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Too much humour and not enough shuddering at De Warme Winkel's 'Poets and bandits' at Theatre Festival The International Choice #dekeuze
Snow has fallen, a thick layer of fresh snow. Fake snow admittedly, but real enough to imagine yourself in the middle of Russia. There, in the city of Sverdlovsk, or Yekaterinburg, once lived the man about whom the show 'Poets and bandits' is about. Boris Ryzhy (1974-2001) turned the raw realities of his hometown into poems. He left more than a thousand poems to the world. His breakthrough came at the Poetry International festival in Rotterdam, in the year 2000. A year later, he was dead. Boris Ryzhy, 26, had hanged himself.
Theatre group De Warme Winkel makes that link with Rotterdam if only because 'Poëten en bandieten' is played there. An old factory hall serves as a backdrop for the run-down working-class neighbourhood in which Ryzhy grew up. From behind a work table, actress Mara van Vlijmen calls Rotterdam residents. None of them are at home. But on their answering machine is now one of Ryzhy's poems, which must be a wondrous experience for the listeners. The Warm Shop does not show how the professor's son Boris ended up in that poor neighbourhood. Whereas he himself talks about an environment full of drab flats in his poems, the stage setting is more reminiscent of the outdoors, with all that vast snow. The atmosphere is cosy and warm. On a float decorated with candles, a folk ensemble comes on, singing Russian songs. Old-fashioned songs, and nothing pop or punk.
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