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Disgusting image or boomer panic? Amsterdam Fringe Festival causes a stir with campaign image

Some things that used to be fun cannot be done now. Things like smoking in class, posters of David Hamilton in the dorm room, underpaying women, driving a car with a bottle of gin behind it, you name it. This week, an interesting riot was added. The Amsterdam Fringe Festival, the naughty sister of the Dutch Theatre Festival, chose a campaign image that, to... 

Tobias Kokkelmans starts as director of the Dutch Theatre Festival: 'More exchange between different groups in audiences and creators.'

'As for many people, the theatre festival really does mean something. Like the Fringe, it is impossible to imagine without it. I've been able to make artistic friendships there, I've been able to have arguments there, I've met people who I thought were adversaries who turned out to be comrades-in-arms. Because there are not only performances, there is... 

TOBIAS KOKKELMANS NEW DIRECTOR/DIRECTOR NEDERLANDS THEATRE FESTIVAL AND AMSTERDAM FRINGE FESTIVAL

Today, the Supervisory Board announced that Tobias Kokkelmans has been appointed as the new director/manager of Stichting de Theaterdagen, organiser of the Nederlands Theater Festival, Amsterdam Fringe Festival, NTFJong and the in-depth platform for professionals NTF-Pro, as of 1 September. In doing so, he succeeds Jeffrey Meulman, who in May this year left the Foundation after sixteen years for the Verkadefabriek.... 

Reasons to do go to theatre Kikker (1: The Men's Night Out)

Despite the crisis in the performing arts, there is still a lot of young talent roaming the Netherlands and beyond. So much that keeping track is impossible. After all, who can visit all the festivals, from Festival Boulevard to Noorderzon, from the Café Theatre Festival to Festival Cement and from the Amsterdam Fringe Festival to the Zeeland Nazomerfestival? And then also exactly those four or five performances from the... 

Working for free has become commonplace in the arts. 4 bare facts by festival director Meulman

'The practice of payment by book voucher does not belong to a professional sector with substantial economic importance.' Jeffrey Meulman, director of the Dutch theatre festival, has learned to live with it. Against his will. As host of the annual Gala of Dutch Theatre, he has managed to organise that party again. Without money.

No-nonsense audience does not care for tour de force of anti-pale dance in Révolution

Eleven poles are atmospherically lit like a nightclub. Dancers enter and make their way to their work stations. They will walk around their poles in a two-hour shift. They are not the only ones: audience members also start walking, towards the exit. Yet the dizzying repetitions of the hard-working ladies are effective. However, the transcendental minimalism will turn into a... 

Physical theatre, dance and boating on the pond at the Westergasfabriek site

It is occasionally quite chilly on the Westergasfabriek grounds where three Fringe performances are on show. On Thursday night, they are Levelless by Theatre Group WAK, Vivarium #3 by LORNA Collective and Kaat by Eva Knibbe, respectively. The cold, however, is no killjoy. The physical jokes in Levelless (or Recht not in Dutch) are a bit like... 

More audience, fewer seats: Amsterdam Fringe a lot cozier this year, and better than last year #tf2010 #amsfringe

With over 12,000 visitors and an average occupancy rate of 70%, the organisers of the Amsterdam Fringe Festival say they have reason for pride. In a press release, they report that 'they managed to grow the number of visitors without losing the intimacy and experimental character of the Amsterdam Fringe Festival. ' How exactly we should see that.... 

Performance 'Metro' gives you a slap in the face #amsfringe #tf2010

A new day, so new chances to find the Fringe's greatest gem. Today, I am taken from Theatre Bellevue into a nearby alley. Suddenly I see her lying there. A junk, like there are more walking around in Amsterdam. Preferably, I quickly walk around it. Afraid of smelling them or being accosted. Metro, a piece of... 

Sweet feel-good musical about the drug scene and uplifting musical 'Reflection' #tf2010

 In my search for the gem of the Fringe, I stumbled across two musicals at the Rose Theatre on Wednesday night. At the Fringe Festival, anything goes, yet I was surprised by Christiane by F*K Theatre. In this musical, young people sink to the bottom of society. They drink and blow. Everyone lives in their own little world. Main character Christiane falls in love with an addicted boy and thus also comes into contact with the dark sides of the drug scene. You expect to see the raw sides of this dark world in a story like this, but from the first song Christiane far too well behaved. It reminds me of a feel good-school musical. Eight neat boys and girls sing about 'a trip with friends around you'. They do this so sweetly and in harmonious harmony singing that what you hear and see is totally inconsistent with the story.

Bizarre parody of a rock star and philosophical twists at Fringe Festival #tf2010

Nik van den Berg is undoubtedly someone to keep an eye on. In theatre Bellevue, he gives a parody of a rock star in a bizarre act. 'Is this it,' I think for a moment, but it soon becomes clear how cleverly Van den Berg shapes this stage beast in a fur coat. In an unintelligible language, he plays a number of songs, meticulously portraying the mannerisms and gestures of a great rock artist.

Slowly he takes a sip of tea, takes another drag of his cigarette, drops the ash into his tea and then, in utmost concentration, throws the entire cigarette into the tea. A soundtrack starts, then Nik starts the concert with his electric guitar. The songs in NIK©#2 be about life, its problems and difficulties. But it could just as easily be about making a cheese sandwich. Van den Berg's timing is peerless, as is his empathy. This certainly worked on my chuckles, though there will be those who expected more from it.

Fringe Festival continues to surprise with intimate Iris Brunette and poignant I Believe #tf2010

There is no notion of time when you take your seat. It is dark. The room looks like a café, with four tables and chairs around them. Don't expect a sit-back performance, as everyone is part of the play. The intriguing Iris Brunette doesn't let you be a spectator, but gives you a role. Do not fear that you will suddenly have to take the stage. From your seat, you are influencing the play. Actress Melanie Wilson lets you choose which way to go. Do we wait here or walk on? Do we go left or right? Do we trust this person or not? The space you're in feels safe. Fortunately. Because there is no exit; walking away is impossible. A maximum of twenty spectators witness this story that takes you through time. Wilson narrates and involves you in the story in the best possible way. A more intimate performance is hardly possible, I think.

Roma B. brings confrontational and contagious theatre to Amsterdam-Noord and Wouter van Oord brings beautiful piece of text theatre #tf2010

The great thing about the Fringe is the variety. On Saturday night I saw VOS, a play by Slawomir Mrozek, played sparklingly by Wouter van Oord. Dressed in a shirt of the Dutch national team, with the name VOS on the back, Van Oord plays two monologues with conviction. The tension can be read from his face before the start, but is gone as soon as the actor... 

Roaring Lolita in Stallion Ball ends up very small#tf2010

The room is lit in red. This creates a shadowy atmosphere as you might expect at a nightclub. The music starts playing and from the stairs a young lady in a snappy outfit comes down. She serves pieces of sausage and plays with the crowd. She introduces herself as Lolita. A man in the front row may unbutton her zip. She... 

Poetic and pure exploration of Aardlek in Amsterdam's basement #tf2010

The search for the gem of the Fringe takes me to Amsterdam's basement. Underneath the Rokin, where work on the North/South line is going on 24 hours a day, theatre collective Aardlek plays the performance PUT. In one of the Fringe Festival's most eye-catching locations, I find myself on an underground voyage of discovery into the past, present and future.

John Moran experiments with thousands of bits of sound you hear every day

Amsterdam's Stadsschouwburg is velvet red. Theatre Bellevue, the beating heart of the Amsterdam Fringe Festival, whorish pink. The Amsterdam Fringe, that means performances in more than 25 places. In theatres, but also on location. From 2 to 12 September 2010 Henk de Jong for The Dodo and performing arts trade journal TM in search of the pearl of the Fringe. Here he keeps a diary, and a longer article by him will appear in the next issue of TM.

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