In the rich tradition of writers who can drink each other's blood and foaming at the mouth with their pen, Writers Unlimited orchestrated a 'polemic'. In this debate, Abdelkader Benali expressed the voice of the people, and Saskia De Coster that of the elite. Both hacked at each other with help from moderator Elsbeth Etty. Result: a lot of incoherent banter.
Writers Unlimited is the most fun literary festival in the world. We can know, because we have been there twice now. Whether the comparison with all those 20 million other literature festivals in the world is entirely pure, we don't know. We do know that a lot of the writers who attend Writers Unlimited agree with us. At least during those few days and especially nights in January.
A few reasons.
Writers like to talk, and people like to talk about, with and through writers. As much as that may be reason to organise a literature festival, it is also why
At 1 strip or 1,000 words blogger and columnist Peter Breedveld spoke to three influential illustrators, Barbara Stok, Peter van Dongen and Thé Tjong-Khing using projected images from their beautiful work. The relaxed conversation was a breath of fresh air among the other ferocious debating violence at the festival.
Whether Tahmina Akefi is a good writer, I dare not say. The Afghan beauty can at least glue sentences together, and knows how to add an erotic layer on top. But whether this means she surpasses the average penny novel, or whether she has nothing to offer but oriental soft porn anyway? Tricky.
"We don't use social media because it's cool," says Tunisian internet activist Sami Ben Gharbia. "But in a dictatorship, it is the only way to inform people about what is really going on. To fight the demons in society. I am not a techny Became because it's fun. I just needed useful knowledge about internet codes, to improve my civic activism possible."
We spoke briefly at Writers Unlimited 2013 with the woman who has been giving workshops in poetry to schoolchildren for a few years now. And we wondered again if rap wasn't enough for them, those kids. No. So it turns out. And she explains it clearly.
With a jam-packed programme like Writers Unlimited 2013, it sometimes happens that, even as a professional journalist, despite everything, you end up dropping in somewhere too late, and then just catching a glimpse of something really great. In this case, after the tour de force of Amos Oz and Adriaan van Dis, was that Kenyan Ngwatilo Mawiyoo's spoken word performance. Mea culpa for that.
How many male genitals Yasmine Allas had weighed in her hand. For a while, that was the question during Writers Unlimited's most shameless programme to date. This latenight talk show addressed the question of how shameless writers actually dare to be these days. Kristien Hemmerechts, always good for a few firm statements, met her peers in
And then, just like that, you can miss the highlight of the first Winternacht because you don't pull it together with a presenter. Flemish author Bart van Loo, according to many a twitterer, seems to have uttered beautiful sentences in the programme 'Daar geef ik mijn leven voor', but that was well after midnight and I was already
During the kick-off of Winternacht 1, publicist Bas Heijne brought the two literary giants Amos Oz and Adriaan van Dis closer together. What remains of their former idealism? Oz's barrage of wonderful one-liners proved difficult to tame and made for a hilarious but somewhat unbalanced conversation.
Lebanese writer Hanaan al-Shaykh (Beirut, Lebanon, 1945) opened Wrtiters Unlimited on Thursday 17 January with a blazing argument against Arab culture of shame. This, according to the writer whose books The story of Zahra, Women between sky and sand, Beirut blues and Only in London have been translated into Dutch, so deep in
Writers Unlimited Special – Een van de belangrijke gasten op Writers Unlimited is Roland Colastica. Deze Curaçaose schrijver debuteerde in 2012 met het jeugdboek ‘Vuurwerk in mijn hoofd’. Het boek is enthousiast ontvangen, en groeit inmiddels uit tot een bescheiden bestseller. Grote kracht van het verhaal is de kleurrijke en ritmische stijl, maar minstens zo belangrijk is
They were great days, the four days we reported on Writers Unlimited (v/h Winternachten) in The Hague. We saw a new self-aware generation of writers from Africa, experienced debates and played - in the foyer of The Hague's Theater a/h Spui - for VJ during the salsa dancing class. Daniël Bertina and Wijbrand Schaap did their best to attend as many...
It is remarkable how a writer's sentences, once highlighted, can be given echoing interpretations after his death. Gustaaf Peek in particular, if he really wants to do justice to Haasse, must do something about his rather chest-thumping piety, but even a seasoned artist like Kees 't Hart may moderate the tone while quoting.
It is incredible what an energy the men of Manar can generate. These six - dressed in djellabas - percussionists play Dekka al Marrakchia: an insanely rousing form of traditional Moroccan drum 'n bass party music and religious Gnawa. After a solemn, almost ritualistic beginning - in which the band comes jogging onto the stage of the Theater aan het Spui in a goose-step, accompanied by the menacing sounds of two huge horns - the drums erupt and the dance floor is full of swinging visitors.
In the debate Burger King & Citizenship give Patrick van der Hijden, David van Reybrouck, Chris Keulemans and Samuel Vriezen Their views on the state of the citizen. Public may, but need not, participate. Below is the column State of Indulgence, recited by Patrick van der Hijden - as a kick-off to the debate.
"Our life was invented in the 18th century.
Members of the upper classes - the elite - had their own homes, often with gardens. They sent their children to school, which then started further education. They had free time and generally arrived at their appointments on time, due to the watches they wore and the train barges that left on time (they complained when delayed). Citizens who lived outside the city commuted - by carriage, that is. They drank coffee to stay awake. They visited restaurants with menus. They were vaccinated against smallpox and had pets. A great source on that life is the diary of Otto van Eck, who started it at the age of 10 under pressure from his Enlightenment-obsessed parents, in 1791. I borrow the above examples from that.
At the beginning of the twenty-first century, this life is not lived by a small minority, but by a large part of the Dutch population. These do have to do without staff. That, in fact, has been replaced by technology.
There is something special about Africa. The new generation of writers from Nigeria, Ghana and South Africa walking around Writers Unlimited is different from their parents in the world. Or, indeed, the fact that they interact with it in a completely different way, with those ancestors, defines them as something completely new. They present themselves as confident, modern global citizens.
In the late 1980s, John N. Gray (South Shields, 1948) adviser to Margaret Thatcher - Gray: "I was just a small mote of dust in her administration" - now he is a fierce critic of all things neoconservative. On Writers Unlimited, publicist Bas Heijne felt him out.
Dinaw Mengestu shares his surname with the first name of one of Ethiopia's former dictators. "For now, I am a writer, but aspire to a career as a dictator," he says. Dictators do not arise in a vacuum, Mengestu argues. "We as citizens create our leaders," he says. In his recited story, citizens hand over all their dreams. They shift all their responsibility towards those in power. And.
Sweet and quite tasty, although some of the guests said they were less enamoured with the hutspot with gravy that the Haagse Hapjes had prepared for them. Most guests would have preferred a bit more spice with their welcome meal. Tonight, Africa is on the menu. The local pepper farmer must be having a party because of increased sales, we suspect.
His voice is low, and when he talks, he does so calmly and thoughtfully. He regards his humour - very British - as a side effect that is more accidental than intended. This makes Helon Habila a perfect guest for the opening night of Writers Unlimited, the Hague literature festival better known as 'Winternachten'. The Nigerian can tell stories, but...
He is now a publisher, and the man who was director of the Dutch Foundation for Literature until last year will be quite happy with that. As director of the Bezige Bij, one of the country's largest publishing houses, he will surely never again have to submissively toast the sarcastic State Secretary for Culture Halbe Zijlstra. At least the relief was audible in Pröpper's...
She now lives in Norway, after she had to leave her homeland Iran for her own opinion. She was detained for five days, and in Tehran's notorious Evin prison, that is an eternity. Now Asieh Amini is free in a foreign land, and Oxfam-Novib is presenting her with the PEN Award. A great opening for the Writers Unlimited Winternachten Festival, which, with this presentation,...
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