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Photo: Anne Bonthuis

Exhibit B confronts with probing glimpses @hollandfestival

Holland Festival Holland Festival

A sociable group of ladies who came in laughing and chatting, leave the room bewildered and tearful. Upset, embarrassed, this is how I see all visitors coming out. What is hard to describe in words is written on their faces. Exhibit ...

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Minicourse Opening @HollandFestival, part 1: Total theatre on slippery communication

Holland Festival Holland Festival

This year's Holland Festival opens with a performance of the opera 'Quartett'. It is a piece with a story, which needs some explanation. Maarten Baanders gives a short course on this performance. Also interesting for those who toev...

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Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Horror story of theatre show Coast overwhelms its narrators

Exactly how Little Red Riding Hood was eaten by the wicked wolf, the fairy tale does not tell. Fairy-tale-telling parents limit themselves to the before and after. And that the evil wolf is cut open by the hunter, freed from Little Red Riding Hood and filled with stones eventually ends up in a well to die is part of the winding down of the happy ending. Enough... 

Playing with the Wooster Group: 'a totally new way of being on stage, of dealing with signals and the material of the show'

Photo: Franck Beloncle 'Your audience will love it.' That was the last thing Liz Lecompte of the Wooster Group heard from the heirs of playwright Tennessee Williams shortly before the premiere of Vieux Carré. Since then, the trustees of this American monument's estate have been keeping quiet about the performance Lecompte created. It was the conclusion of a... 

You'd be interested to know what Spalding Gray and Christoph Schlingensief would have had to say to each other.

Cover of Spalding Gray At the Holland Festival, two minds wander. The loudest is that of Christoph Schlingensief, Germany's most independent filmmaker, theatre-maker, activist and enfant terrible, always good for controversy. After being diagnosed with lung cancer in 2008, he processed his anger and fear in Eine Kirche der Angst vor dem Fremden in mir, presented in 2009 at... 

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