A reduction in the ww premium spend on a scheme to keep more people in work is not going ahead because more and more people are becoming unemployed, forcing the premium up. See here the positive effect of austerity by the government. The less you spend, the deeper the problems, the less you can spend, the worse it gets, the less you can spend. And the arts may again be the first to make that clear.
A Brünhilde who does not burst into flames but endures the Götterdämmerung with a baby in her arms, a Senta who does not jump off a cliff but is shot by Erik together with the Holländer. No one really looks surprised anymore. And Isoldes who do not die in the Liebestod are no exception, but Tristan who rises from the dead, as it were, by Isolde's notes reaching into heaven, stands diagonally behind her and sings along soundlessly?
"That sounds different. A bit sad."
I just played F, B, D♯ and G♯. Better known as the Tristan chord. But on guitar. My audience consists of 15 toddlers.
In a letter to Franz Liszt in 1852, Wagner stressed that in his Der fliegende Holländer should be shown as realistically as possible, full of violent waves. One hundred and sixty years later, Yannick Nézet-Séguin takes that advice very much to heart in port city Rotterdam. Nothing about this Holländer ripples, from the first notes it storms, culminating in a third act at hurricane force, with a leading role for the Netherlands Opera choir.
Tonight and tomorrow night, the Royal Concertgebouw Orchestra kicks off the fourth season of the AAA series, with film music under the title 'Suspense'. But not everyone will immediately associate composers like Bartók, Lutyens and Schoenberg with cinema.
This month, Reinbert de Leeuw celebrates his seventy-fifth birthday. Not only do television, radio, internet media and written press devote extensive attention to the no small achievements of this champion of contemporary music, but he is also being honoured with his own festival, 'Reinbert 75'. This will be organised
The collaboration between pianist Tomoko Mukaiyama and choreographer Nicole Beutler in the performance 'Shirokuro', seen last week at the Holland Festival, provides a beautiful perspective on two piano sonatas by Galina Ustvolskaya. 'Shirokuro' means black and white in Japanese. Despite strong visuals and impressive co-protagonists on stage, the Russian composer's absolute music is never explained and therefore retains its sheer power.
There are those who spend nights queuing for a ticket. After all, the Berliner Ensemble is mythologically big. As big as the Royal Shakespeare Company in England, or La Comédie Française in France. Monuments to cultural history, dedicated to one writer, like Brecht or Shakespeare, or to an entire history, as the French are used to. We Dutch have
Holland Festival
A sociable group of ladies who came in laughing and chatting, leave the room bewildered and tearful. Upset, embarrassed, this is how I see all visitors coming out. What is difficult to describe in words is written on their faces. Exhibit B by Brett Bailey is more than impressive. It is an exhibition that confronts and touches.
Holland Festival
Seagull, an early play by Anton Chekhov, is about drama in the same way that his equally famous play Cherry Garden is about cherry growing or real estate fraud. Not so. It seems to be a mistake that stage artists often make and that Chekhov cites in his 115-year-old play: thinking that everything is always about you. Which is why Thomas Ostermeier, lauded German director, cannot be blamed for the fact that his direction of The Seagull at Toneelgroep Amsterdam is about theatre.
Holland Festival
'The Pyre', the latest show from internationally rising star Gisèle Vienne, initially seems less disturbing than her previous work. Pieces like 'Jerk' (2008), based on the true story of a young serial killer, and 'This is how you will disappear' (2010), starring a dark forest, were only seen in a few places in the Netherlands. Hopefully, this performance at the Holland Festival will change that. Gisèle Vienne once studied harp, then philosophy and eventually trained as a puppeteer. But Vienne sees herself primarily as a visual artist working with time, on a stage, where different rhythms, motifs and figures come together.
Holland Festival
Is the kingdom of the dead in the opera Sunken Garden by Michel van der Aa a 3D garden full of brilliant colour, director Peter Sellars chooses in Desdemona by Toni Morrison and Rokia Traoré for sober black and white. On the stage of a sold-out Muziekgebouw aan 't IJ are glass bottles and jars, sometimes lit from below, sometimes from above, with hanging light bulbs like flickering candles. On the left are a number of ngonis (Malian lute) and two koras (Malian harp lute), played by black musicians.
Holland Festival
Six actors, four years in a bunker. One is dead. Those are the details we have to make do with in Tratando de hacer una obra que cambie el mundo. According to this title, the actors are trying to create a play that will change the world. The characters have locked themselves away in an underground bunker and receive occasional provisions via a packet.
Holland Festival
Amsterdam, 5-6-2013 - It is difficult to go uninhibited to a production that has already caused so much controversy as Sunken Garden by Michel van der Aa. This "first 3D opera" was slammed as "soporific" after its premiere at London's Barbican Theatre last April, but also hailed as "the future of opera".
Holland Festival
Forget all the fuss about the first ever 3D film opera, forget all the fuss in British newspapers. Michel van der Aa himself sighed in interview that, on reflection, he would have loved to have made the second 3D film opera. And perhaps he had
Holland Festival
Holland Festival
Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit
Holland Festival
In 'Cineastas', the Argentine director shows Mariano Pensotti (1972) a multi-layered story about four Buenos Aires filmmakers, each struggling with their new films. It is partly a portrait of the city, through the eyes of four Argentine filmmakers, says
The Dutch system of art subsidies was set up in 1942 by NSB leader Tobie Goedewaagen, who also founded the Kultuurkamer. Typical of a fact that
At his 53e can Willem Jeths boasts an impressive career. His orchestral and chamber music works are performed worldwide and have been recorded on many CDs. In 2008, the newly built Muziekkwartier in Enschede opened with his opera Hotel de Pékin, and three years later the recording of his ode to gay marriage reached Monument to a Universal Marriage even US President Obama. At the request of the Saturday Matinee Jeths wrote his First Symphony for the Radio Philharmonic Orchestra and the mezzo-soprano Karin Strobos, which will premiere it at the Concertgebouw on 13 April.
In one year the AKO and Libris prizes? The front pages of newspapers would be full of it, not to mention the dozens of pages in book supplements. Composer Michel van der Aa has to make do with small announcements, tucked away in newspapers, while receiving the Grawemeyer Award and the Mauricio Kagel Music Prize is a never-before-seen double.
Fransien van der Putt, together with choreographer and dance film-maker Angelika Oei, saw five new Dutch dance films during Cinedans. Some of the results were promising. The films all transcended the level of visual gimmick. In its place is a struggle with fiction and physical credibility.
The Netherlands-Russia year is kicking off and what better way to start than with an exhibition dedicated to the most famous Russian of all time? At
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