After the annual lists, the recommendations for the new year. All dailies participate in it. Problem: much is not yet known. Festivals and companies present their programmes sometime in February, March. So we cannot yet give the tips for the whole of 2015. But we do have the tips for the coming month, in chronological order, because ranking performances we still have to...
It's raining annual lists and we're merrily joining in. As subjective as anyone, after all, no one sees everything, and opinions on taste can always differ. Of course, also in this list many performances in or from the Randstad, but half of them were not yet shown there. And all genres mixed together. As long as it is theatre. With the only limitation: no repeats, apologies Ring and Lohengrin (DNO), St John Passion (NRO). And no dance, because for that our partner dance audience.
Five years. You have to get through it. Not everyone is always charmed by the petite girl diction of Roos Rebergen (Roosbeef). But what a throat. And what a presence. So it is more than ok that Roos Rebergen did something daring at David Bowie's career anniversary party: perform a translation of Five Years, the opening track of David Bowie's classic album...
First story. A naked king crawls at the feet of a woman. She is much taller than him, a goddess. High above him, she holds a bunch of grapes in her hand. Hungry he is! He wants those grapes, all of them. His body is vulnerable. It seems to shiver in the open air. But when it comes to the coveted food, he fetches...
The post on facebook that dominated my timeline today: the spontaneous concert at NS station Amsterdam Centraal, taken from the NRC's website (link: http://www.nrc.nl/muziek/2014/10/09/hoe-drie-artiesten-onverwacht-samen-optraden-op-adam-cs/ For several weeks, this station has had a piano on which anyone can play. A playful action by the NS to make waiting more fun. This leads to surprising situations. Like this one in which a pianist...
With five nominations, the comedy Aanmodderfakker by Michiel ten Horn most likely to win Golden Calfs. Including those for best film, director and screenplay. Close on his heels, incidentally, are
Saturday, June 14, went off in a flood of evening gowns, dinner jackets, Dutch celebrities and Gooische Tanks War Horse premiered. A play about a war in which the Netherlands was neutral, and of which there are memorial stones in every village in the rest of the world. You can go and see it. Or not. We have listed six arguments.
In cinemas this week: In the Name of, an old-fashioned solid Polish drama about a priest who tries in vain to escape his homosexuality through celibacy. He works in a village in the province with difficult-to-educate teenagers. "I would like to fuck all those boys," he exclaims
Jiří Kylián is not at the Holland Festival. He has his own festival. The small Korzo theatre hosted ten days of intimate works by the great choreographer. Varied and still impressive. Next year, Kylián will have been a choreographer for 45 years. How do you keep performing at the world's top for so long?
Barely five months between first audition and first performance. That was all the time the makers and local residents had for the Volksopera Ondiep, which experienced the first of two performances on Friday 23 May. It was a warm May evening, touching at times, sometimes dreadful, but fun anyway: classics by Verdi (most of them), Bizet, Puccini and Offenbach, set to Dutch text and sung by complete amateurs. Accompanied, for once, by the Groot Omroepkoor.
Much has been written about it. And much talked about: the Reinbert de Leeuw biography by Thea Derks, which Reinbert de Leeuw did not allow to be published. Now Thea Derks, a member of the Cultuurpers cooperative, gets to explain her side of things to Peter Gielissen, also a member of the Cultuurpers cooperative. Nice story turned out. On Lezen.tv
In Catholic Limburg, I was taught catechism every week in primary school. "What are we here on earth for?", asked Mr pastor. With the whole class we droned out the answer: "To become happy here and in the hereafter." A similar question occurred to me last night during the performance of the opera Faust by Charles Gounod at The National Opera. "To what end do we go to the theatre?" For me, the answer is: "To be touched, purified, yes maybe even happy." Given the rave reviews, I expected that this would indeed be the case.
Today, Leporello Publishers in Amstelveen published my long-awaited biography Reinbert de Leeuw: man or melody, on which I worked for more than seven years. The book is on sale at several bookstores in Amsterdam and can be ordered through any bookstore in the Netherlands. When I attended a concert conducted by Reinbert de Leeuw in early 2005, I discussed with a number of...
The Netherlands has added a new award for young choreographic talent. The BNG Culture Fund, in collaboration with Korzo in The Hague, has established the BNG Bank Excellent Talent Dance Award
It was ball in Rotterdam on Thursday, 30 January. At the Municipal Culture Congress, a few hundred officials, local politicians and arts organisations gathered to talk about where they could help each other. It was supposed to be a positive day. There had been long enough complaining and arguing: look ahead, hopeful into the future. Even if the worst is yet to come.
It's because of Facebook. Says Ton van de Langkruis, artistic director of writers' festival Writers Unlimited: "You can no longer be that anonymous figure bombarding the world with hermetic texts from a locked attic room. The market is no longer for it. Your main means of communication is facebook. There you have to be open to questions, you communicate with your readers. We are back in the village square where the first stories were once told."
Thibaud Delpeut, up-and-coming talent in theatre land, has been appointed artistic director of The Utrecht Games. Jacques van Veen has been appointed as managing director to exude sufficient confidence in the business field as well. He previously won his spurs at the Holland Festival and Groningen City Theatre.
'Eutopia comes from the Greek and means as much as 'Good place'. With this installation, I want to make people think about what that is: a good place.' Architect and visual artist Filip Berte worked on his 'Good Place' for seven years and the result can now be seen in Utrecht's Zijdebalen Theatre.
"Let's move on people! I would like to introduce you to Frans van Montfoort. One of the very first buskers in old Hoog Catharijne and almost a living statue." Guide Ton van den Berg, today in the guise of his alter ego Koos Marsman, slaps Van Montfoort on the shoulder. "Good to see you again boy."
Holland Festival
'The Pyre', the latest show from internationally rising star Gisèle Vienne, initially seems less disturbing than her previous work. Pieces like 'Jerk' (2008), based on the true story of a young serial killer, and 'This is how you will disappear' (2010), starring a dark forest, were only seen in a few places in the Netherlands. Hopefully, this performance at the Holland Festival will change that. Gisèle Vienne once studied harp, then philosophy and eventually trained as a puppeteer. But Vienne sees herself primarily as a visual artist working with time, on a stage, where different rhythms, motifs and figures come together.
Holland Festival
Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit
Two new members of the Council for Culture once again show how thinking about art is changing: Jessica Mahn and Annick Schramme are women, which was necessary in this white male stronghold, but they are especially
Once upon a time, subsidised theatre was a left-wing hobby. Now, two years on, subsidised theatre has effortlessly conformed to the prevailing, much more right-wing trend.
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