The Marathon Effect is well known: put spectators together in a theatre for half a day or more, preferably on uncomfortable seats, and hand them over to a couple of actors with a play. Success seems assured, and the ancient Greeks already knew that. So that there would be no discord around the monster project I Demoni, Peter Stein's Dostoevsky adaptation that the Holland Festival brought to the weekend of 12 and 13 June, was to be expected. That a number of people, especially among the...
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