Both the Royal Concertgebouw Orchestra and the also Royal Concertgebouw seem to be focusing on connection next season. Between young and old, between east and west, between left and right, between culture and press. 'Great that you all came,' says Jan Raes after the presentation of the 2017-18 season. 'The press is under pressure, as is culture,' continues
By now, we are a little surrounded by voting guides and electoral compasses. There is one for every area of policy. What to vote for if you have a beating heart for art? The Correspondent gave a nice little overview the other day. It showed that art is indeed a hobby of mainly left-wing parties, at least when it comes to subsidised art. Art...
The theme of this final day of the Moving Futures festival sounds and somewhat theoretical: self-reflection and cultural identity. But in the abundant programme, it becomes clear how directly these words touch everyone. Macho Macho That is immediately clear in Macho Macho by Bosnian-Dutch theatre maker Igor Vrebac. In it, two performers seek their way in a world of male idealism....
Something with straight lines and planes and primary colours. We all get that far with De Stijl. But did you know that there was also Style music and that a mechanical figure danced to that, er, Style? Let's get things straight before the Mondrian to Dutch Design exhibition season begins. 1. Mondrian was not the big man of De Stijl Piet...
A conversation with Erik Lieshout on 'To Stay Alive', his film adaptation (with Iggy Pop!) of Michel Houellebecq's essay 'Rester vivant'. Don't throw in the towel, insists these life-giving artists. Reinvent yourself.
'Many people find contemporary dance difficult. Especially performances by young makers who experiment and seek new ways. At the Moving Futures festival, everyone can discover how dance can touch you. We do this not only by showing good performances by young makers. We also offer activities around it, context programmes. By doing so, we give the audience tools to make a connection with...
Whether the end of communism and beginning of capitalism influenced his writing? Mircea Cartarescu, one of Romania's greatest writers, parried the question with a joke. 'That is far too small an event to change my style and novels.' Is this the real life? That is the theme of the literary festival Winternachten this...
The positive effects of culture are demonstrated again and again. It is high time the sector used these facts in improving its image. Our western and southern neighbours have boosted the image of culture with a number of successful initiatives. The sports sector is another example of image building that the cultural sector can learn from. There...
Bart Rutten becomes the new artistic director of Utrecht's Centraal Museum Bart Who? Bart quite an important figure. Bart Rutten was the man behind some great blockbusters at Amsterdam's Stedelijk Museum. That he is going to Utrecht after Malevich and Matisse says a lot about the good work of his predecessor Edwin Jacobs. It says even more...
As a boy, I loved visiting the Egyptian department of the National Museum of Antiquities in Leiden. Half in the twilight, the mysterious mummy coffins there stared at me. We are now several decades and exhibits further on. Since this week, the newest Egypt display has been open. Even in brilliant light, the collection appears to retain its fascinating power. At the same time, the museum tells in Queens...
Isn't there enough anger and aggression in our world yet? You would think so, yet Rikko Voorberg (36)[hints]Theologian Rikko Voorberg (1980) is founder of the PopUpKerk, organises art installations and is a publicist; he is a guest correspondent on Anger at De Correspondent and has a regular column in the Nederlands Dagblad. He started the PopUpKerk at the invitation of the...
On Tuesday 2 November, Cappella Amsterdam presented a new CD at the Orgelpark. This includes Arvo Pärt's large-scale choral work Kanon Pokajanen, which was also performed live. After the concert, chief conductor Daniel Reuss was appointed Knight of the Order of the Dutch Lion. This very high royal decoration is only awarded to people "with extraordinary merits...
The much-discussed The Birth of a Nation about an American slave revolt gets a preview at two Dutch festivals. Debuting director Nate Parker boldly borrowed the title of famous and controversial classic.
I wrote this story in 2003, following the publication of a major historical study on theatre attendance. I return to it often, this research. Because it keeps me with both feet on the ground while screaming for culture. And because it underlines the need to overhaul the system anyway. 'Nothing so constant...
Last Sunday, Polish film legend Andrzej Wajda died at the age of 90. His work unfolds as a dramatised history book with an un-romantic take on heroism.
Dutchers in huis is the name of the new exhibition at the Mauritshuis, which makes you scratch your head: surely the Mauritshuis always focuses on painting from the Netherlands? This time, however, it is about Dutch masters from the British Royal Collection. Top-quality genre pieces were chosen, including such famous ones as Johannes Vermeer's The Music Lesson. Their temporary arrival at...
'What is the relevance of dance?' Since the conference The Relevance of Dance in March 2016, this question has been haunting my mind. That weekend, the main topic of discussion was the relevance of dance as a performing art to watch. An approach that left me unsatisfied, because my main interest myself is to know what the relevance of dance as an activity...
Last year, arts festival Musica Sacra was all about 'the road', inspired by the many pilgrim routes that lead to holy places. This year, Maastricht is all about the 'sacrifice of love'. At first sight, an anachronistic theme, which seems at odds with sentiments in our current society. The aggression against asylum seekers, the ruthless pursuit of profit by...
Amsterdam Fund for the Arts (AFK) seeks a member for the Supervisory Board from 1-1-2017 The AFK invests in art that enriches life in the city. The AFK provides subsidies to artists and cultural organisations, drives innovation and stimulates the quality, dynamism and pluriformity of Amsterdam art. The AFK supports both experimentation and proven quality,...
Recently, Lidy Blijdorp (* 1986) took over the cello of well-known cellist Anner Bijlsma (* 1934). It was his wish for the instrument to be played by her from now on. Via the Netherlands Music Instruments Fund (NMF), the instrument came to her. The maker of this cello is not known. However, it is certain that it originated from...
The summer period is a fine time for catch-up reading - books from recent times that you still wanted to read but didn't get around to before - but we also got a glimpse of a few upcoming titles. That made for a fine, varied crop this month. Eifel adventures Since The Detour, there hasn't been a new novel...
In these election times, it is just how you put it and calculate it. That 24 million extra for culture, which Pechtold triumphantly mentioned with the addition that 'the journey through the desert is over after 2016', has, for the time being, as much value as Rutte's illustrious 1,000 euros: first see, then believe. And since Pechtold gave no further explanation,...
Two very different forms of political theatre at the Edinburgh Fringe: feminist varieté and an immersive mode at the Maidan. You'll be throwing bricks before you know it.
How to avoid choice stress at the Edinburgh Fringe bursting at the seams on all sides? We conduct an experiment: a day on the flow of flyers.
After it was announced in January this year that Jan Willem de Vriend was leaving at the end of the 2016/2017 season, the Orchestra of the East announced that it was in no hurry to find a successor. One would start working with "renowned guest conductors". Just over six months later, a few months before the departure of interim director Bart van Meijl, a successor was still presented. That this successor, Ed Spanjaard, is given the title of 'permanent conductor' seems mainly a semantic issue.
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