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Michel van der Aa in the spotlight of Nieuw Amsterdams Peil

On Thursday 19 April, composer Michel van der Aa takes centre stage at Muziekgebouw aan 't IJ. Besides his own music, the adventurous Nieuw Amsterdams Peil will play pieces by kindred spirits chosen by him. Special guest is Wende Snijders, who composed a number of songs with Van der Aa. She will also solo in the world premiere of the integral cycle... 

'Stadium' at @hollandfestival: Meet the hardcore supporter core of Racing Club de Lens. But then for real.

Fifty-three 'ultras' from a football club in an art theatre. That might be asking for trouble. Especially if they were the hard core of, say, Ajax, FC Den Haag or FC Utrecht. But this is France. There are no hooligans in France. The 'ultra's' of Racing Club de Lens, for example: they are bound to throw a punch somewhere, but in... 

Theatre from the sofa: from the South Bank of the Thames to Broadway in one evening.

For many a theatre lover, watching from the bench will be swearing in church. The atmosphere in the theatre and direct contact is missing. Totally true, and yet the advantages of sitting comfortably, watching when you want, subtitles and the on-demand W.C. break are also worth something. While enjoying a fireside chat, you're not looking at the back of anyone's head.... 

Poetry Performance Workshop teaches poets what 'taking a rest' means: 'my next performances will be a lot longer now.'

'There would be a difference between paper poems and poems that only fit into a recitation. I don't think it's a good poem in either case then. A good poem you can read well, and also reread, but it also fits very well in a performance.' Poet Anne van Winkelhof has clear views on what makes poetry good poetry.... 

Guy Coolen on Operadagen Rotterdam: 'We call ourselves a bluff festival'

'If Mohammed doesn't come to the mountain, the mountain will come to Mohammed,' they thought at Operadagen Rotterdam. Earlier this year, the Enschede-based Nederlandse Reisopera gave a press presentation in Carré. This time, the Rotterdammers travelled to the capital. Artistic director Guy Coolen and dramaturge Tobias Kokkelmans told a select club of journalists what the audience could expect from 18-27 May,... 

Stef Aerts directs 3D show JR at @hollandfestival: 'To go from 700 pages of real literature to a manageable stage text doesn't just happen.'

Listen to an atmospheric impression and the full interview with Stef Aerts here. Children have the ability to turn adults' worlds upside down. Eleven-year-old JR is really getting into it. On a school trip, he learns how the stock market works and then turns it to his will. In doing so, unhampered by a prefrontal cortex, that part of the brain... 

City of Birmingham Symphony Orchestra plays Fires by Raminta Šerkšnytė

The City of Birmingham Symphony Orchestra is coming to our country. On Monday 9 April, they will give a concert in TivoliVredenburg Utrecht under their young chief conductor Mirga Gražinytė-Tyla. They will play music by Wagner, Debussy and Beethoven, a fairly standard programme at first sight. But fortunately, Lithuanian Gražinytė-Tyla brings a piece by her compatriot Raminta Šerkšnytė. Who wrote Fires... 

Money does make happy, and writers' block is an illusion. Many myths busted on Evening of Herding.

Rather listen than read? Listen to the podcast here! (With lots of extra quotes from Ab Dijksterhuis) Money makes horribly happy. And that doesn't stop at 1 tonne. Those who earn half a million are considerably happier than those who earn 2 tonnes. The ING boss who would get 60 per cent more salary would also have become very much happier as a result. This... 

SPOT-LIVE takes you into the minds of leading, original and exciting creators and thinkers. 15 May 2018, Stadsschouwburg De Harmonie Leeuwarden

What happens when original and exciting makers and thinkers shape the SPOT-LIVE programme? If a leading philosopher, theatre-maker or musician is allowed to fill the stage with debate, what would it be about? If they were allowed to inspire you with work that touches them, what would they showcase? Get inspired by three curators who will share with you their views on... 

Live art is much more exciting than video and motivated goalies dive right. Learn this at The Evening of Herd Behaviour in Utrecht

The separation between the Netherlands and Belgium was due to an opera at the Brussels Monnaie Theatre in 1830. During a certain song in the opera De Stomme van Portici, the flame flared and the opera-goers ran out of the hall like an angry mob to chase Den 'Ollander out of town. Such behaviour turns out to be more logical than you... 

Het Nationale Ballet DUTCH DOUBLES premiere 23 maart 2018 Amsterdam

Wende Snijders turns ballet temple upside down in Dutch Doubles

In Dutch Doubles 2018 by the Dutch National Ballet, choreographers collaborate with other artists for the second time. The chemical reaction between Wende Snijders and Annabelle Lopez Ochoa almost blows up the formula. BAM! The audience jumps up. BAM!"It had to take 11 years for me to make something here again?", choreographer Annabelle Lopez Ochoa seems to be saying. The Belgian/Colombian is lumbering... 

Stephanie Louwrier: 'I embrace the fear of failure'

'I once performed in front of a hall somewhere in the middle of nowhere, with a lot of old people. The performance was announced as cabaret. But my work does not fall within one particular genre. Because of the designation 'cabaret', the audience had expectations that I did not meet. People wanted a fun, entertaining evening. My performance was rebellious, energetic. I jumped all... 

Sofia Gubaidoelina: 'Only in the West could I set myself large-scale goals and realise them'

Sofia Gubaidoelina has become a true audience favourite in our country. She is also a welcome guest in broadcasting series. The AVROTROS Friday Concert, for instance, brought the Dutch premieres of Glorious Percussion (2011) and O Komm, Heiliger Geist (2016). Friday 23 March will see the first Dutch performance of her Triple Concerto for bayan, violin and cello. The piece is dedicated to... 

Martine Dekker (Cinedans): 'The new generation does not respect the demarcation between the arts at all. That's very fun and interesting for a festival like Cinedans.'

Cinedans has been around since 2003. Back then, it was a single evening, part of Amsterdam's Julidans festival. Pretty soon, it grew into something bigger. According to Martine Dekker, involved with the festival since the 2011 edition, this was due to the overwhelming supply of dance films: 'From the second edition, filmmakers were invited to submit films,... 

'Nothing to Hide' in Nijmegen. A dragnet festival to objectively inform citizens

Apart from a lot of confusion, the advisory referendum law has also created a new category of festivals. The 'Ukraine referendum' spawned at least one festival (at Amsterdam's De Balie debating centre) and the dragnet referendum on 21 March 2018 prompted the 'Niks te Verbergen' dragnet festival in Nijmegen. Prominent member of the organising team is Viola van Alphen. With her foundation Violavirus... 

'The current museum loan system leads to decisions based on prejudice rather than fact.'

Museums often manage more art objects than they can display. What they cannot display in the museum galleries they keep safely in the depot. Collections with motley collections of objects from different periods are a growing problem for museums. Marketers stress the need for focus, a clear story and strong branding. Objects that no longer fit the new vision... 

Really Happened is No Excuse, or: How playwright Sadettin Kırmızıyüz gets passed left and right by De Luizenmoeder

I attended the try-out of Metropolis #1 at The Hague's Theater aan het Spui and a week later - because I couldn't believe my eyes the first time - I also went to the premiere. Rarely did I see something so blood-curdlingly exciting on stage. But unfortunately for the wrong reasons. A lot of a-musical notions Metropolis is the... 

Peter Brook: everything in the universe can be extraordinary.

In the early 1990s, I am sitting in a small auditorium at The National Theatre in London. Before the performance starts, someone on stage asks if you want to greet the visitors next to you. This immediately creates a different, more intimate dynamic in the auditorium. On a tight stage with only a few props are four actors and an Arab musician. Yoshi Oida... 

'Actually, the romantic relic Platonov has been snowed in for about a hundred years. And now he comes back, and he walked into the wrong room'

Platonov, Theater Utrecht's latest show, premiered on 2 March and is an instant hit: rave reviews in all major newspapers. Artistic director and director Thibaud Delpeut bases his version of this archetypal Chekhov play on the translation made by actor Jacob Derwig in 2000 for 't Barre Land. This equally legendary play fitted... 

Baltic souls by Cappella Amsterdam: Estonia 100 years independent/not independent

Although Estonia is almost 4,000 square kilometres larger than the Netherlands, it has barely more inhabitants than the province of Utrecht. For centuries, superpowers such as Denmark, Germany, Russia, Sweden and Poland disputed rule over this country on the Baltic Sea. Indeed, its geographical location made it an important link between East and West. It was not until 1918 that a state of its own was declared, but... 

Remko van der Drift devised the Failure Festival: 'We think success is mainly 'not failing'. That's not true at all. Failure, like success, is part of life.

The Faal Festival at Utrecht's festival palace TivoliVredenburg, taking place on 3 March, is unique in many ways. Never before have so many famous people been willing to come and talk about their failures. Apparently, there is a big audience for it, in these times when quick success is actually mandatory. In the run-up to the festival, I spoke to Remko van der... 

Dutch Reisopera 2018-19: We're waiting for the curtain to rise!

We're sitting in the opera house; We're waiting for the curtain to arise With wonders for our eyes; We're feeling pretty gay, [...] A feeling of expectancy, A certain kind of ecstasy, Expectancy and ecstasy... Sh's's's's. "Curtain!" With the above words, Charles Ives sang of the excitement of a child going to the opera for the first time. A similar enthusiasm shows... 

Culture Council wants review of system, but cautious 'Theatre Sector Opinion' is licence for arbitrariness by House of Representatives

Today, the Culture Council comes out with one of the weaker advices in its existence. The Netherlands' highest cultural advisory body showed vision, leadership and boldness earlier this season with the 'Verkenning' and the 'Sectoradvies Muziek'. The exploration called for a reversal of subsidy flows, with urban regions taking the initiative. In the advice for the music sector, it broke... 

Fanny Mendelssohn: in the shadow of Felix

Fanny Mendelssohn (1805-1847) was the four-year older sister of Felix Mendelssohn. They both received a solid musical education, with her surpassing him in virtuosity at the piano. Her relationship with Felix was intense, but also suffocating. At his hands, Fanny Mendelssohn failed to build an independent career as a composer. To this day 

Playwrights and cultural exploration (3): 'Contemporary musical, a new tradition among writers?'

On 25 January 2018, the Musical Awards were presented with, as we are used to, many translated reruns and calibrated repertoire. Also notable was the appreciation for new Dutch work. Many a writer will have been cheering on the sofa when 'Was Getekend, Annie M.G. Schmidt' won the awards. Does that bode well for the future? Can today's (small)... 

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