The Dutch cultural sector is in distress. Halbe Zijlstra's spending cuts ten years ago started a free fall that has still not stopped. The Social and Economic Council (SER) calculated that these cuts of 200 million not only caused impoverishment in cultural supply, but also wreaked havoc on the labour market. 20 thousand permanent jobs disappeared
The Cabinet is allocating an extra three hundred million euros to cushion the damage of the corona crisis in the cultural and creative sector. This is an important step in the right direction and will actually help a number of institutions get over the bridge. By doing so, the cabinet is also sending a signal: that culture matters. Moreover, Rutte and his...
The Ministry of OCW has excellent black felt-tip pens. In no way, therefore, did I manage to find out which newspaper in Amsterdam made the WOB request to which Minister van Engelshoven is now responding. The length of the black bar could be anything (except Coöperatief Cultureel Persbureau UA). Anyway: someone is investigating the course of events surrounding the...
Dutch youth theatre has been awarded the Prize of the Dutch Critics this year. Quite rightly so. That youth theatre of ours is of superior quality, diverse, dares to tell stories and look outside its own navel. It is more than a pity that, as an adult without a child, you don't come into contact with that theatre so often. Many an adult would fervently...
Less supply of subsidised art is good for the country. Antoinette Laan, culture spokeswoman for the governing VVD party, has thought so for at least eight years. Back in 2011, then still as alderman in Rotterdam, she stated that she did not understand why art institutions were open on weekdays. After all: everyone was at work then and so couldn't come and have a look anyway. Listen here...
Traditionally, the AVROTROS Friday Concert marks the festive end of the season with a joint concert by the Radio Philharmonic Orchestra and the Groot Omroepkoor. On 9 June, American star conductor David Robertson leads them through Maurice Ravel's compelling ballet Daphnis et Chloé in the final concert. In addition, the orchestral work L'Ascension by his compatriot Olivier Messiaen and a selection of...
The SER report published on Friday 21 April rubs it in nicely: the cultural sector is on the verge of collapse. It is even worse than a year ago. This shows that the patience of a PvdA culture minister over the past four years has not helped. Indeed: Halbe Zijlstra's multiplier of misery is doing its job entirely as expected....
Press release: From 1 January 2017, a guideline for artists' fees will be introduced in the Netherlands. Interest group Platform BK is one of the initiators of this guideline. The guideline applies to exhibitions without a sales purpose. The guideline aims to professionalise the contract practice between art institutions and artists and contributes to improving the income position of visual artists. The directive will be released on 8...
In art, you work because of your passion, not because of the money. That is so, that was always so. In art, it is even suspect if you care about money. And if you do worry about money once, it immediately comes out rotten. Are you going to shout about culture, march der your...
OK, it is still more than former tolerant partner PVV, which managed to cram the entire draft election programme onto a single A4 sheet. But in the half-page that the VVD, the country's largest party, spends on culture, it is actually worse. Here the Wilders and Zijlstra-inspired rancorous line against anything that even smells of Dutch culture is still abundantly clear....
They totally agree with us, the employers in the performing arts sector. These company and theatre directors and other managers of dwindling coffers, gathered in the Dutch Association of Performing Arts (NAPK), are circulating a letter today, calling on the Lower House to review the system of subsidies. After all, now the middle class is falling between the cracks. Has happened before, and...
Following the exploration of the labour market in the cultural sector made by the Social and Economic Council (SER) and the Council for Culture last month, there was a lot of attention on the low earning self-employed in the cultural sector. Promising headlines such as "Everyone gets paid except the artist" (NRC) and "It's a matter of waiting every month to see if I earn enough" (Volkskrant) could account for recognition...
The SER today confirmed what we already predicted in 2012: the income position of workers in the arts has been seriously weakened. Amid all the positive news about rising income and attendance figures, this is a harsh confrontation with the reality behind the numbers. Permanent staff have been replaced by freelancers to a much greater extent than in the rest of the business world. And.
For the second time, tenor Joseph Calleja performed at the Concertgebouw in Amsterdam on Monday night 22 June, accompanied by the Gelders Orchestra conducted by Frederic Chaslin. A native of Malta, Calleja (b. 1978) is a world-renowned top singer. His timbre evokes memories of the finest voices of yesteryear: the controlled vibrato of Jussi Björling and the crystal-clear, powerful pitch of...
It's raining at Amsterdam's Muziektheater.
When Crusader Renaud sings of an idyllic landscape half an hour after the performance begins, the curtain rises deliciously slowly. It adds a breathtaking dimension to the opera, which until then had been set on a small and sparse landscape on the front stage.
PUNCH! is a fantastic festival. It shows how much beauty, news and surprise emerge when the line between dance and performance is dissolved. PUNCH! promotes a refreshing view of the world and shakes loose entrenched interpretations. The young dance makers and performers show tremendous originality and creativity that you will not only enjoy watching, you will go...
That Pierre Audi does not shy away from religious symbolism is well known, but the true miracle with Parsifal by the Netherlands Opera is in the pit. There, in the hands of master conductor Iván Fischer, the Concertgebouw Orchestra sets a new Wagner standard. Despite a gigantic orchestral strength, almost chamber music-like lightness, extraordinarily transparent and, thanks to careful tempo choices, with wonderful dramatic tension. Five hours long.
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