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The National Theatre

Melle Daamen on @culturepress: 6 reasons why the arts debate in the Netherlands is so laborious.

I published two articles in NRC Handelsblad last year. The first (6 July 2013) was critical of government policy. There was little reaction to this. The second article (7 December 2013) was critical of the arts sector: it needs to make its own sharp choices. That did cause a stir, although I am convinced that many colleagues largely agree with the content... 

The National Theatre prevented Stopera from becoming The National Theatre

It would have been so nice: The National Ballet together with The National Opera at The National Theatre, like you have in the capital of any self-respecting country. But so that didn't happen. The home of our National Opera and Ballet clubs is now called 'Nationale Opera en Ballet'. The National Theatre made sure of that, which, like the Nederlands Dans Theater, is not in our capital Amsterdam, but in its residence in The Hague.

From Dutch to National and vice versa. DNO and NRO give lesson on name change and collaboration

A joint press conference by two companies. In the post-Zijlstra era, that often does not bode well. A merger then seems obvious, especially when it involves the two largest opera companies in our country: De Nederlandse Opera and the Nationale Reisopera. Only now we have to turn that around: the Netherlands Opera will become the National Opera. And the building will be called National Opera and Ballet.

Drama awards party in year of gloom

It had to be a party, because there has been enough shouting and complaining and it doesn't help anything anyway. After a year in which the theatre sector in particular felt the hard hand of Mark Ruttes happy crisis policy, awards had to be handed out again. So the already not-so-huge crème de la crème of the Dutch theatre world gathered again for the gala at Amsterdam's Stadsschouwburg. It was a valiant attempt at optimism, while

Culture Council hands out in second round

Yet money for the National Academy of Visual Arts, money for an orchestra merger in the south of the Netherlands and 4.7 million for a knowledge institute for amateur art. The clear-cutting of the Dutch cultural sector has become a little less extreme thanks to a second advice from the Council for Culture. Besides the aforementioned positive assessment, there is also money for a knowledge institute for the creative sector 

Photo: Jochem Jurgens

The Kiss and DUS in final stage award nominations

The Utrecht Games (DUS), with its successful production August Oklahoma, immediately wins three nominations for the theatre awards to be handed out in September: Ria Eimers for best female lead, and Peter Bolhuis and Tjitsjke Reidinga compete for the prizes for best supporting actress. Percentage-wise, however, much more successful than DUS is De Kus, a production by Hummelinck Stuurman, because there the... 

Ten theatre performances you should not have missed according to the jury of the Dutch Theatre Festival. Agree?

Of course, you were all lining up for that legendary Richard III by Orkater with music by Tom Waits. Or you had locked yourself in for Oostpool's small-room gem 'Till the fat lady sings', or you just didn't want to miss an episode of O O Cherso and The Voice of Holland. Anyway: now you know what you... 

"That of the other person being hell. I can get so worked up about that": Laura van Dolron makes theatrical mincemeat of Sartre.

She is a 'stand-up philosopher'. With that self-coined term, she created a new form of theatre, halfway between cabaret, a lecture and theatre. She plays with her own role, deploys actors as if they were puppets, but ultimately turns out to be their plaything, as good as that of fate. In short: Laura van Dolron is a case apart. She makes... 

Kees Hulst and Maria Kraakman win Louis d'Or and Theo d'Or at 'prize circus' Gala of Dutch Theatre #tf2010

At the Gala van het Nederlands Theater at the Amsterdam Stadsschouwburg last night, the most important theatre awards were presented. Kees Hulst won the Louis d'Or for the most impressive male leading role, the role of Jörgen Hofmeester in' Tirza' at the Nationale Toneel. Maria Kraakman won the Theo d'Or for the most impressive female supporting role, Orlando in Toneelgroep Oostpool's production of the same name. The play 'Oog om Oog', with Linda van Dyck and Victor Löw, among others, won the AVRO Toneel Publieksprijs.

Actors have ambivalent feelings about 'awards circus', or Gala of Dutch Theatre #tf2010

Een rode loper, veel champagne en nog veel meer geknuffel. Het is een warm weerzien voor theaterland, het Gala van het Nederlands Theater in de Amsterdamse Stadsschouwburg. Een spannend weerzien ook, want de belangrijkste Nederlandse stage awards worden vanavond uitgereikt.

Jelineks Rechnitz impresses Holland Festival visitors #hf10

Image by Andrew B47 via Flickr Photo: Chris Vanderburght It was time for a real theatrical hit at the Holland festival, after the rather lukewarmly received British-American Shakespeares of Sam Mendes' Bridge Project. And clap it did with Rechnitz by Elfriede Jelinek dooor the best actors of the Münchener Kammerspiele. Karin Veraart of De Volkskrant was deeply impressed: ...Not... 

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