Everything from the 2023 film year in the new edition of the Film Yearbook. Dates alongside articles with depth. Including the vision of Nafiss Nia, who sees how new filmmakers are making Dutch film culture flourish.
Dutch cinemas and film theatres sold a total of almost 32 million cinema tickets in 2023. Not bad by far. Barbie attracted the most visitors, The Tattas was the biggest Dutch draw. The Dutch film press had already chosen Aftersun by Charlotte Wells as the best film at the end of December, while Sweet Dreams by Ena Sendijarević, also a convincing Golden Calf winner, emerged as the best Dutch title. Meanwhile, in America, the strike of screenwriters and actors gave the film industry there a tough year.
During the Netherlands Film Festival, Joris Hoebe (New Noardic Wave) and Guido Franken (CineSud) launched the new network organisation Screen Talent NL. A network that ultimately aims to inspire and support talent and film activities in all regions of the Netherlands.
As part of its 75th anniversary, Eye Film Museum is making 75 restored classics available on this year's Eye Player. A fine collection, even if something is sometimes left to be desired.
Due to the corona pandemic, 2020 was also a crisis year for the cinema industry. Attendance fell by 56% compared to 2019. But the cancellation of US blockbusters allowed the Dutch market share to rise.
A sleek, snow-white art temple in the middle of the Congolese interior. What does that mean? Renzo Martens talks about his new documentary White Cube, and the art project that allows plantation workers to buy back their land. Premiering at IDFA and in Lusanga, Congo.
Golden Calf winner Buladó is now our Oscar entry. That will satisfy advocates of more colour in Dutch cinema. And on Sunday, check out Festus Toll's When You Hear the Divine Call, a more modest but equally telling example of new light in Dutch cinema.
The 40th edition of the Netherlands Film Festival pushes the boundaries. Corona makes everything go differently. Now in more than 100 theatres across the country, and also online. For groundbreaking work, there is the sixth instalment of the Directors' Forum.
With over 38 million visitors, 6.5% more than in 2018, 2019 was a good cinema year. Unfortunately, the recovery of Dutch cinema is still minimal.
The 32nd edition of the International Documentary Film Festival Amsterdam has opened with Sunless Shadows. Confessions of young women jailed for complicity in the murder of their father or other man in the family grow into a haunting statement about oppressed women in a male-dominated society. The only Dutch film in the international competition is Rotjochies by Maasja Ooms.
The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production....
Following Denmark, the Netherlands now has its own Dogma manifesto. A modest but also ambitious statement from two young filmmakers who present a surprisingly clear plan after a season full of noise and concerns about Dutch cinema. Whether it is a pebble or a big pebble in the pond remains to be seen. In any case, they are going to do something,...
The Dutch Film Festival is about to erupt. A spacious week with a broad overview of everything moving on Dutch screens, from public film to short student film. Last year was noisy: directors, editors and cameramen expressed gloom about the quality and guts of patriotic film. Visitor numbers don't seem to be overblown either, although...
There is a lot of grumbling about Dutch cinema: it is too good, not creative enough, there is not enough experimentation. However, there is one small island where other laws apply. Where, sometimes with hefty budgets and sometimes for next to nothing, films are made that speak a different language: the dance film. No psychologising, no endless dialogue, but...
Dutch cameramen also join the chorus of concern about Dutch cinema. The New Deal manifesto carries suggestions for improvement.
In 2014, Morgan Knibbe (1989) made the short film Shipwreck, about the aftermath of a horrific shipwreck on the coast of Lampedusa in which 350 refugees drowned. Shortly afterwards, he made his first feature-length documentary, also about refugee issues: 'Those Who Feel the Burning'. This very impressive, original and visually strong film was one of the best Dutch films of the last...
After the Dutch thriller Prooi, The Conductor has also been acquired for release in Chinese cinema.
A survey shows that Dutch filmmakers are very concerned about the production conditions and quality of Dutch feature films. The Filmmakers Initiative wants to spark discussion and propose solutions. A symposium as a kick-off.
'Feel IFFR' is the motto of this year's International Film Festival Rotterdam. The emotion behind the image and with the viewer as a guide for our interpretation. The opening film Dirty God is a nice test case. Director Sacha Polak explains why she wanted to make a film about a scarred woman.
The cinema industry presents its 2018 annual figures. Visits stable at 35.7 million, but Dutch film's market share dropped again, now to 11%. Half of the peak year of 2011.
Dutch film's market share threatens to be dramatically low for 2018. At the NFF conference, Film Distributors Netherlands presents the plan to create a think tank to turn the tide.
At the film sector's traditional Spring Consultation, the panel at the Ketelhuis shed its light on the video on demand explosion, among other things, and on the advice of the Council for Culture. Will operators support the film sector with levies on sales?
The growth of the Dutch cinema sector continued in 2017, but Dutch cinema remains a problem child. Despicable Me 3 was the most visited. Soof 2 was, as in 2016, the most successful Dutch title. How is the Netherlands doing internationally? And what are we looking forward to in 2018?
Who is the best Dutch film critic? Has everything about #MeToo been said now? Is more money for fewer films a good thing? These and other issues were discussed at the film industry's annual Autumn Consultation.
Brandend Kalf wants more fire in Dutch cinema. Parallel to the opening of the Dutch Film Festival, this initiative group organised a meeting where objections to the far too safe Dutch film were listed. Where is the subversive cinema?
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