Boukje Schweigman's world is exciting, but never deadly. Whether she makes an experiential performance in a beautiful location during a summer festival, or takes a more artful approach in the plays she makes for theatres: you only see nice people. Even in Val, her latest. In it, we see a lot of nice people falling. Falling deeply, sometimes. But that falling happens to them, and has something totally inevitable about it, making it almost soothing.
In an art world where m...
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