Fred Goessens has been dead, but is still alive. As uncompromising as ever. The Netherlands' most reliable actor makes an interim will after twenty-two years with Toneelgroep Amsterdam. 'I had shit on everything' This interview was published 10 years ago in TheaterMaker, the trade magazine for the theatre sector. As Fred Goessens is now leaving ITA, the company where he once...
'You simply cannot, as a big company, just bring journalistic theatre.' So says Jeroen de Man, who now directs the watery spectacle performance Ondine at the National Theatre. 'A bit of diversity is just fine.' So not everything in The Hague has to be as socially relevant as The Nation of Othello. Sometimes it can also just be about the...
'With my performances, I always try to make people feel that they are really going to miss a happening. 'The first performance with personal stories of four Moroccan-Dutch actresses in the big theatres of the Netherlands, the newest this, the most surprising that.' Daria Bukvić is one of the most exciting creators to enter the theatre world in recent years. She is not only...
What happens when original and exciting makers and thinkers shape the SPOT-LIVE programme? If a leading philosopher, theatre-maker or musician is allowed to fill the stage with debate, what would it be about? If they were allowed to inspire you with work that touches them, what would they showcase? Get inspired by three curators who will share with you their views on...
Platonov, Theater Utrecht's latest show, premiered on 2 March and is an instant hit: rave reviews in all major newspapers. Artistic director and director Thibaud Delpeut bases his version of this archetypal Chekhov play on the translation made by actor Jacob Derwig in 2000 for 't Barre Land. This equally legendary play fitted...
Nationale Toneel Theatre is working on its mission to bring society to the stage. The Nation, that insane marathon with Romana Vrede about a disappearance in the Schilderswijk neighbourhood, and Mark Rietman, will be ready this autumn. Anyone who thought it was time for another slice of tedious retro hag comedy after that is wrong. We do have a classic coming up in...
Opera2Day, Mariken in de tuin der lusten (opera) The young The Hague company Opera2Day produces one splendid performance after another. But at the same time it does not rest on all its laurels, opting for adventure by presenting an entirely new opera together with the Nationale Toneel. At the centre is Mariken van Nieumeghen, the girl "who lived with the devil for seven years", the music is by Calliope Tsoupaki and...
Many theatre practitioners secretly beg for the introduction of corporal punishment for schoolchildren with CKV. After all, schoolchildren with CKV are bent on ruining the lives of actors. They are assisted in this by disinterested teachers, who on their nights off are more concerned to please their pupils than the providers of culture. As a compromise, ...
Power and leadership, can one exist without the other? Toneelgroep Amsterdam presented a sampling of three types of leaders on Sunday 14 June at the Holland Festival with 'Kings of War'. Three historical plays by Shakespeare about the struggle for power between the Houses of Lancaster and York together provided the fuel for this performance. With large black letters on a white...
At Amsterdam's Stadsschouwburg, Hans Kesting will once again play the title role of Shakespeare's Othello, in a legendary version by top director Ivo van Hove, already 12 years ago. A stone's throw away, at De Balie, is the equally impressive actor Kenneth Herdigein in David Mamet's play Race. Why connect the two? Hans Kesting, the...
Holland Festival
Is the kingdom of the dead in the opera Sunken Garden by Michel van der Aa a 3D garden full of brilliant colour, director Peter Sellars chooses in Desdemona by Toni Morrison and Rokia Traoré for sober black and white. On the stage of a sold-out Muziekgebouw aan 't IJ are glass bottles and jars, sometimes lit from below, sometimes from above, with hanging light bulbs like flickering candles. On the left are a number of ngonis (Malian lute) and two koras (Malian harp lute), played by black musicians.
As an art journalist, art makers give me VIP treatment: free tickets, separate desks, they say YOU to me and hang on my every word when I tell them something. That's a
We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release: From 2 to...
We got another press release, and wondered: top or flop? How does idiosyncratic artistry rhyme with audience-determined repertoire choice? Andne: do all those people who chose the winning piece also get a free-or at least discounted-ticket to the performance of their choice? Andne: who checks the results, as there is no notary. Enne:.
Amsterdam-based company Dood Paard itself translated Shakespeare's 'Othello' and waves goodbye to the bard with 'Bye Bye'. The quirky collective performs a one-and-a-half-hour topical comedy of manners and soul mirror, in which pointing at 'The Other' is central. Shakespeare's plays are quite often performed quite reverently. . Moreover, the adored 'bard' from Stratford-upon-Avon has bestowed on the English language countless expressions that have come to...
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