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tomoko mukaiyama

Dutch focus on November Music 2020: Ticket sales start Thursday 10 September

This year, November Music awards 10 commissions to Dutch and two to foreign composers, including a choral work for Finnish composer Kaija Saariaho. Traditionally, November Music opens with the Bosch Requiem on Friday 6 November, which of course takes on an extra charge this year. Korean-Dutch composer Seung-Won Oh draws inspiration from the YeonDo death ritual that links Korean funeral traditions with the Catholic faith. After Kate Moore and Calliope Tsoupaki, she is the third female composer of the Bosch Requiem in a row.

Dutch focus on November Music 2020 

With a focus on the Dutch music scene, November Music aims to highlight the vitality and creativity of composers, creators and musicians during this 28th festival edition. Besides many new home-grown works, there are several concerts with leading roles for renowned foreign names. November Music 2020 takes place from 6 to 15 November at various locations in 's-Hertogenbosch with over 80 different concerts.... 

Maya Fridman: Prokofiev's Fire Angel with hard rock attitude

Russian-Dutch Maya Fridman (Moscow, 1989) plays classical and contemporary music as well as rock, jazz, folk and flamenco. Communication with the audience is now her main aim. So why limit yourself to a particular style or genre? The Cello Biennale website rightly describes her as a 'musical jack-of-all-trades'. She scored highly in 2016 at this... 

These are the winners, losers and newcomers in Amsterdam arts

Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."

So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.

Pierre Boulez turns 90 yet again

This year was a celebration of two composers from two seemingly completely different planets. The Estonian Arvo Pärt (b 1935) turned eighty, the Frenchman Pierre Boulez (b 1925) ninety. One is unparalleled among a wide audience for his eloquent 'tintinnabulist style', the other is applauded by a select group of insiders for his avant-garde compositions, which the general public, however, experiences as incomprehensible... 

dance Private Odyssey

I never felt so much loneliness and space as with My Private Odyssey

Homer's epic Odyssey tells of Odysseus' journey home. For centuries, the story has roamed the world. Each time it was different people who heard or read it. The story took on new colours, accents, interpretations that Homer could not have imagined. And now there is My Private Odyssey by Club Guy & Roni and tanzmainz. This dance and... 

Questions, stillness and resistance: choreographer Nicole Beutler's new Echo and earlier work on tour in the Netherlands

5:Echo, choreographer Nicole Beutler's most recent production, is a curious show. All focus is on two famous pioneers of Dutch dance in the 60s and 70s: Ellen Edinoff and Bianca van Dillen. Yet Echo mainly shows how impossible (and perhaps undesirable) it is to want to revive past glories. Dancer Kelly... 

Shirokuro © Anja Beutler

Unmercifully gracious, 'Shirokuro' builds on hammered Ustvolskaya @HollandFestival

Holland Festival

The collaboration between pianist Tomoko Mukaiyama and choreographer Nicole Beutler in the performance 'Shirokuro', seen last week at the Holland Festival, provides a beautiful perspective on two piano sonatas by Galina Ustvolskaya. 'Shirokuro' means black and white in Japanese. Despite strong visuals and impressive co-protagonists on stage, the Russian composer's absolute music is never explained and therefore retains its sheer power.

Tomoko Mukaiyama sprinkles nuts and high heels

Although the announcement of 'sonic tapestry: Shoes, part V' by Tomoko Mukaiyama can be read as a variant of Sex and the City on classical music, Sarah Jessica Parker would forever look at her Manolo Blahniks differently after seeing Mukaiyama's performance. This very special piano recital was Saturday 7 May at LP2 (Room 2 of the Rotterdam... 

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