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documentary

Jim Jarmusch with Paterson already one of the toppers of 'Rotterdam' #iffr

The International Film Festival Rotterdam(IFFR)'s famous Tiger logo has been changed into a colourful IFFR Planet, in which, with a little effort, the tiger can still be found. That colourful is also reflected in the programming. I am looking for the finest gems from the programme. From the USA comes 'Paterson', vintage Jim Jarmusch. But there... 

'Holy F': nimble grappling with feminism is overpowering

The show Holy F opens with an audition. Two young women present themselves to a director - a man. They pronounce their phrases impeccably simultaneous, with the sweet tone men like to hear. Their confusion grows. Do they really understand what the director wants from them? Can they handle the role they aspire to? Playing a strong woman: is... 

Hall view of Zvizdal. Photo: Frederik Buyckx

Unique theatre documentary 'Zvizdal' to be seen only a few times in the Netherlands

Zvizdal, the documentary theatre portrait of Pétro and Nadia filmed by Berlin between 2011 and 2016, is not only in Paris, Ghent and Athens. This moving story can also be seen in the Netherlands until 11 November 2016. Near the place where an atomic experiment failed in 1986, Berlin and Zvizdal tell a moving story about an old peasant couple. They remained as... 

Zvizdal - Chernobyl so far so close, by Berlin/The Zuidelijk Toneel

If you have nothing but love - Zvizdal is stunning highlight of Festival Boulevard #tfboulevard

I experienced by far one of the most impressive theatre experiences of my life on Friday 5 August 2016. I was a guest at 'Zvizdal - Chernobyl so far, so close' by the Flemish company Berlin, in co-production with Het Zuidelijk Toneel. I saw this 'documentary installation' in an empty factory hall in Den Bosch, where the work is a beautiful resting point in... 

We are the forest. Christiane Jatahy achieves maximum impact at #HF16

There are countries in the world, where the boundaries between art disciplines are not as sharply drawn as they are here. The Holland Festival, under the new leadership of Ruth MacKenzie, is catching us up. She is bringing events here where the boundaries between visual art, performance, video, film and performing arts can no longer be drawn. Events that generate meaning in ways that are quite new to us, such as The Encounter, last week, and Gardens Speak, later this week.

The Walking Forest is performance you definitely want to watch twice (HF16)

Brazil's Christiane Jatahy was already with the play last year What If they went to Moscow at the Holland Festival. She came, saw and conquered. This year, she comes with the final part in the trilogy of stage adaptations, The Walking Forest. The title refers to the three witches in William Shakespeare's Macbeth, who foretell his rise and fall. The play was the starting point for a performance with four video screens, a bar, an actress, a dead fish and, oh yes, an audience.

Holland Festival goes Nuclear: Atomic by Mark Cousins

Anyone who can remember the fall of the wall has grown up with the threat of nuclear attack. And with that comes the idiotic government advice to get under the table in case of a nuclear explosion, preferably with a colander on your head. And to keep plenty of canned food and water on hand.

Documentary on Remco Campert gets preview at Poetry (PI16)

It promises to be a beautiful portrait, the film director John Albert Jansen is making about poet Remco Campert. Poetry International (from 7 to 11 June in Rotterdam) is already screening a preview. 'I find it moving to see that there is still a certain shyness in Remco, as if the little boy is still hidden under the surface. That comes across very nicely.'

A music scene that touches you: Fien de la Mar sings pure emotion

In every stage performance, film, or concert, there is a scene that particularly touches you. In the documentary I want to be happy (2016) about the life of actress and cabaret performer Fien de La Mar (1898-1965) also contains such a moment, a musical scene of unforgettable poignancy.

Joost Galema on writing as a marine and opera singer Bastiaan Everink

Joost Galema, journalist and programme maker, was called one day by Bastiaan Everink. The baritone and ex-marine wanted to make a book about his personal struggles and how music changed his life. Not being a writer, he started looking for a ghostwriter. Joost was third on his list. A few days later, Bastiaan was standing in Joost's Hilversum living room telling his story. The singer talked about marines, survival, violence, Iraq, Wagner's music and a quest. Not a one-dimensional chronicle, Joost thought, and he decided to start working with Bastiaan. After three years

Modern panoramas at Mesdag do not dwarf the old

Although Panorama Mesdag always focuses on one painting, it is not a static museum. Changing exhibitions sometimes highlight Mesdag and his time, sometimes more modern artistic expressions. This time, the museum has approached artists to develop new visions on the concept of the panorama. A laudable decision. Whether the new panoramas are all equally convincing is a second. The main work in the exhibition is... 

Bep Rietveld, daughter of....

Bep Rietveld could do at least 1 thing better than her father

The great thing about visiting openings is that sometimes you get to experience something that no one expected. Like at the mini-exhibition 'Bep Rietveld, daughter of...' at Kunstruimte Kuub in Utrecht. It features 72 paintings by the daughter of Gerrit Rietveld, the man who gave De Stijl its furniture and houses. This Bep, not without merit with the paintbrush, created a... 

Erik Voermans 'From Andriessen to Zappa': enthusiastic plea for elitist music

Erik Voermans (1958) is one of those people who writes down what you think yourself, but would never air publicly. The music editor of Het Parool likes to pose as your unsuspecting neighbour's boy, watching the music world with amazement. Take the phenomenon of opera: 'That's when someone with a knife in his taas walks around for half an hour singing that he's going to die.' If he... 

The IDFA is almost over. Time to take stock.

With one day to go, it's time to look at what stood out about the International Documentary Festival Amsterdam. The picture of the whole festival is diffuse, as befits a fest whose programme booklet is almost three hundred pages thick. There was, as always, a sea of films about abuses and current political issues, but there were... 

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