Skip to content

public

Via Intolleranza II is an irresistibly witty theatrical chaos about the construction of an opera village.

photo: Aino Laberenz

The lung cancer survivor who died last year Künstler Christoph Schlingensief - all-rounder, provocateur, director, life artist - gets on the Holland Festival an extended tribute: the opening performance Mea Culpa, a programme of seven feature films, and Schlingensief's swan song Via Intolleranza II.

Deathly ill caught Christoph Schlingensief up the wild plan to get into Burkina Faso an opera village from the ground up, Remdoogo. A self-sufficient sanctuary where people from different cultures could meet, and to make art together there for an extended period of time. This follows similar initiatives such as the Avenida Theatre in Mozambique, set up by author Henning Mankell. Schlingensief sought to merge art and life. Driven by a long-standing fascination with the rich African culture, and inspired by the ideals of his great hero Joseph Beuys.

Via Intolleranza II is Schlingensief's attempt to capture, in a maelstrom of documentary, music, visual art, film, performance art, lecture, opera and theatre, the early process of becoming Remdoogo. A performance about a process. At the same time, Schlingensief also seems to question his own motives. Via Intolleranza II was his swan song - he died three months after the premiere. The show will have its Dutch premiere on Saturday 4 June.

Read More "Via Intolleranza II is an irresistibly witty theatrical chaos about the construction of an opera village.

Playing with the Wooster Group: 'a totally new way of being on stage, of dealing with signals and the material of the show'

'Your audience will love it.' That was the last thing Liz Lecompte of the Wooster Group heard from the heirs of playwright Tennessee Williams shortly before the premiere of Vieux Carré. Since then, the trustees of the estate of this American monument have been keeping quiet about the performance Lecompte created. It was the end of a long period in which... 

Read More "Playing with the Wooster Group: 'a totally new way of being on stage, of dealing with signals and the material of the show'

You'd be interested to know what Spalding Gray and Christoph Schlingensief would have had to say to each other.

Cover of Spalding Gray At the Holland Festival, two minds wander. The loudest is that of Christoph Schlingensief, Germany's most independent filmmaker, theatre-maker, activist and enfant terrible, always good for controversy. After being diagnosed with lung cancer in 2008, he processed his anger and fear in Eine Kirche der Angst vor dem Fremden in mir, presented in 2009 at... 

Read More "You'd be interested to know what Spalding Gray and Christoph Schlingensief would have had to say to each other.

Rascals and heroes battle for power at Utrecht Festival a/d Werf

There is no such thing as the perfect human being. We are all crooks. Or is there a way to get it right? Ilay den Boer and the actors of De Utrechtse Spelen / De Warme Winkel each explore in their own way at the 26th edition of Festival aan de Werf. Wasn't my grandfather just an asshole? That... 

Read More "Rascals and heroes battle for power at Utrecht Festival a/d Werf

Gergiev comes to Rotterdam with a top orchestra and top repertoire, but audiences are used to that from him

Russian conductor Valeri Gergjev was back in Rotterdam for a while, for one concert. He conducted his own orchestra, the London Symphony Orchestra (LSO), in de Doelen. The famous orchestra played repertoire that we in our country know inside out: Gustav Mahler's 1st symphony and Dmitri Shostakovich's 1st piano concerto. A now historic combination: because the Netherlands has become fused... 

Read More "Gergiev comes to Rotterdam with a top orchestra and top repertoire, but audiences are used to that from him

Sara Tavares understands better than anyone that you have to hang back in rhythm to make it work

About a decade ago, on the main stage of Rotterdam's De Doelen concert hall, there stood a frail and still searching young woman, a singer-songwriter in a language other than English. Sometimes in Portuguese but mostly in the criollo of the Cape Verde islands, this Sara Tavares presented, with minimal accompaniment, her CD 'Mi ma bô' that would later give her international... 

Read More "Sara Tavares understands better than anyone that you have to hang back in rhythm to make it work

Opinion: 'Let Joop van den Ende take classical ballet under his wing, merge Nederlands Dans Theater, Nationale Ballet and Scapino Ballet.'

It was predictable. Now that the Culture Council has given the secretary of state a go-ahead for massive and very deep cuts in dance, the first press releases are appearing with the outraged reactions. The National Ballet and Nederlands Dans Theater are aggrieved: 'How

Read More "Opinion: 'Let Joop van den Ende take classical ballet under his wing, merge Nederlands Dans Theater, Nationale Ballet and Scapino Ballet.'

Fascinating canon with 24 dancers by Boris Charmatz as bouncer and finale of Springdance 2011

Boris Charmatz's dancers in ''Levée des conflits'' Photo Caroline Ablain.

Nothing is more uplifting than singing a canon together. French choreographer Boris Charmatz's Frère Jacques, seen as the bouncer on the final night of Springdance, is a special case, though. 'Levée des conflits' has no recurring refrain, but it has no fewer than 25 stanzas, which are danced by each of the 24 dancers. The insane polyphony that rises from this monster canon of dancing bodies slowly rattles the viewer apart over 1 hour and 40 minutes, at least if they keep following the multitude of movements and manipulations. 'Levée des conflits' presents the audience with a dilemma: does it surrender to the inimitability of interlocking phases and versions of a composition that it cannot possibly oversee? Or does it frantically search for structure, something to hold on to, something to orientate itself in this hall of mirrors of repetition and multiplication?

Read More "Fascinating canon with 24 dancers by Boris Charmatz as bouncer and finale of Springdance 2011

But what about the goat?

Had we completely forgotten about the goat from sheer terror. Anyway. That goat, or at least its completely skinned carcass according to Dutch law, plays a role in the finale of Ishmael Houston-Jones' show Them. Afterwards, we saw the audience come out rather affected.

Music echoes in the heads of Emanuel Gat Dance's dancers and hangs over the stage like a secret

When music sounds, almost everyone tends to move with it. Music leads to dance. That link is crystal clear. But in modern dance, that obviousness is broken. Watching 'Silent Ballet' by Emanuel Gat Dance, this becomes poignantly clear. Without a single sound being sent into the auditorium, the eight dancers swarm across the stage.... 

Read More "Music echoes in the heads of Emanuel Gat Dance's dancers and hangs over the stage like a secret

Yasmeen Godder lets contrast between frightened individual and roaring group animal linger too much in dancers' minds

Dancers by Yasmeen Godder - photo Itzik Giuli

She is on her knees. Shaking and trembling, she jerks backwards. With clawed fingers that seem to grasp at the void. Like a frightened cat. Shuffling, the dancer moves backwards in a semicircle on the white stage floor of Theatre Frog. One by one, the five others step onto the empty open stage, while the first dancer keeps looking anxiously at the audience. Thus begins 'Storm end come'. With this performance, Israeli choreographer Yasmeen Godder shows the overwhelming effects of fear on the bodies of her dancers. But it doesn't really get scary.

Read More "Yasmeen Godder lets contrast between frightened individual and roaring group animal linger too much in dancers' minds

You won't believe with your eyes what you hear with your ears with drum machine Savion Glover

"I don't care about the body, I make music," Savion Glover said last night, leaning against the doorframe of his dressing room after the performance Bare Soundz. The dance audience at Utrecht's Stadsschouwburg theatre struggled to master the mores of a jazz audience. As the concert progressed, it increasingly produced encouraging yells when the three tap dancers loosened up 

Read More "You won't believe with your eyes what you hear with your ears with drum machine Savion Glover

"It would be very weird if you weren't allowed to laugh at a performance"

A shy, unassuming man, who transforms on stage into a brilliant clown and artist at the same time. You can't get more typically British than choreographer and dancer Jonathan Burrows. He has achieved cult status in the dance world, and it is actually strange that his performances do not reach a wider audience. Although he himself says he has no shortage of audience members,... 

Read More ""It would be very weird if you weren't allowed to laugh at a performance"

Springdance opens with Botelho's Sideways Rain: fascinating intensity of dance, but lack of consistency


Scene from Sideways Rain by Botelho. Photo by Jean-Yves Genoud

From left to right, single people move across the stage, unceasingly and in droves sometimes, for an hour. It is addictive, this locomotion in Sideways Rain, the endless forward motion in one and the same direction of what appear to be ever-new people. Through subtle costume changes, a dark lighting scheme and Murcof's dramatic drones, it is very difficult at first to tell the 15 dancers apart. They become a fascinating stream of passers-by, on their way from somewhere to nowhere. Unlike the view along the public road, the dancers do not carry the usual bags, umbrellas and hats and, moreover, move mainly on four legs.

Read More "Springdance opens with Botelho's Sideways Rain: fascinating intensity of dance, but lack of consistency

Dutch Orchestras Visiting Committee puts heels in: "Dear Mr Zijlstra, culture is an essential part of civilisation!"

"Dear Mr Zijlstra, culture is an essential part of civilisation. It contributes to social cohesion and economic growth. The Dutch orchestras can make a major contribution, which, by the way, is not synonymous with everything just staying as it was." Unlike the 'Table of Six', the talking shop of six arts bobos who, in their enthusiasm about an entrance at... 

Read More "Dutch Orchestras Visiting Committee puts heels in: "Dear Mr Zijlstra, culture is an essential part of civilisation!"

Arts sector comes up with its own interpretation of culture cuts: more money to venues and assessment by 'professionals' on 'objective grounds'.

After the cry, now the official piece. With a fitting, tad Den Uyl/Van Agt-like title: 'Less where it can be done, better where it must be done.' But let's not laugh too hard. It is quite brave what they have done. Gitta Luyten, Marianne Versteegh, Joke Hubert, Henk Scholten, Siebe Weide and Ben Holvast, together as bosses of arts umbrellas and cultural sector institutes also... 

Read More "Arts sector comes up with its own interpretation of culture cuts: more money to venues and assessment by 'professionals' on 'objective grounds'.

After You with Monic Hendrickx and Jaap Spijkers opens third edition of Go Short

To protest against the cuts in culture, you can of course shout loudly, but as an artist you can also just do what you are good at - make something really beautiful. Dutch film director Danyael Sugawara (Alles stroomt) opted for the latter and in a day and a half he and the best Dutch actors shot Na U, a small drama about unconditional love and... 

Read More "After You with Monic Hendrickx and Jaap Spijkers opens third edition of Go Short

Yannick spurs his orchestra to a memorable and historic performance of Prokofiev's fifth symphony

The Rotterdam Philharmonic Orchestra is rated differently by conductors. Either you can get along with it and then it's a party, or it never becomes anything and then it stays at the occasional conducting session. Moreover, the musicians' enormous responsiveness is feared.

Read More "Yannick spurs his orchestra to a memorable and historic performance of Prokofiev's fifth symphony

IFFR 2011 - Slotted screening of high-profile Egyptian drama 678

With a last-minute added screening of the Egyptian drama 678, which caused quite a stir in Cairo in December, Rotterdam was still able to catch up a little on Egyptian current events. 678 dispenses with the myth that Egyptian women can protect themselves from handsome men by wearing a headscarf. In the loosely fact-based... 

Read More "IFFR 2011 - Slotted screening of high-profile Egyptian drama 678

IFFR 2011 - Tiger Eyes is beautiful ode to personal cinema

Those who did not attend the first cinema screening of Tiger Eyes yesterday would do well to tune in to Nederland 2 on Tuesday night. That is the television premiere of this Frank Scheffer-directed anniversary film with which the Rotterdam Film Festival celebrates its fortieth edition. In Tiger Eyes, seven directors who together represent the kind of cinema that Rotterdam strongly... 

Read More "IFFR 2011 - Tiger Eyes is beautiful ode to personal cinema

With the best actors of their generation, Oostpool makes beautiful theatre of J.D. Salinger's America

Things become more fascinating when you look back on them 30 years or so later. Three decades make the life you were once in the middle of history, and that is happening to my generation (40-somethings) now with the second half of the last century. Hence the success of Jonathan Frantzen's masterpieces Freedom and The Corrections, and hence the success of a DVD series like Mad Men.... 

Read More "With the best actors of their generation, Oostpool makes beautiful theatre of J.D. Salinger's America

Ifigeneia had to die, according to the reconstruction by the jubilee Theatre Group Alum

"That looks like a book series!" my wife spoke with some horror upon seeing the cover of 'The Revenge of Iphigenia'. And yes, it has to be said: in book format, the poster of Theatre Group Alum's latest theatre production is a bit too much of a stretch. From the A0 poster, you would never have thought so. Indeed: those posters of Alum, which... 

Read More "Ifigeneia had to die, according to the reconstruction by the jubilee Theatre Group Alum

Small Membership
175€ / 12 Months
Subscribe
Especially for organisations with a turnover or grant of less than 250,000 per year.
No annoying banners
A premium newsletter
5 trial newsletter subscriptions
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
More details in the confirmation email!
Most Popular
Cultural Membership
360€ / Year
Subscribe
For cultural organisations
No annoying banners
A premium newsletter
10 trial newsletter subscriptions
All our podcasts
Participate
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Collaboration
In the confirmation e-mail you will find the details for press release forwarding
Private Membership
50€ / Year
Subscribe
For natural persons and self-employed persons.
No annoying banners
A premium newsletter
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Own mastodon account on our instance
en_GBEnglish (UK)
nl_NLNederlands fr_FRFrançais en_GBEnglish (UK)