An enthusiastic press release in times of severe headwinds. It calls for further reflection. Last Friday, a survey on the state of cooperation in the Dutch museum world was presented. After all, cooperation should be from Minister Bussemaker and kind of the Council for Culture. So it's nice that things are already going ok. Can we get back to fun things.
Not a cent more goes to the annual theatre awards and all other collective marketing activities, such as the performing arts congress, also go to 0 euros or very little. Says one chairman to another director, who is also chairman, and is actually the same. Because that's how it goes at the Association of Theatre and Concert Hall Directors:
A Brünhilde who does not burst into flames but endures the Götterdämmerung with a baby in her arms, a Senta who does not jump off a cliff but is shot by Erik together with the Holländer. No one really looks surprised anymore. And Isoldes who do not die in the Liebestod are no exception, but Tristan who rises from the dead, as it were, by Isolde's notes reaching into heaven, stands diagonally behind her and sings along soundlessly?
According to NRC Handelsblad Culture cuts became fatal for 'only' 11 theatre institutions. In doing so, they assume groups that actually dissolved themselves. In their overview, however, they overlook the companies that voluntarily dissolved themselves by merging with another company. In addition, there are a number of institutions that disbanded before the new round because it was already clear that they would not receive any money. If we do count those, we come to at least 34 companies. That is already 25% of what was on offer before the cuts.
The dissolution of the Performing Arts Promotion Office continues to stir minds. So another piece, although we are actually supposed to be walking around the Uitmarkt to expensive advertising leaflets to sell.
Enfin.
The Performing Arts Fund is taking over the international promotion of the performing arts from the Performing Arts Promotion Office, which will soon be disbanded for lack of funds due to mismanagement. The fund will continue to do so until 1 June 2014. In the meantime, they are looking for a new party there to take over. Also, the programme through which important visitors from abroad can be invited will be...
Update: According to the Filmkrant, it's not all that bad: http://www.filmkrant.nl/nieuws_2013/9842
It was announced today that a large archive containing almost all raw film material from the Netherlands in the shredder threatens to disappear. Since film laboratory Cineco is bankrupt due to the vanished demand for oldskool celluloid, the vault containing unique historical material must also go. Unless someone comes forward who wants to store the material. And that costs quite a bit of money. Even though we no longer work with the highly flammable nitrate films, all that plastic must be kept safe.
From facebook gesponst: those who wondered why there was art again. Or why it costs money. Those people are there .
Series of videos now.
The Theatre Voucher has been more popular than its publisher suspected. Theatre-goers have certainly used this performing arts book voucher more than expected over the last decade. One and a half million euros more. As a result, the Foundation for the Promotion of Theatre and Concert Attendance SPTC has faced negative assets since 2011.
Despite the crisis, parents invest eagerly and heavily in their offspring's musical development. This is the finding of the Utrecht Centre for the Arts (UCK). Their talent development programmes are running well. "Parents are now more consciously choosing to spend money on this than ever before. They also come along to lessons more often and let their children start at an increasingly younger age," says cello teacher Floris Dercksen.
The Tropenmuseum has been saved, we already knew that, but the House of Representatives still wanted to know where that was paid from. After all: the government is not going to spend more money, we have to do that. Anyway. Culture minister Jet Bussemaker's answer to the parliamentary questions shows that museums will be able to spend 5.5 million less on art purchases in 2016 at least....
Is it because of the ice age? Is it a question of money or guts? Last night, the Amsterdam cinema Het Ketelhuis hosted the so-called Spring Consultation for the tenth time.
With a real gala, the Reisopera 2.0 presents itself. And immediately strips the gala of its stuffy image. With thanks to the Nederlands Blazers Ensemble.
Programme V is NDT1's last programme this season. It seems to be a final chord in more ways than one.
On the premiere day, an official announcement went out that choreographer and former artistic director Jirí Kylián is washing his hands of NDT after 36 years of involvement. In addition, from September 2014 to 2017, no work by
Hilversum, 1-5-2013 - On Labour Day, the VARA programme spent The Guide on Radio 1 focused on the impending abolition of the library of the broadcaster, causing some 10 highly specialised and dedicated staff to lose their jobs. Although this immense and unique archive, which houses some five kilometres of scores, parts and books, can be kept afloat for half a million euros, it will still be disbanded from 1 August.
The Dutch system of art subsidies was set up in 1942 by NSB leader Tobie Goedewaagen, who also founded the Kultuurkamer. Typical of a fact that
Friday, April 12, there will be a 'Film Summit' at Eye, Amsterdam. Government, producers and financiers will spend a day discussing what needs to be done to help the Dutch film industry get through the winter. This Film Summit came about at the request of
Nothing worse than having to play an unsuccessful play thirty, or a hundred times, just because the show has been sold to theatres so many times. That's why it would be nice if companies could decide not to do it. Because now they wouldn't be able to.
That things were not going well at Codarts, Rotterdam's University of the Arts, was already known. Board chairman Jikkie van der Giessen had to step down in 2011 after
The concentration is enormous, the mastery great. The boys and girls standing here dancing can do something. The apparent ease with which these 12-year-olds demonstrate their dance moves shows at the same time how difficult ballet is. After all, the movements have to be performed perfectly, and splashily. Moreover, of this group, only a few will make it to the world's top: The National Ballet. Students of the...
The Council for Culture, recently reinforced with new members with a lot of management talent and business acumen, has to accept defeat. Indeed, culture minister Jet Bussermaker is disregarding a key pillar of the council's latest advice.
The Cry for Culture with which the Dutch cultural world launched its opposition to the scrapping of art subsidies in 2010 was, in retrospect, a publicity disaster. Perhaps not yet as unfortunate as
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