be a sweltering but also unique summer day, that 10th September. The Cultural Press Agency will be present that day and Sunday with four journalists at the former Soesterberg Air Base to report on festival De Basis. When you get there, you will make lots of nature, even more impressive war history and a theatre performance or two...
With temperatures above 25 degrees, it will be a sweltering but also unique summer day, that 10th September. The Cultural Press Agency will be present that day with four journalists at the former Soesterberg Air Base to report on festival De Basis. When you get there, you will make lots of nature, even more impressive war history and a piece or two of theatre performances and visual...
Turntables and theatre have something in common. Especially in recent years, theatre-goers increasingly run the risk of facing a so-called rotating stage. After Johan Simons made use of this technical style figure in his direction of Hiob at the Munich Kammerspiele and Christoph Schlingensief made the stage turn spectacularly in his swan song Mea Culpa, it is now...
Last year, it was still about 'a sense of belonging': about the ability to feel at home somewhere, to know you belong somewhere. This year, the motto of the quirky Rotterdam festival De Internationale Keuze is almost diametrically opposed to that: parallel reality. Instead of one place offering warmth, the festival now says that place is there...
With a few creative friends and a nice budget, romp around in a playground of many tens of acres of pristine nature. Surrounded by the remains of military might. It automatically makes you talk riotously. But that's how it goes sometimes. With art. So, to get right to the point: cuts are not always bad. For instance, divesting the...
Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For...
In conclusion. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we had a great time with our new...
The Dodo was busy, this third week of the Holland Festival. Thankfully, again with an exciting mix of beautiful, weird and extraordinary. As it should be, really. What makes the Holland Festival all the more exciting is that such extremes can sometimes take place within one programme, as with the National Ballet, or even within one performance, as with The Russians...
At last: the opera The Cricket Recovers after the animal story The cure of the cricket by Toon Tellegen is in the Netherlands! More than six years after its world premiere in Aldeburgh, the Holland Festival presents Richard Ayres' work, performed by Asko|Schönberg and VocaalLAB conducted by Etienne Siebens. Pierre Audi signed on to direct: he made the performance layered and daring....
Could Prime Minister Rutte cum suis's anti-advertising by dismissing art as destined for leftist types and other idiots already be having an effect? You would almost think so when you see the rather poorly filled halls during the performances at the Holland Festival. There are more than ten people in the front row, yet it all doesn't hold...
The ark as the earth, as a spaceship carrying us through the chaos of the universe to a safe haven. The pole star as the apparent magnetic centre of the universe around which all the stars revolve. No, this is not woolly new age chatter, these are the starting points for Tevot and Polaris, two major orchestral works by Thomas Adès, which had their Dutch premiere under the composer's own direction.
At the request of the Holland Festival, Jamie McDermott of The Irrepressibles created a new programme: Human Music Box. The ten-member British band will start its world tour in Amsterdam. The premiere on Friday 17 June at the Muziekgebouw aan 't IJ became a subdued, musical evening that was especially visually appealing. In the middle of the Grote Zaal was a large, rotating...
'Labyrinth' is the name of Sidi Larbi Cherkaoui's choreography. Mazes intrigue because you can get lost in them and then insist on finding the exit. Along the way, a person then has all kinds of revealing experiences about himself. But Cherkaoui does not get to this passage. He immediately starts with symbolism. A dancer holds a wide band that goes from the stage house to...
Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show
Composer Wolfgang Rihm and choreographer Sasha Waltz, two familiar faces at the Holland Festival and big names in European performing arts, released a performance together in 2008 that could not be missing from a Holland festival programme this year. Not only does the festival have a focus on some great contemporary composers (Xenakis, Rihm), but it is also quite pushing the envelope on the...
"Alifib" by British progrocker Robert Wyatt (b. 1945) is a song that gets under the skin. Wyatt's near-breaking voice sounds so genuinely sad that it takes your breath away. It seems an impossible task to perform "Alifib" convincingly without the master himself. Yet the French Orchestre National de Jazz gets it right. Where Wyatt in the original...
That the Off Broadway musical Fela! was a success, we could actually expect. For The Dodo, we therefore did not send anyone there either: there are already enough newspapers and other bloggers eager to have a front-row seat to the New York audience favourite. You can read that they had a good time elsewhere on this site, via the blogstream
In very different places, people can sometimes have the same idea. And even more sometimes, those similar ideas both lead to something wonderful. A couple of years ago, thanks to Brabant theatre Bis, mime company Kassys performed the beautifully sad tragedy 'Kommer', in which colleagues spent pointless time in a mourning room full of lease plants. Every gratuitous phrase was magnified by powerfully helpless gestures to the...
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