Meanwhile, on the edge of Europe. Watch Greek crisis on #Berlinale
The nearly five-hour documentary 'Combat au bout de la nuit' reveals how ordinary Greek people experience the crisis. A true immersion experience.
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Musical biopic 'Django' opens 67th #berlinale - but is it political or not?
The Berlinale claims to be the most political film festival, but are we much wiser from the label 'political cinema'? Django, about the legendary Django Reinhardt, opened the 67th edition.
Prince Igor at The National Opera: unfulfilled expectations
'Unleashing war is the best way to escape from yourself,' we read on the gauze screen in front of the Stopera stage. Then the Rotterdam Philharmonic Orchestra begins Alexander Borodin's Prince Igor. A catchy one-liner, but it raises expectations that are not met. Musically, too, this co-production of De Nationale Opera and the New...
On getting older, love and loneliness: 6 Life Questions to Stefan Hertmans
His two internationally successful novels Oorlog en terpentijn (War and turpentine) and De bekeerlinge (The convert) take Stefan Hertmans around the world. But the social side of life it clashes with his desire for solitude. Six life questions to Flemish author Stefan Hertmans. 'When I am alone, I find myself.' 1. What is your recurring dream? 'For fifty years, I have had to...
Wilbur Smith: 'Everything I touch turns to gold and crystal'
More than 120 million books have sold bestselling author Wilbur Smith - two thousand Wembley stadiums full. His steady recipe - violence, magic, mystery, adventure, hunting and sex - has kept his readership enthralled for more than half a century. To keep his output high, he has recently started working with co-authors. Only the 'Egypt novels', which include his new book Pharaoh, he writes himself....
Early music pioneer Marijke Ferguson: A lifetime of ears on stalks
This month, early music pioneer Marijke Ferguson turned 89. She led the adventurous ensemble Studio Laren for 30 years and has been making radio for over 50 years, the last 23 for the Concertzender. Time and again, she manages to intertwine old and new music with pop and world music in an appealing way. On Sunday 11 December, the Concertzender puts her centre stage during...
'Quite an uproar': a century of contempt for the arts
In 1975, jazz musician Misha Mengelberg and artist Wim T. Schippers organised Een behoorlijk kabaal (Quite a racket) at Amsterdam's Mickery Theatre. For a week, they explore the different meanings of a concert in 'inimitable musical theatre'. Jacqueline Oskamp chose it as the title of her recently published book describing Dutch music history of the past century. Sad conclusion: there is...
Netherlands' largest war memorial aims to become symbol for refugee reception
The Belgenmonument in Amersfoort is the largest war memorial in the Netherlands. Construction started a hundred years ago. It was recently restored, but no longer has a function. New meaning is being sought. Architecture centre FASadE organised a design competition for this purpose. The aim: to give the Belgenmonument renewed meaning as a memorial but also as a symbol for the reception of contemporary displaced persons. The jury led by...
Theologian wants more constructive swearing
Isn't there enough anger and aggression in our world yet? You would think so, yet Rikko Voorberg (36)[hints]Theologian Rikko Voorberg (1980) is founder of the PopUpKerk, organises art installations and is a publicist; he is a guest correspondent on Anger at De Correspondent and has a regular column in the Nederlands Dagblad. He started the PopUpKerk at the invitation of the...
Stefan Hertmans: 'I raised this convert from the dead'
The last lavender fields have been harvested, and Haute-Provence is preparing for autumn. The white mists come earlier and start to rise later. As the village of Monieux basks in the sun, which still shines warm and bright, the tree-lined river Nesque meanders through the valley stretching out at our feet. Healing silence....
Herta Müller: 'I like small things'
This week saw the publication of Nobel laureate Herta Müller's autobiography, My homeland, an apple stone. A few years ago, A Quattro Mani had an exclusive interview with the Romanian writer, when her first collection of poetry collages was published, The Skirt-chaser and its sly aunt. We spoke to her at her home in Berlin, she revealed how her poetry collages are created, and the making...
The Harvest of the Month: Carrasco, Cline, Hemmerechts, Hertmans, Hofstede and Japke-d.
Back to the 11th century His previous novel Oorlog en terpentijn (War and turpentine) brought Belgian writer Stefan Hertmans world success. The book became a bestseller and was showered with praise and awards. It gave Hertmans a whole new readership. His new novel De bekeerlinge was therefore eagerly awaited. Hertmans came up with the subject for his new novel...
Choreographer/artist Toer van Schayk is an inspired human being
The enthusiasm that characterised Toer van Schayk and his generation of choreographers is disappearing. With the programme Dutch Masters, the Dutch National Ballet is honouring an era. The success of Toer van Schayk and his generation If it is up to the public, the master ballets of the three great Van's (Rudi van Dantzig, Hans van Manen and Toer van Schayk) may stay for a while longer. As one man stood...
NITS turn sombre TING! into a dance party
TING! is a pitch-black anniversary spectacle by Scapino Ballet Rotterdam. But the NITS give the evening luster. Large billboards along the entrance to the Ferro Dome in Rotterdam still hint at the colourful history of the 70-year-old Scapino Ballet. Once inside the round gas holder, however, choreographer Ed Wubbe cuts straight to the chase with a world dipped in sombre tones. A...
Catherine Millet: 'As soon as something is on paper, I am relieved of it'
Her book The Sexual Life of Catherine M. took the world by surprise and made her world-famous overnight. Since then, Catherine Millet has been one of France's most widely read writers. In her most recent novel A Dream Life, she returns to her childhood in Bois-Colombes. A Quattro Mani went with her to the seeds of her authorship. Back to...
Fringe notes (5): Brexit, Britishness and the secret of 2.5 million #edfringe
Brexit has given an extra charge to many programmes at the Fringe. But what is British anyway, and where do you belong?
NJO Music Summer presents 'Drama in Vienna'
Since its inception, the NJO Music Summer has spread its wings. It started in 2001 as a summer course for music students who were allowed to work with internationally renowned musicians, composers and conductors. Since then, the NJO Music Summer has grown into an unmissable, audience-friendly festival, covering the entire province of Gelderland. On Friday 19 August, it takes a step across the border to Overijssel,...
Romeo and Juliet: loose highlights in the Amsterdam Forest
Huge passenger trunks, like those at the airport, are stacked crosswise on the stage in the Amsterdam Forest. This immense rendition forms the backdrop of Romeo & Juliet by William Shakespeare in the Amsterdam Bostheater's performance. Director Ingejan Ligthart Schenk stages Shakespeare's classic modern, with acrobatics by the Tent Circustheater group and musical input by De Veenfabriek.
Poubelle by Pieter Waterdrinker: MH17 and the stench of Europe
The Netherlands is commemorating the MH17 disaster this month. Two years on, the question of guilt is still not unequivocally answered. The protagonist of Pieter Waterdrinker's novel Poubelle has less trouble with that: who holds himself mostly responsible. A conversation with correspondent novelist Waterdrinker: on modern European history, the Russian mentality, Great Literature and the shit of contemporary Europe.
The Dark Ages: beautiful investigative theatre by Milo Rau. #HF16
When we think of 'The Dark Ages', we think of the rough raw dark Middle Ages, with church and king and no hygiene. However, Swiss director Milo Rau's performance, now at the Holland Festival, refers to a much more recent piece of European history. In a recent interview With the Culture Press, he said:
McBurney's The Encounter points visitor #HF16 to a different way of life
The Encounter, a large-scale solo performance by British multi-talent Simon McBurney, had its Dutch premiere at the Holland Festival on Thursday. The Encounter combines the dramatic power of a Hollywood blockbuster with the polished simplicity of 20th-century, stripped-down, edited - call it Brechtian - theatre.
A music scene that touches you: Fien de la Mar sings pure emotion
In every stage performance, film, or concert, there is a scene that particularly touches you. In the documentary I want to be happy (2016) about the life of actress and cabaret performer Fien de La Mar (1898-1965) also contains such a moment, a musical scene of unforgettable poignancy.
Peerless: 15 stories about refugees, in 49 traits and old set paintings
This is a review of a performance that is already over, and which, moreover, I participated in myself. That's not allowed at all. But it's also a story about refugees in Europe, a theatre floating above the clouds, a church made of marzipan, tunnels in Palestine and 49 draws. So I do it anyway.
Last weekend, during the Kunstenfestivaldesarts, a miracle happened at the Royal Flemish Theatre in Brussels. Scenographer Jozef Wouters and his crew had settled in the old hall with its domed roof. Completely renovated ten years ago, 'de Bol' is now an old-fashioned frame theatre equipped with the latest theatre technology. Including those 49 draws, and that was what it was all about.
On a pull,
Audio, the new video (II): Syrian dead speak at Gardens Speak (HF16)
'This regime also rules over you after you die. The regime steals your story. They use you to tell their own story. Relatives are forced to sign statements that the dead were killed by the opposition. The regime uses the dead to oppress the living.' Lebanese artist Tania El Khoury made a statement: Gardens Speak (Gardens Speak). An installation, an immersive[hints]definition: immersive, making you forget the real world around you[/hints] performance, in which the spectators themselves are actors. A performance that consists of a mountain of earth from which soft voices sound from beneath tombstones. That performance comes in June to Amsterdam, as one of the examples of the new Holland Festival programming by festival director Ruth MacKenzie.
The pile of earth in and on which the installation takes place represents the many thousands of anonymous backyard graves in Syria. At the beginning of the Syrian civil war, the struggle was still mainly between opponents of President Assad's dictatorship and his (secret) police. The first victims were often still just students taking part in peaceful demonstrations, handing out pamphlets, or attending the funeral of a friend. After all: bombing funerals was and is a proven method of murderous regimes and crime syndicates to eliminate insurgent networks.
Tania El Khoury heard of the Syrian alternative in 2013: the private burial in one's own backyard, or failing that, in an anonymous city park, with no headstone or memorial. Such an action is both an expression of fear and an act of resistance: these are deaths that the government can no longer abuse. 'The play was not originally intended for European audiences either. It was made in Lebanon and the text was also in Arabic. The last thing I thought about was the European audience. The idea was
You need to see this to get to know Louis van Gasteren (1922-2016) better.
Filmmaker Louis van Gasteren, who died on 10 May 2016, was initially an electrician but still found his calling as a filmmaker, producer, bohemian, visual artist and sleeper by conviction. The creator of a distinctive documentary oeuvre put much of himself into his work.
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