On the day a group of Dutch climate scientists announce that we are not going to make 'Paris', A Play for the living in a time of extinction premieres. How do you make a play about the biggest crisis threatening us? How do you make sure you keep making theatre and not agitprop? Or maybe it's not so bad at all....
Sometimes I dream of a subsidy system where artists can actually carry out their wild plans all the way, to the extreme. Or, indeed, are obliged to do so. That, for example, if you make a musical, you actually have to put a live band on stage, and are not allowed to use a studio recording. And that you then have to pay money for that...
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