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Reinbert is dead, long live Reinbert!

'I get up with you and I go to bed with you,' I said jokingly. We stood in his kitchenette, where he made coffee for himself and tea for me. Reinbert's big startled eyes told me that my ironic remark had landed in the barren soil of his deadly seriousness. - It was not the first and not the last 

The self-employed are to blame for everything. Now also for the downfall of regional arts journalism.

In April 2020, the Persgroep, now DPG Media because it smells better internationally, will stop regional art supplements in its newspapers. No more art reports and interviews, hardly any reviews. Local bookshops will lose their stage in all Dutch regions, as the publisher of Volkskrant, Trouw and AD has a regional monopoly. The message, brought by a reporter from the Eindhovens Dagblad, struck... 

Serge van Veggel performs Opera Melancholica: 'Depression is a big social problem - a million people are on pills'

'My love for opera is rooted in my youth. Emotions you feel as a young person become almost tangible in opera. While listening, I often experienced a catharsis.' Director Serge van Veggel zooms in on depression and delusion with the production Opera Melancholica. Starting point is Philip Glass's The Fall of the House of Usher, presented as a form of 'anatomical... 

Conductor Elim Chan: 'I can't walk away from the music.'

'When I unexpectedly had to conduct the "Dies Irae" from Verdi's Requiem Verdi, I felt how raw and impactful music could be. I knew immediately: I can no longer run away from music.' Elim Chan is moving like a rocket and will make her debut with the Netherlands Philharmonic Orchestra on 17 January. In 2014, Elim Chan (Hong Kong, 1986) was the first female... 

Foto: Sanne Peper

From Fleabag to Game of Thrones à la Hollandaise, Alum does us all a favour with The Dutchmen.

In the days when Europe was still a loose collection of city-states and duchies, where groups of men, for want of football, went on raids a few times a year to burn houses and rape women, a language emerged in the marshlands of the Rhine delta. We know this because plays were written in that language, which is among the earliest preserved... 

Why measuring leads to knowing less and measuring even more. On the futility of trend reports and indices

They have learned something at Boekman. The foundation, which since this year has had the honour of managing the culture index, understands that trend graphs say precious little. We have observed this several times on this site, and the researchers now confirm this wholeheartedly. So this year the club is doing things differently. For the past few months, sixty wise men and women have been... 

New parents are born every year! (Why theatre programmers need to take much more risk)

With red cheeks, I hang up the phone a little bewildered. Just now I had a telephone appointment that took a completely different turn. I had a brief conversation with a theatre programmer who is still unknown to me. She unfortunately told me not to programme anything with our impresario, because there was really no need for artistic performances in her city. This lady stated that her... 

Performing arts happy with Chamber's clamour

Modest cheers in the performing arts world. A motion tabled on 18 November by Corinne Ellemeet (GroenLinks), together with PvdA, CDA and D66, forces minister Van Engelshoven to investigate the consequences of the cuts to the Performing Arts Fund before the subsidy is distributed. The House approved this on 26 November. Wonderful, you might say, because if clear... 

No Time To Die? The New Cinema Conference is all about marketing - and hardly about Netflix.

What will shake up the cinema world the most in the coming years? The new James Bond film? Or a personal film tip tailored to your previous cinema visits that just pops up on your smartphone? Or perhaps a technical innovation that creates a whole new cinematic experience? Just a few things that loom around the topic of this week's New Cinema conference. A day and a half... 

The masked truth in HBO's Watchmen

At a time when comic book movies, superheroes and alternative dystopian realities reign supreme, I feared the worst when HBO announced Damon Lindelof's Watchmen. Not having extensive knowledge of Alan Moore and Dave Gibbons' comic book Watchmen myself, I found the 2009 film a disappointment. Lindelof is the man behind the infamous series Lost. Where with Lost, the viewer... 

Dutch youth film in dire straits too? Plenty to talk about during the Cinekid festival

The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production.... 

World-famous 'brooding work' - why Monet's water lilies and wisteria are still so special

People used to think it was three times nothing, but today the paintings of water lilies and wisteria are the most famous canvases by French painter Claude Monet. We visited his gardens in Giverny and took a peek through the eyes of the master. Mugs and socks When you think of the painter Claude Monet, the first thoughts probably go to his colourful canvases... 

Opinion researchers: Amersfoort, see artists more as business cards!

Amersfoort is investing in culture again. This is very good news after a period when cuts dominated. So now it becomes extra interesting what the city will do with the extra money. Some research is already under way. Last week, another study was added from an unexpected source. The main outcome: Amersfoort could be a bit prouder... 

Zeitgeist and chance cannot be captured by an algorithm. Why a robot should not replace the music programmer.

Last Wednesday, 2 October, at the annual congress of the Vereniging Nederlandse Poppodia en Festivals in Tivoli/Vredenburg, I saw an interesting presentation by Jonas Kiesekoms, research coordinator at PXL-Music in Hasselt, Belgium, and musician. The question is now classic: can a robot replace the music programmer? With his research group, Kiesekoms is working on several applications that use data science to improve ticket sales for concerts,... 

Why does the fair practice code really only apply to the arts?

Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be... 

At Leiden University, the end of patriarchy is shining. 

This weekend, there was some fuss on Twitter. Something about a Nazi comparison that didn't quite work out. Now there is quite often a fuss on Twitter because of a Nazi comparison that doesn't quite work out, but this time it concerned one of our cultural figureheads. Kees Vlaardingerbroek, artistic director of the NTR Saturday matinee and former head of programming at the Rotterdam... 

Social Fund Performing Arts turns out to be moneypit: assets halved in five years. Why is this bad news?

'If we continue at the current rate, the fund will be exhausted in the foreseeable future.' This can be read in the 2018 annual report of the Performing Arts Social Fund. Plenty of reason to sound the alarm, indeed. Is this yet another victim of the cabinet's cuts? Not really, it turns out. When you look at the documents in detail, you see mainly that... 

In search of pleasure and secret spots, you sometimes stumble upon very special things during Festival Boulevard

The central character in theatre-maker Marijn Graven's Lo Lie Taa was there early. At least, so he tells the mirrored floor and the audience in his monologue Lo Lie Taa. As a nine-year-old, he was already madly in love with his mother and not long after, his life was defined by pursuing as many splashy results of his... 

At last. Interest groups arts and creative industries seek collaboration

It is actually a footnote in the press release that lobby organisation Kunsten '92 sent out into the world today. But, as always with footnotes, it did contain the most important news. Because Kunsten 92, the club in which organisations in the arts sector polder, is "exploring cooperation" with the Creative Industry Federation. The latter is the Arts '92 of everything that is also culture and creativity,... 

Jeremy Dutcher on Amsterdam Roots: 'I think we can expect something very beautiful in the generations to come, as long as we keep singing our songs.'

It is, so in his normal clothes, a cheerful, spontaneous guy who walks up to me in the hotel lobby where we have arranged to meet. Jeremy Dutcher the Canadian singer who is one of the main guests at this year's Amsterdam Roots festival, hardly shows any traces of the jet lag he must have undoubtedly sustained from his flight, which took off a few hours earlier... 

Homage to Robert Mapplethorpe: slideshow with moderate music #HF19

A black man sits on the edge of the stage of Amsterdam's Stadsschouwburg, pardon ITA. He observes us with intense gaze as we walk into the auditorium. - As the incarnate subtitle of the performance Triptych (Eyes of One on Another) dedicated to Robert Mapplethorpe. Behind a gauze screen are the instruments of Asko|Schönberg, which, together with Roomful of Teeth, signs for... 

'Meat sandwich' still most popular at food festivals Festival Atlas sees festivalisation declining

The peak of the festivalisation of the Netherlands seems to be behind us. The number of festivals has declined by over 10% in two years. This is according to research by the Hogeschool van Amsterdam into the festival landscape in the Netherlands. Responsible lecturer Harry van Vliet (Crossmedia): "The decline in the number of music festivals was already visible in 2017, but the decline is the... 

Antony and Cleopatra, Tiago Rodrigues. Foto: Magda Bizarro.

'I have no problem at all if spectators want to see Anthony and Cleopatra. But for me, it's about something else.' Tiago Rodrigues writes theatre for dancers.

Anthony and Cleopatra is exactly the kind of repertory piece that people look forward to during the Holland Festival, or any other prestigious stage. Director and writer Tiago Rodrigues manages not so much to deflate that grandiose expectation as to reduce it to the intimacy of a duet and a play with extremely basic theatrical gestures. His two actors are dancers, an experienced choreographer duo 

'There's a limit to crowdfunding, you can only do it twice' - Growing pains of the dance film, part 2

The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist.... 

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