Should the free market be curbed to save Dutch culture? The issue facing the Dutch government is quite a big one. On Tuesday, Dutch 'makers' (artists, photographers, actors, screenwriters, translators, directors, freelance journalists, etc.) presented a pamphlet. The pamphlet outlines the idiotic situation the Dutch cultural and creative sector is in. No other country disregards...
So it really does exist. A high road through the mountains of Romania. Completed in 1974. Viewed by my father in the same year, while his 'guide' told him not to walk too close to the edge, because he would not be the first to crash over the edge. After which his 'guide', the secret agent that every western journalist...
The National Theatre will premiere Blueprint for an Even Better Life on 8 November 2014, which addresses, among other things, the position of artists in society. A theme that also featured in their recent Tasso, and in Toneelgroep Amsterdam's successful The Fountainhead. Is the subject of art back on the theatre agenda due to the changed cultural politics of the past...
Scene 1 - Expectations The main hall of film theatre 't Hoogt was filled with people from the film sector on Wednesday afternoon at the invitation of the Film Fund. The subject of the meeting is the chronically low attendance of more artistic Dutch films. This has been the case for a long time, by the way, and not only in the Netherlands. Should new avenues be explored? Should expectations be...
23,000 signatures and a host of public meetings have caused Brett Bailey's impressive Exhibit B in London to be cancelled. The show, or rather, the event, has previously been seen with great success in the Netherlands, and garnered nothing but praise in Edinburgh too. We too went to see it, and we were impressed. In...
Art has rapidly become unimportant. Artists have been effectively dismissed by populists as subsidy-addicted scum. Media leaves no opportunity to downplay the consequences of the ensuing cuts. Putin is about to bring a third world war to Europe. In Amsterdam on Saturday, September 6, three of the Netherlands' last daily newspaper critics talk to artists about...
I published two articles in NRC Handelsblad last year. The first (6 July 2013) was critical of government policy. There was little reaction to this. The second article (7 December 2013) was critical of the arts sector: it needs to make its own sharp choices. That did cause a stir, although I am convinced that many colleagues largely agree with the content...
Since the Amsterdam Uitmarkt is no longer run by the Uitburo but by a separate foundation, things have become a tad more commercial. The folder-fair-with-bands that has become the national opening of the cultural season over the past decades has to. The government has found art scary for a while now, usual suspects are pulling out as sponsors, and malaise is hitting...
This is startling. On Friday, De Volkskrant reported that prices for cultural activities in Amsterdam have risen by a whopping 37.3% since 2009. Nu.nl picks it up immediately, soon followed by TROS Radar. Then it must be true. The news taken over unquestioningly by everyone refers to a report on the BBC site. That post...
The great theatre maker Johan Simons has made it known that he wants to come to Rotterdam, to set up a major European theatre. He sees his chance now that a spot will become available in two years' time in the artistic direction of the Maasstad's city theatre company, the ro theatre. When they appoint Simons, they can think big, Simons says. And.
'The practice of payment by book voucher does not belong to a professional sector with substantial economic importance.' Jeffrey Meulman, director of the Dutch theatre festival, has learned to live with it. Against his will. As host of the annual Gala of Dutch Theatre, he has managed to organise that party again. Without money.
We are all a little afraid of losing control. So we are reluctant to like 'Europe', we are frightened by the unprecedented world powers lurking in our mobile communication devices and we think the public transport chip card is an onion, while every day we are motivated to want newer, better, higher, more.
The news: today it is hot, tomorrow the fish will be wrapped in it. In his video opera The News gives Jacob ter Veldhuis/JacobTV it a second life by putting it in a new context. 'These days, news is infotainment, dipped in sentiment.' Next Friday, the Dutch Travel Opera the premiere at the Wilminkteather in Enschede.
In 2001, when Rotterdam was European Capital of Culture, a number of institutions joined forces and from this, in 2005, the Rotterdam Opera Days born. The aim is to programme innovative musical theatre in the opera house-less Maasstad after all, often in unusual locations. This year the ninth edition will take place, from 17 to 25 May, with the theme 'brotherhood'.
In the art theft category, this is the lowest form: stealing an old folding bike outside the door of an expensive art fair. Then grab that redundant navigation system from that Porsche Cayenne, the Guccitas carelessly placed on the counter, or slide that triple-insured, diamond-encrusted iPhone from that coffee table under your newspaper and continue to enjoy your conscience outside.
Minister Filipetti has given the green light. Emio Greco and Pieter Scholten will be indeed the new artistic directors of CNN Ballet National de Marseille. A company with 30 dancers, 60 employees in total, in a building with 9 studios and a theatre. Who in the Netherlands still gets that done?
Imagine an old-fashioned sophisticated comedy, but filmed with modern speed, in the colourful and baroque style of a richly detailed comic strip full of plots and escapes, rounded off with a perfume of melancholy. Then you come close to The Grand Budapest Hotel, the new film by
Armando Navarro (Argentina, 1930 - Amsterdam 2013), former artistic director of Scapino Ballet, passed away last Sunday. Together with his wife Marian Sarstädt formed Navarro one of the Netherlands' best-known dance couples, alongside Han Ebbelaar and Alexandra Radius (Het Nationale Ballet) and Jiří Kylián and Sabine Kupferberg (Nederlands Dans Theater).
'Eutopia comes from the Greek and means as much as 'Good place'. With this installation, I want to make people think about what that is: a good place.' Architect and visual artist Filip Berte worked on his 'Good Place' for seven years and the result can now be seen in Utrecht's Zijdebalen Theatre.
Still competing at the top and successfully entering Europe with 60 per cent less budget. Impossible, cries many. Only with a new stadium, argues another. And with extra investments in the winter break. But it can be done, according to a few.
Holland Festival
A sociable group of ladies who came in laughing and chatting, leave the room bewildered and tearful. Upset, embarrassed, this is how I see all visitors coming out. What is difficult to describe in words is written on their faces. Exhibit B by Brett Bailey is more than impressive. It is an exhibition that confronts and touches.
Holland Festival
Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit
More than a decade without national pride does a lot to a country. Could it be true that the simultaneous closure of Stedelijk Museum and Rijksmuseum helped lead to the
It is as persistent as the message that everything is better in Germany. Aggrieved lovers of culture who still (and rightly) detest the breaking up of the status quo by Rutte I's hate policies often shout it.
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