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Holland Festival

Simon Stone adapts Ibsen for Australians: 'And why would you even go to the theatre if you live in Sydney?'

Holland Festival Holland Festival

Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit

Moritz Eggert: 'I want to give Wagner back his innocence'

With Tragedy of a Friendship commemorates Flanders Opera the bicentenary of Richard Wagner's birth. It is a production by controversial artist Jan Fabre, author Stefan Hertmans and composer Moritz Eggert. When I approach the German tone poet to talk about this opera, he reacts with shock: there is ab-so-lutely no question of an opera! Could I please clear up this misunderstanding once and for all?

Culture Press ratings: thick 300,000 minutes of attention

With paper, you never know ('0.3% of newspaper readers read the reviews on the art page'), and with TV it's always a bit of estimating and extrapolating too, but the internet is rock hard. We know how many times you read one of our pieces, and how long you lingered at our videos. Well: we were already proud last year, now we are well over 200,000

Simon McBurney makes Die Zauberflöte magical

A sound engineer making deafening sounds on stage with wads of paper. Puppetry that flows seamlessly into film projections and singers dubbed by actors. A primitive stage on stage that is, however, high tech. A performance in one of the largest halls in our country, but reminiscent of a flat-floor performance. A flat floor that can move in all directions, though, and could just as easily be a slope or a ceiling, that is.

Moniek Toebosch no longer beams

Amsterdam, 26-11-2012 - Last Saturday died Moniek Toebosch (1948-2012), the sparkling multi-artist who startled our country from the 1970s onwards with contrary performances. Some of you may remember her scandalous performance in the 1983 Holland Festival. Toebosch presented the programme 'Attacks of Extremes' live for VPRO television from Theater Carré. After half the Broadcasting Orchestra had quit in protest,... 

Baldwin Live

On Wednesday 1 August 2012, the Performing Arts Fund will announce the results of the lottery that granting arts subsidies has now become. Huge cuts are looming: companies and makers that by now seemed to be a permanent part of the Dutch arts landscape will disappear. Exactly what it will look like, we know

Strauss with muscle by Gustavo Dudamel, the sizzling South American. #hf12

The young conductor of Venezuelan descent brought his Simón Bolívar Symphony Orchestra to the Concertgebouw for the final concert of the Holland Festival last night for the first time. While Hollanders braved the tropical weather in the corridors, Venezuelan beauties walked to the stage vivaciously on their stilettos. After Máxima and Willem-Alexander had also taken their seats on the balcony, Gustavo Dudamel came dancing down the stairs.

Of course the thunderstorm is not too bad. But follow developments here in case it does go wrong. #hf12

For the second time this month, the weather gods are threatening to throw a spanner in the works at the Holland Festival. While the storms announced on 21 June were not too bad, for tonight, 28 June, a 'code red' is currently (10:45) threatened to be issued by the emergency services.

Talk to our reporters. Exclusive: spot in the #hf12 hangout for our most loyal followers

There have been days when we had 1500 page views. You, 2500 of our most loyal visitors, came so far to provide 14000 views on dedodo.co.uk, and you stayed around for an average of three minutes. On average. We are proud of that. Apparently, we managed to attract and keep your attention. So those are good figures for an online festival day newspaper like De Dodo, which has to make do with no screaming, no marketing budget but an overdose of enthusiasm and professional innovativeness.

The Second Detail

Shock and awe ballet in Bill & Mr. B overflows with quality on all sides; there is no stalling

In the production Bill & Mr B, the Dutch National Ballet dives thematically into history with reprises of works by George Balanchine and William Forsythe. Balanchine's Symphony in Three Movements (1972) is considered the breeding ground for Forsythe, who then went 'the extra mile' with Steptext (1985) and The Second Detail (1991). From protocol to photocall: dance as a photo session. Movement - click,... 

"Janine Dijkmeijer to National Ballet"

The message below has since been confirmed. But we like to cherish our firsts. Hence. Of course, the merger event in and around Amsterdam's Muziektheater, where ballet, opera and theatre will work in unison, also produced a game of musical chairs. Stijn Schoonderwoerd, for instance, announced a month or so ago that he was going to do something else, and so the Dutch National Ballet was looking... 

2001 is a film you should see again every 10 years. The sf epic even stands up to live orchestra

Does live accompaniment with choir and orchestra make Kubrick's 2001 a different or better film? Not necessarily, but as an homage and event, it is a wonderful gesture. Even on the hard bucket seats in the Gashouder, it is once again a breathtaking experience. Last night, at the Gashouder on Amsterdam's Westergasfabriek grounds, finally revisiting Kubrick's science fiction epic 2001: A Space Odyssey. This... 

Extremely imaginative Master and Margarita gets cheering reception on #HF12

Shakespeare had it, Oscar savage had it, Monty Python had it and Simon McBurney has trucks full of it. So it is British and it is called humour, or rather the ability to show the absurdity of life as simultaneously hilarious and deeply tragic. And let that also apply to Russian Mikhail Bulgakov. So his unfinished novel The Master and Margarita has now had to wait almost 75 years for a director like Simon McBurney to turn it into theatre.

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